- A Parsley, Sage… like you’ve never heard, with excellent Double Plus (A++) sound on both sides of this vintage 360 Stereo pressing
- Their best recording, a Top 100 album and a Demo Disc for Tubey Magical voices and guitars
- Especially smooth, present, breathy vocals – this is the sound we love here at Better Records
- Having played them by the hundreds, we’ve found that midrange presence and resolution are precisely what go missing on The Modern Heavy Vinyl Reissue — if those qualities are important to you, vintage vinyl is the only solution to your problem
- 4 1/2 stars: “[I]t is an achievement akin to the Beatles’ Revolver or the Beach Boys’ Pet Sounds album, and just as personal and pointed as either of those records at their respective bests.”
- Fans of this Folky Duo should definitely find a place for this 1966 release, which is also their best sounding album
- The complete list of titles from 1966 that we’ve reviewed to date can be found here.
- With two superb Double Plus (A++) sides, this original UK import pressing is guaranteed to blow the doors off any other Trust you’ve heard – fairly quiet vinyl too
- This copy has Demo Disc sound guaranteed to knock you right out of your listening chair
- The clarity and transparency allow you to appreciate subtleties in the high end even when the bass and drums are really POUNDING
- 5 stars: “…their most ambitious and eclectic album to date… Costello & the Attractions demonstrate their musical skill and savvy by essentially sticking to the direct sound of their four-piece band. In the process, they recorded, arguably, their most impressive album, one that demonstrates all sides of Costello’s songwriting and performing personality without succumbing to pretentiousness.”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Trust is a good example of a record many audiophiles may not know well but should.
This copy has The Big Sound that lets this music REALLY ROCK. There’s a TON of low-end on this record; regrettably, most copies suffer from either a lack of bass or a lack of bass definition. I can’t tell you how much you’re missing when the bass isn’t right on this album. It’s without a doubt THE SINGLE MOST IMPORTANT ASPECT of the sound on this album.
When the bass is right, everything falls into place, and the music comes powerfully to life. When the bass is lacking or ill-defined, the music seems labored; the moment-to-moment rhythmic changes in the songs blur together, and the band just doesn’t swing the way it’s supposed to.
- This UK Island Pink Rim pressing makes the case that ELP’s debut is clearly one of the most POWERFUL rock records ever made
- Spacious, rich and dynamic, with big bass and tremendous energy – these are just some of the things we love about Eddie Offord‘s engineering work on this band’s albums
- ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digital sourced material) that sounds as good as this record as long as you live
- “Lucky Man” and “Take A Pebble” on this copy have Demo Disc Quality Sound like you won’t believe
- If you are looking for a shootout winning copy, let us know – with such good music and sound, we hope to get another shootout going again soon
- 4 1/2 stars: “Lively, ambitious, almost entirely successful debut album… [which] showcased the group at its least pretentious and most musicianly …there isn’t much excess, and there is a lot of impressive musicianship here.”
If you’ve got the system to play this one loud enough, with the low end weight and energy it requires, you are in for a treat. The organ that opens side two will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. This is bombastic prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels, it actually will rock your world.
This UK Island pink rim import pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- With outstanding Double Plus (A++) sound or BETTER on all FOUR sides, this British pressing is guaranteed to blow the doors off any other White Album you’ve heard – exceptionally quiet vinyl too
- This copy of the Beatles’ Masterpiece (my personal favorite of all their albums) is going to thrill and delight the lucky person who snags it
- If you’ve heard the half-speed and Heavy Vinyl versions of The White Album, then you know how riddled they are with unacceptable flaws
- They are simply not enjoyable on high-quality equipment, unlike this copy, which is guaranteed to be an unalloyed joy to play
- “If there is still any doubt that Lennon and McCartney are the greatest song writers since Schubert, then next Friday – with the publication of the new Beatles double LP – should surely see the last vestiges of cultural snobbery and bourgeois prejudice swept away in a deluge of joyful music making…” Right On!
Our Hot Stampers have always been a BIG hit with the folks who’ve been lucky enough to snare them. If you’re ready for a High-Quality copy of The White Album that’s sure to massacre all the pressings you’ve heard until now, you should jump right on this bad boy. (more…)
- Insane Rock and Roll ENERGY like nothing you have ever heard – the sound is exceptionally full-bodied, smooth and solid, making it possible to get the volume up good and high where it belongs
- Here are the Rock and Roll Classics that reign supreme to this very day – Black Dog, Rock & Roll, Stairway to Heaven, When the Levee Breaks, every one sounding better than you’ve ever heard them or your money back
- 5 stars: “Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin’s untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of ’70s hard rock.”
- If you’re a fan of the band, this title from 1971 is clearly one of their best, and one of their best sounding
- The complete list of titles from 1971 that we’ve reviewed to date can be found here.
It is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you when you play this copy at the listening levels it was meant to be heard at.
You’d better be ready to rock, because this copy has the ENERGY and WHOMP that will make you want to. Zep IV demands loud levels, but practically any copy will punish you mercilessly if you try to play it at anything even approaching live levels.
