
- With STUNNING Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom, this F-Beat import pressing was giving us the sound we were looking for on Elvis’s brilliant 1986 release – exceptionally quiet vinyl too
- Here are just a few of the things we had to say about this killer copy in our notes: “lots of space”…”very breathy and full”…”tight and rich bass”…”big and weighty”…”jumping out of the speakers”
- Both sides are clean, clear, and lively with plenty of bottom end and lots of space around all of the instruments
- Nina Simone’s “Don’t Let Me Be Misunderstood” is only one highlight among many – these are some of his best songs
- Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
- 4 1/2 stars: “Stripping away much of the excess that cluttered Punch the Clock and Goodbye Cruel World, Elvis Costello returned to his folk-rock and pub rock roots with King of America, creating one of his most affecting and personal records … one of his masterpieces.”
Even though the album was recorded right here in the states, the domestic copies are clearly made from dubs, sounding quite a bit more opaque, vague, closed-in, flat and dry than most of the British pressings we played.
Like most Costello albums on domestic vinyl, they should be avoided.
Of course, I and all my friends, at least the ones who were into Elvis at the time, had a copy with exactly this kind of mediocre sound and we liked it just fine. Now, thirty-plus years on, I couldn’t sit through that kind of sound with a gun to my head.
Setting higher standards for yourself — consciously or unconsciously, the process works both ways — is an important aspect of becoming a more critical listener. Many of the Heavy Vinyl audiophile remasters sound “opaque, vague, closed-in, flat and dry” next to the best Hot Stamper pressings, but if you’ve never heard one, how would you know what you’re missing?
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