1971

Derek and the Dominos – Layla

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  • With a Shootout Winning Triple Plus (A+++) side one and outstanding Double Plus (A++) sides two, three and four, this copy delivers top quality sound for this famously difficult recording – exceptionally quiet vinyl too! 
  • Some of our favorite Clapton songs are here: Bell Bottom Blues, Tell The Truth, Little Wing, Layla and Have You Ever Loved A Woman?
  • One of the most difficult albums to find audiophile sound for, but a lot easier for us now that we know what pressings can actually sound good
  • Clapton’s greatest album: “But what really makes Layla such a powerful record is that Clapton, ignoring the traditions that occasionally painted him into a corner, simply tears through these songs with burning, intense emotion.”

Outstanding sound for all four sides of this classic album. Unless you plan on playing a very big pile of copies you will be hard-pressed to find a copy with sound like this. (more…)

Cat Stevens Asks: Light, Medium or Heavy on the Congas?

Teaser and the Firecat

 

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During the shootout for this record a while back we made a very important discovery, a seemingly obvious one but one that nevertheless had eluded us for the past twenty plus years (so how obvious could it have been?). It became clear, for the first time, what accounts for the wide disparity in ENERGY and DRIVE from one copy to the next. We can sum it up for you in one five letter word, and that word is conga.

The congas are what drive the high-energy songs, songs like Tuesday’s Dead and Changes IV. Here is how we stumbled upon their critically important contribution.

We were listening to one of the better copies during a recent shootout. The first track on side one, The Wind, was especially gorgeous; Cat and his acoustic guitar were right there in the room with us. The transparency, tonal neutrality, presence and all the rest were just superb. Then came time to move to the other test track on side one, which is Changes IV, one of the higher energy songs we like to play.

But the energy we expected to hear was nowhere to be found. The powerful rhythmic drive of the best copies of the album just wasn’t happening. The more we listened the more it became clear that the congas were not doing what they normally do. The midbass to lower midrange area of the LP lacked energy, weight and power, and this prevented the song from coming to LIFE the way the truly Hot Stampers can and do.

Big Speakers

For twenty years Tuesday’s Dead has been one of my favorite tracks for demonstrating what The Big Speaker Sound is all about. Now I think I better understand why. Big speakers are the only way to reproduce the physical size and tremendous energy of the congas (and other drums of course) that play such a big part in driving the rhythmic energy of the song.
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Listening in Depth to Derek and The Dominos

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Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

The best copies of Layla are Tubey Magical, energetic, and tonally balanced. Most importantly, they sound CORRECT; you get the sense that you are hearing the music exactly as the band intended. The best sounding tracks have presence, clarity, and transparency like you have never heard — that is, unless you’ve gone through a pile of copies the way we do.

We have a special designation for such a pressing. We call it As Good As It Gets. When it finally all comes together for such a famously compromised recording, it’s nothing less than a THRILL. More than anything else, the sound is RIGHT.  (more…)

Santana – Santana (III) – Our White Hot Shootout Winner for 2017


Our White Hot Shootout Winner for 2017

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  • With a Triple Plus (A+++) side one and a seriously good Double Plus (A++) side two, this copy is rockin’ with punchy drums and big guitars
  • Amazing transparency – you hear into the huge, deep soundfield with almost nothing between you and the musicians
  • Surprising amounts of Tubey Magic — some of the best sound this very well recorded band achieved in the studio
  • 3 big hits that sound great here: No One To Depend On, Everybody’s Everything and Everything’s Coming Our Way
  • 4 1/2 stars: “This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision.”

See all of our Santana albums in stock

Three big hits and all three sound amazing: No One To Depend On on side one and Everybody’s Everything and Everything’s Coming Our Way on side two.

The Best Sounding Santana Album?

Even more amazing and surprising was the amount of TUBEY MAGIC found on the best copies like this one. I may be going out on a limb, but to me this recording has more of that quality than any other Santana record ever made (although the first album would be a close second and could easily have more Tubey Magic on any given copy).

Tubey Magic in this case means you not only get all the richness, sweetness and three-dimensionality that the term implies, but also amazing TRANSPARENCY. There’s no smear to the sound, no veil to peer through — you just hear into that huge, deep soundfield of the studio with nothing between you and the musicians.

They’re all right there in the studio together; there’s no question this record is practically a live recording. It has the feel and energy of a recording where everyone is in the room at the same time, much like the first Santana record. That gives the sound AND the music a very special quality that’s hard to create any other way. (more…)

Kenny Burrell – God Bless The Child

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Kenny Burrell – God Bless The Child

A distinguished member of the Better Records Jazz Hall of Fame.

This is one of our favorite orchestra-backed jazz records here at Better Records. A few others off the top of my head would be Wes Montgomery’s California Dreaming (1966, and also Sebesky-arranged), Grover Washington’s All the King’s Horses (1973) and Deodato’s Prelude (also 1973, with brilliant arrangements by the man himself).

On a killer copy like this the sound is out of this world. Rich and full, open and transparent, this one defeated all comers in our shootout, taking the Top Prize for sound and earning all Three Pluses. (more…)

Pure Pop for Now People

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The Sound of Elektra circa 1970

The best copies of Bread’s third album have amazingly sweet and rich 1971 ANALOG sound on both sides. That big rich bottom end and the volume of space that surrounds all the instruments and singers are the purest and most delightful form of Audiophile Candy we know.

The acoustic guitars? To die for. Talk about Tubey Magical Analog, this copy will show you just what’s missing from modern remastered records (and modern music generally). Whatever became of that sound?

This record put Bread’s heavily Beatles-inflected Pure Pop back on the charts after their the single from their previous album, On The Waters, made it to Number One, that song of course being Make It With You. “If”, the big hit off this album, went to number five, but we like it every bit as much as that earlier chart topper. Both represent the perfect melding of consummate songcraft and pure emotion.
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