One of our good customers had this to say about some Hot Stampers he purchased recently:
I want to thank you once again.
Quite a few years ago now I contacted you and talked about this concept called “Hot Stampers”. It ended up both saving me a lot of misdirection and foolishly trying to rebuild my vinyl collection with new vinyl re-releases often called “audiophile” and “half-speed” issues.
After a few confirmations of what you said I quickly sold all those copies and began building a real world class collection of vinyl “original” Hot Stamper level records. A good number came from your business and I also made a hobby of trying to do what you do in finding “Hot Stampers”. Fortunately Philadelphia has a reasonable number of used record stores but unfortunately, as you well know, this is a rigorous and costly endeavor, but it can be rewarding at times and at other times requires that I rely on you.
So today I’m snowed in here and I fired up the rig and decided to do some small scale shoot outs and find the true great copies from my already culled collection. Put on several Hall and Oates and focused on “She’s Gone”. One was just clearly dynamic, clear and present. Then I put on several Dire Straits “Love Over Gold” and ended up with 3 killer copies (such a good lp). I then put on about 5 copies of Phil Collins “Face Value” with “If Leaving Me is Hard”. What a great love song, and narrowed it to 2. (more…)
Sonic Grade: F
A Hall of Shame pressing and another MoFi LP debunked.
Those of you who have had the misfortune to play the MoFi LP know that they absolutely ruined this album. They boosted the hell out of the top end, the last thing in the world this recording needed.
Actually, that’s probably not true. People who collect MoFi records probably like the kind of phony sound found on the MoFi of this title.
To the extent that a MoFi collector is not happy with the sound, my guess is he would more than likely place the blame on the recording, not the mastering. (more…)
- This early Atlantic pressing was clearly bigger, smoother and more open than practically any other copy we played – exceptionally quiet vinyl too
- By far the best sounding record these guys ever made, and for our money nothing in their recorded canon can touch it
- A Better Records favorite, a longtime member of our Top 100, and an absolute thrill when it sounds like this!
- 5 stars: “Hall & Oates’ second album was the first indication of the duo’s talent for sleek, soul-inflected pop/rock. It featured the single “She’s Gone,” which would become a big hit in 1975 when it was re-released following the success of “Sara Smile.”
I’ve always liked this record, but now I consider it a classic. I could listen to it every week for a year and never tire of it.
Don’t write these guys off as some Top 40 blue-eyed soul popsters from the ’70s that time has forgotten. They are all of the above, but they don’t deserve to be forgotten, if only on the strength of this album. Without question this is their masterpiece. We also consider it a Desert Island Disc and a true Demo Disc.
If you’re looking for a big production pop record that jumps out of your speakers, look no further. This record is ALIVE! Until I picked up one of these nice originals, I had no idea how good this record could sound. For an early ’70s multi-track popular recording, this is about as good as it gets. It’s rich, sweet, open, natural, smooth — most of the time (although the multi-tracked vocals might be a little much on some songs, depending on your front end) — in short, it’s got all the stuff we audiophiles LOVE. (more…)
- This Hall and Oates classic from 1982 won our most recent shootout with Triple Plus (A+++) sound on BOTH sides
- Only the second copy to hit the site in over six years and boy is it KILLER — super rich full and Tubey Magical with a massive bottom end
- Relatively quiet vinyl, Mint Minus to Mint Minus Minus throughout
- 4 Stars: “…an album that turned out to be bigger than its predecessor, as it climbed higher on the charts and launched three Top Ten singles…”
See all of our Hall and Oates albums in stock
The vocals are present and breathy, the mids have space and the drums and bass are punchy — this is the sound we look for on this album. (more…)