never-again

Cannonball Adderley – A Forgotten Jazz Classic

More Cannonball Adderley

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • An exceptionally rare and amazing sounding early stereo pressing (that’s the mono you see pictured btw) – it boasts Triple Plus (A+++) sound from first note to last 
  • These originals are by far the best way to go, in stereo of course, putting Cannonball’s breathy, melodic sax right between your speakers, with the rest of the band – including Sergio Mendes on keys – spread out around him
  • Truly an undiscovered gem in the Adderley catalog – the audiophiles here at Better Records were digging both the music and especially the superb sound
  • Another top quality recording from the superbly talented Ray Fowler, the house engineer for Riverside and the man behind many of the best Thelonious Monk and Cannonball Adderley recordings done for that great jazz label
  • A Jazz Classic from 1963 that should appeal to any fan of Bossa Nova music
  • The complete list of titles from 1963 that we’ve reviewed to date can be found here.

I think I first heard this album on the original pressing about ten years ago. Of course I liked it immediately; samba jazz and pop are two of my favorite styles of music, from Getz Au Go Go to Astrud Gilbert, on to Antonio Carlos Jobim and ending with the bottled-sunshine Pure Pop of Sergio Mendes and Brazil ’66.

For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good 1962 All Tube Analog sound can be, this killer copy will do the trick. (more…)

Rita Coolidge – It’s Only Love

More Rita Coolidge

  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • Fans of Linda Ronstadt’s ’70s music are going to find a lot of Tubey Magical sound to like here – spending some time with Rita and getting reacquainted with her albums is just the kind of thing that makes record collecting fun
  • John Haeny, the principal engineer for Rita and hubby Kris Kristofferson during the ’70s, in fact worked on some of Linda’s albums, as well as those by Judy Collins, Bonnie Raitt, Jackson Browne, Little Feat and many others
  • If you’re a fan of Rita’s, this 1975 release is one of her best and surely belongs in your collection

(more…)

This Is the Most Amazing Record the Dregs Ever Made

dixiedregs

This is the band’s masterpiece as well as a Personal Favorite of yours truly.

It’s also a clear case of One and Done, at least when it comes to vinyl. (The live album, Bring ‘Em Back Alive, is only available on CD, but comes highly recommended as well.)

If you want to hear what happens when five virtuoso instrumentalists manage to combine their talent for Jazz, Rock, Classical and Country (thanks god there aren’t any vocals) into a potent mix that defies classification and breaks all the rules, this is the one. It reminds me of Ellington’s famous line that there are only two kinds of music: good music and bad music. This is the kind of music you may have trouble describing, but one thing’s for sure — it’s good. In fact it’s really good.

This is the most AMAZING album the Dregs ever recorded, and now this wild amalgamation of rock, jazz, country, prog and classical music has the kind of sound I always dreamed it could have. It’s rich and smooth like good ANALOG should be. It’s also got plenty of energy and rock and roll drive, which is precisely where the famous half-speed falls apart.

Few audiophiles know this music, and that’s a shame. This record is just a delight from beginning to end.

I’m apparently not the only one who noticed how good the album is. In 1980 Dregs of the Earth received a Grammy nomination for Best Rock Instrumental Performance. (more…)

Rabin / The Magic Bow – Another TAS List Oversight?

Hot Stamper Pressings Featuring the Violin

Reviews and Commentaries for TAS Super Disc Recordings

This original Capitol record with Michael Rabin is ONE OF THE VERY BEST VIOLIN RECORDINGS we have ever played here at Better Records. The sound is OUT OF THIS WORLD! The immediacy of the violin tone is unbelievable — Rabin is in the room with you throughout the entirety of the record in a way that few recordings in our experience could hope to equal.

What more can we say, other than the music is every bit as good as the sound. If you love the Classical Romantic period, and who doesn’t?, these selections will have you in a world of sound and music rarely matched by anything but the best in live performance.

Another TAS List Oversight

This is another record that is not on the TAS List, but would certainly take top honors in a head to head shootout with any of the violin works to be found there.

