- With superb Double Plus (A++) grades on both sides, this vintage Reprise pressing of the 1975 self-titled album boasts outstanding sound
- A Rock and Pop Top 100 Title – their best recording bar none – the sound is Tubey Magical like no other Mac LP
- Unlike the MoFi, the best early pressings have huge amounts of deep bass, and if you’ve got the speakers to play an album with a bottom this big, you are in for a thrill
- 5 stars: “Fleetwood Mac is a blockbuster album that isn’t dominated by its hit singles, and its album tracks demonstrate a depth of both songwriting and musicality that would blossom fully on Rumours.”
Only the best copies are sufficiently transparent to grant the listener the privilege of hearing all the elements laid out clearly, each occupying a real three-dimensional space within the soundfield.
With recent changes to some of our room treatments, we now have even more transparency in the mids and highs, while improving the whomp factor (the formula goes like this: deep bass + mid bass + speed + dynamics + energy = whomp) at the listening position.
There’s always tons of bass being produced when you have three 12′ woofers firing away, but getting the bass out of the corners and into the center of the room is one of the toughest tricks in audio.
For a while we were quite enamored with some later pressings of this album — they were cut super clean, with extended highs and amazing transparency, with virtually none of the congestion in the loud parts you hear on practically every copy.
But that clarity comes at a price, and it’s a steep one. The best early pressings have whomp down below only hinted at by the “cleaner” reissues. It’s the same way super transparent half-speeds fool most audiophiles. For some reason audiophiles rarely seem to notice the lack of weight and solidity down below that they’ve sacrificed for this improved clarity. (Probably because it’s the rare audiophile speaker that can really move enough air to produce the whomp we are talking about here.)
But hey, look who’s talking! I was fooled too. You have to get huge amounts of garbage out of your system (and your room) before the trade-offs become obvious. When you find that special early pressing, one with all the magic in the midrange and top without any loss of power down below, then my friend you have one of those “I Can’t Believe It’s A Record” records. We call them Hot Stampers here at Better Records, and they’re guaranteed to blow your mind.
Funky Brazilian Music For Audiophiles
This is one of my favorite albums, one which certainly belongs in any Audiophile’s collection. Better sound is hard to find — when you have the right pressing. Unfortunately those are pretty hard to come by. Most LPs are grainy, shrill, thin, veiled and full of compressor distortion in the louder parts: this is not a recipe for audiophile listening pleasure.
But we LOVE this album here at Better Records, and have since Day One. One of the first records I ever played for my good audio buddy Robert Pincus (Cisco Records) to demonstrate the sound of my system was Sergio’s syncopated version of Day Tripper off this album. That was more than thirty years ago, and I can honestly say I have never tired of this music in the decades since.
This album checks off a few of our favorite boxes:
- An outstanding copy of the band’s debut with solid Double Plus (A++) sound from start to finish – we guarantee you’ve never experienced The Doors like this!
- The sound is incredibly big, rich and spacious, with a rock solid bottom end and energy that puts the lie to the modern veiled, lifeless reissue
- Only the right Gold Label originals can win a shootout, and few of them are not going to have condition issues, but the two here are fairly minor all things considered
- A must-own album “whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered.”
- 5 stars: “A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band’s fusion of rock, blues, classical, jazz and poetry with a knockout punch.”
Superb sound on this copy of the Doors self-titled classic! You won’t believe how good the sound is here — big and rich with plenty of bottom end and an energy level that’s really something to hear! Thanks, Bruce Botnick, you da man!
Honestly, we must return or reject 80% of the copies that come through the door, which should go a long way towards explaining why they hit the site with such irregularity. We know what the best stampers are and have for quite a while. What we have a devil of a time doing is finding anyone selling the album who knows how to grade it properly, especially when it comes to the kind of groove damage that’s common to records played on turntables that lack anti-skate. (more…)
- A STUNNING copy of Jackson Browne’s debut with Shootout Winning Triple Plus (A+++) sound from start to finish
- Balanced, musical, present and full-bodied throughout – this pressing was a big step up from every other copy we played
- “… Jackson Browne’s first album is among the most auspicious debuts in pop music history”
- 5 stars: “… the album has long since come to seem a timeless collection of reflective ballads touching on still-difficult subjects — suicide (explicitly), depression and drug use (probably), spiritual uncertainty and desperate hope — all in calm, reasoned tones, and all with an amazingly eloquent sense of language.”
- An outstanding 360 Stereo pressing (the only ones we offer) of Simon & Garfunkel’s classic, with Shootout Winning Triple Plus (A+++) sound or very close to it throughout – exceptionally quiet vinyl too
- There’s a reason you rarely see this title on our site – we have a devil of a time finding clean 360s without marks or significant surface noise, especially for the title track
- The sound is big, lively, and clear, with the kind of Tubey Magical richness that only the best 360 pressings can offer
- Surely this is BY FAR the toughest album of theirs to find with top quality sound and decent surfaces
- This Magnum Opus ended the duo’s collaboration with a ginormous over the top production, which taxed the recording technology of the day and is sure to tax any system that attempts to reproduce it
- 5 stars: “Perhaps the most delicately textured album to close out the 1960s from any major rock act… the songs matched the standard of craftsmanship that had been established on the duo’s two prior albums”
Both sides here KILLED every other copy we played.
The strings on the title track actually have some texture, and Cecilia comes to life in a way we guarantee you have never heard before. There’s also much less of the spit and grit that you find on many copies.