I never met John Bonham, and it’s probably too late now, but I imagine he would feel more than a little disrespected if he found out people were playing his music at the polite listening levels many audiophiles prefer. The term “hi-fidelity” loses its meaning if the instruments are playing at impossibly low levels. If the instruments could never be heard that way live, where exactly is the fidelity?
How on earth is a speaker system like this one going to reproduce the 22 inch (or more!) kick drum of John Bonham?
- This vintage UK import pressing boasts superb Tubey Magical British Rock sound, with excellent Double Plus (A++) grades on both sides
- A monster Demo Disc – the bottom end is huge, the top is open and extended, and the overall tonality rich and balanced
- An amazing recording and a founding member of our Top 100 – it’s a shame we rarely find them with sound this good and audiophile quality surfaces (DJM see-through vinyl being what it is)
- 5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote.”
If you doubt that Elton John was an unusually gifted Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should serve as all the proof you could possibly need. There’s not a dog in the bunch, and most of these songs are positively brilliant. Drop the needle on any track, you simply can’t go wrong.
Honky Chateau has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be.
The amount of effort that went into the recording of Honky Chateau is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.
The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this music to life and allowed us to make sense of it. This is yet another definition of a Hot Stamper — it’s the copy that lets the music work as music.
Big Production Tubey Magical British Rock just does not get much better than Honky Chateau. (more…)
- An outstanding copy of Just One Night with solid Double Plus (A++) sound on all four sides
- This one is bigger, bolder and richer, as well as more clean, clear and open than many other copies we played
- Sure to be the best live Clapton sound you’ll hear on vinyl – and the music is wonderful as well
- 4 1/2 stars: “The most notable difference between Just One Night and Clapton’s other live albums is his backing band. Led by guitarist Albert Lee, the group is a collective of accomplished professionals who have managed to keep some grit in their playing. They help push Clapton along, forcing him to spit out crackling solos throughout the album.”
- If you’re a Clapton fan, this title from 1980 is surely a Must Own Live Rock Album
- The complete list of titles from 1980 that we’ve reviewed to date can be found here.
- This original UK import pressing of Sheet Music boasts outstanding Double Plus (A++) sound from top to bottom – exceptionally quiet vinyl too
- Rich, full-bodied, with sound that just jumps out of the speakers, this is a Truly Amazing Demo Disc on the order of Crime of the Century or Dark Side of the Moon
- If you don’t know 10cc’s music well, this is probably the best place to start – you just might find yourself as big a fan as we are here at Better Records
- Bassist Graham Gouldman calls it “the definitive 10cc album” and he’s probably right about that (although we love The Original Soundtrack that came out a year later)
- “Three hit singles spun off the record, and most of the other tracks could have followed suit; it says much for Sheet Music’s staying power that, no matter how many times the album is reissued, it has never lost its power to delight, excite, and set alight a lousy day.”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. Sheet Music is a good example of a record many audiophiles may not know well but would be well advised to get to know better.
Sheet Music is, in our opinion, the most consistently well-written and produced 10cc album, with every track performed with heart and recorded with exquisite attention to detail. Each song flows into the next and there is simply not a dull moment to be found. Sheet Music is arguably the best record they ever made, although I’m such a fan, I think they’re all great. (The first five albums anyway.)
- This early DJM import pressing of Elton John’s 1970 Masterpiece boasts solid Double Plus (A++) grades from first note to last
- The sound here is richer, with much less transistory grain, and more of the All Important Tubey Magic than most other copies we played
- An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
- Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
- 5 stars: “….[Elton John and Bernie Taupin’s] most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”
- If you’re an Elton John fan, this is a classic from 1970 that belongs in your collection
- We consider this Elton John album a Masterpiece. It’s a recording that should be part of any serious popular Music Collection. Others that belong in that category can be found here.
- A vintage Reprise pressing of Ry Cooder’s 1970 debut with seriously good Double Plus (A++) sound on both sides
- If you want to hear the brilliant Lee Herschberg‘s All Analog Recording skills brought to bear on so many different instruments serving an assortment of sonic textures, this is the copy that will let you do it
- 4 stars: “Cooder’s debut creates an intriguing fusion of blues, folk, rock & roll, and pop, filtered through his own intricate, syncopated guitar; Van Dyke Parks and Lenny Waronker’s idiosyncratic production… Cooder puts this unique blend across with a combination of terrific songs, virtuosic playing, and quirky, yet imaginative, arrangements.”
- This is clearly George Harrison’s best sounding album. Roughly 100 other listings for the Best Sounding Album by an Artist or Group (sounds like a Grammy Awards category, doesn’t it?) can be found here.
- This is a Must Own Title from 1970, a great year for Rock and Pop music, perhaps the best ever
- The complete list of titles from 1970 that we’ve reviewed to date can be found here
The music reminds me a lot of early Little Feat, which is a good thing. The sound is somewhat similar as well, which is to say that it is natural and musical, nothing like the hyped-up hi-fi sound of his TAS-listed album Jazz — and that’s a good thing as well.
There are some great songs here, including My Old Kentucky Home, One Meat Ball and How Can A Poor Man Stand Such Times And Live. It may even be his best album. (more…)