TAS List Super Discs with Hot Stampers

Records that Do Not Belong on a Super Disc List

(more…)

Jimmy Witherspoon – Handbags and Gladrags

More Jimmy Witherspoon

  • An outstanding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
  • Both sides here are super big, rich and lively with tons of extension on both ends
  • Exceptionally quiet vinyl throughout with both sides playing Mint Minus to Mint Minus Minus

(more…)

Mary Hopkin – Post Card

More Hippie Folk Rock

More Recordings Engineered by Ken Scott

  • This original Apple import boasts outstanding Double Plus (A++) sound throughout
  • Rich, smooth, Tubey Magical and spacious, with wonderfully breathy vocals, this is the kind of sound you hope to get from properly mastered vinyl made using fresh master tapes, and here you do!
  • Engineered by Ken Scott, Donovan’s “Lord of the Reedy River” is simply amazing on this copy
  • A very difficult record to find on original UK vinyl in audiophile playing condition – I would not expect to see another one of this quality soon
  • 4 1/2 stars: “Paul McCartney produced this debut album of twee but pretty, romantic pop-folk… the highlights are Donovan’s “Lord of the Reedy River” and “The Honeymoon Song,” which McCartney himself had sung with the Beatles way back in 1963 on the BBC…”

The domestic pressings can sound very good but they can’t sound like this Brit original! This is clearly the master tape; all veils have been lifted, and the ambience and transparency of the soundstage are sublime on both sides. (more…)

Benny Carter / Meets Oscar Peterson – A Pablo We Liked Back in the Day

We used to like this record back in the day. Have not played it in 15 years so it’s hard to say what we would think of it now. Probably still pretty good, somewhere in the B range.

“Benny Carter had recorded with pianist Oscar Peterson back in the early ’50s for Norman Granz’s Verve label. More than 30 years, later he teamed up with Peterson again, this time for Granz’s Pablo company. There was no sign of decline or disillusionment in either of the co-leaders’ playing; in fact, if anything, they had improved with age. Joined by guitarist Joe Pass, bassist Dave Young and drummer Martin Drew, Carter and Peterson are both in a joyous mood and in typically swinging form on six standards and a blues.” — AMG (more…)

Peggy Lee – Pass Me By

More of the Music of Miss Peggy Lee

If you’re a fan of vintage female vocals – the kind with no trace of digital reverb – you may get quite a kick out of this one. And unless I miss my guess you’ll be the first and only person on your block to own it! (That’s not a bad thing considering the average person’s taste in music and sound these days.)

Copies with rich lower mids and nice extension up top (to keep the big band arrangements by Shorty Rogers and Dave Grusin from becoming shrill) did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we heard them all. (more…)

Elton John’s Caribou Is Usually Noisy and Sounds Bad – But Why?

More Elton John

Reviews and Commentaries for the Music of Elton John

There’s a good reason you’ve practically never seen this album for sale on our site. In fact there are quite a number of good reasons.

The first one is bad vinyl — most DJM pressings of Caribou are just too noisy to sell. They can look perfectly mint and play noisy as hell; it’s not abuse, it’s bad vinyl.

Empty Sky is the same way; out and out bad vinyl, full of noise, grit and grain.

The second problem is bad sound. Whether it’s bad mastering or bad vinyl incapable of holding onto good mastering, no one can say. Since so many copies were pressed of this monster Number One album (topping the charts on both sides of the Atlantic):

  • Perhaps they pressed a few too many after the stampers were worn out.
  • Or pulled too many stampers off the mother.
  • Or made too many stampers from the father.
  • Or used crap vinyl right from the start.

Of course there’s not an iota of evidence to back up any of these assertions, but I just thought I would throw them all out there as a topic for speculation.

Speaking of speculation, have you noticed how much audiophiles and audiophile reviewers love to talk about things that they have no empirical evidence for, one way or the other? (More on unproductive speculation here.)

Very little of that sort of thing can be found on our site. We like to stick to the sound of the records we’ve played and leave most of the “reasoning” about the sound to others.

(more…)

Rod Stewart – An Old Raincoat Won’t Ever Let You Down

More Rod Stewart

  • This UK Vertigo copy of Rod Stewart’s debut solo album boasts excellent Double Plus (A++) sound from first note to last
  • Rich, smooth and Tubey Magical, this pressing has a lovely musical quality that’s missing from most copies 
  • Titled The Rod Stewart Album for US release, this is Rod the Mod’s acclaimed debut, but don’t waste your money on the domestic pressings, they are clearly made from dubbed tapes
  • 4 1/2 stars: “The music and the songs are so vivid and rich with detail that they reflect a whole way of life, and while Stewart would later flesh out this blueprint, it remains a stunningly original vision.”

This vintage British pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)