The sound is quite a bit more musical and enjoyable than you might expect, especially if you own a reissue on the red label or an audiophile reissue of any kind. All our copies are on the 360 label, and none of them are on Heavy Vinyl or Half-Speed Mastered. If it’s not a 360, it’s not a Hot Stamper in our book. (more…)
- A KILLER copy of Elton John’s classic with Shootout Winning Triple Plus (A+++) sound or very close to it on both sides of this original DJM pressing
- The sound here is richer, with much less transistory grain, and more of the All Important Tubey Magic than every other copy we played
- An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
- 5 stars: “….their most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”
The Tubey Magic Top Ten
You don’t need tube equipment to hear the prodigious amounts of Tubey Magic that exist on this recording. For those of you who’ve experienced top quality analog pressings of Meddle or Dark Side of the Moon, or practically any jazz album on Contemporary, whether played through tubes or transistors, that’s the luscious sound of Tubey Magic, and it is all over Tumbleweed Connection
Ranked strictly in terms of Tubey Magic I would have to put this album on our list of Most Tubey Magical Rock Recordings of All Time, right up there with, in no particular order:
- Sgt. Pepper (1967),
- Meddle (1971),
- Dark Side of the Moon (1973),
- Dire Straits (1977, and clearly the outlier in this group),
- The Eagles (1972),
- Tommy (1969),
- The Doors (1967),
- Ziggy Stardust (1972),
- A Space in Time (1970)
This has to be one of the best sounding rock records of all time — certainly worthy of a Top Ten spot on our Top 100 list. Engineered by Robin Geoffrey Cable at Trident, there is no other Elton John recording that is as big and powerful as Tumbleweed.
A copy like this really tells you why we love this album so. The highs are silky sweet, the vocals are full-bodied and breathy, and the tonal balance is perfection from top to bottom. And big drums, monstrously big, can’t forget those. (more…)
- With two seriously good Double Plus (A++) sides, this copy is guaranteed to blow the doors off any other Hotel Ca you’ve heard
- We are having a devil of a time finding this album in audiophile playing condition these days, which is why you practically never see them on the site anymore, and copies quieter than Mint Minus Minus are practically unheard of
- A Better Records Top 100 pick – here’s a copy that’s transparent, and hi-rez, with all the energy and Tubey Magic that can only be found on these original pressings
- 5 stars: “Hotel California unveiled what seemed almost like a whole new band… The result was the Eagles’ biggest-selling regular album release, and one of the most successful rock albums ever.”
We just finished a shootout for this title and this bad boy is truly a Demo Disc Quality Classic Rock LP.
From first note to last, this pressing has Demo Disc Quality Sound. Drop the needle on any track on either side to hear what we’re talking about. The highs are silky and delicate, the bottom end is tight and punchy, and the vocals sound AMAZING. The bass is PERFECTION, which really brings out the feel of the song Hotel California. It’s so deep and loping, the effect is practically narcotic.
Life In The Fast Lane is possibly the toughest song on the album to get right — it tends to have that transistory, compressed sound that we’ve come to expect from Bill Szymczyk. On this copy, it REALLY ROCKS — super-punchy with amazing presence and lots of meaty texture to the guitars. It will always sound a bit harsher than ideal on any copy with real presence, texture, and energy; that’s just the sound they were going for. It is what it is, which makes it not a good track to judge the first side by.
On side two, one of the better sounding tracks is Try And Love Again. On a Nearly White Hot Stamper copy like this one, it’s off the charts. The wonderful clarity and punchy bass here take this song to a whole new level. (more…)
- A stunning sounding copy with Shootout Winning Triple Plus (A+++) sound from start to finish
- Here’s an amazing Trick of the Tail that absolutely blows the typical pressing out of the water!
- The sound is BIG, BOLD and OPEN, breaking free from the grainy and cloudly qualities that screw up the average copy
- HERE is the deep, note-like, well-articulated bass that the MOFI and 95% of all the other pressings don’t have
It was a thrill to finally hear this album sound great after all these years. The cymbals are clean and silky, the vocals are present, the bass has real weight and the overall sound is balanced and natural! You’ve got to clean and play a TON of copies to have any hope of finding one that’d come anywhere near this one.
At the end of the second track on side one, Entangled, there is a wonderful sounding choral effect which Alan Parsons liked so much he decided to use it liberally on his own recordings. He’s famous for having admitted to analyzing classic rock records, then taking the best bits and pieces, cobbling them together and producing the “music” that he is known for. I prefer the original bits and pieces myself. (more…)
- Presenting a STUNNING copy of Steely Dan’s magnificent Jazzy Pop breakthrough album
- This one arrives with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish – exceptionally quiet vinyl too
- Punchy, full and smooth, with the kind of rhythmic energy that brings out the jazzy funk in the music
- A Better Records Rock and Pop Top 100 album and a true Demo Disc on an exceptional pressing like this
- 4 1/2 stars: “With Aja, Walter Becker and Donald Fagen’s obsession with sonic detail and fascination with composition reached new heights. A coolly textured and immaculately produced collection of sophisticated jazz-rock, Aja has none of the overt cynicism or self-consciously challenging music that distinguished previous Steely Dan records … a shining example of jazz-rock at its finest. “
Folks, there’s not much I can tell you about this copy of Aja that’s going to make you want this record, other than to say this: If you’re in the market for a superb pressing of what’s gotta be the most beloved Steely Dan record they made, look no further. It’s right here. (more…)
The best tracks here have the quality of LIVE MUSIC in a way that not one out of a hundred rock records do. It sounds like it’s recorded live in the studio, but of course that’s impossible, because Paul plays practically all the instruments himself! It just goes to show how good a multi-track studio recording can sound when done well.
In our experience, the real McCartney Magic is only found on the best domestic Apple pressings. We’ve never heard an import that did much for us, and the later CBS issues are hardly worth the vinyl they’re pressed on.
This album, like Unplugged and Band on the Run (and not a whole lot else) is SUPERB from start to finish. At the end of side two you want MORE. I wish I could say that about the rest of his discography.