swore-off

Letter of the Week – Finding a Way Out of the Heavy Vinyl Trap

Letters Comparing Hot Stamper Pressings to their Heavy Vinyl Counterparts

One of our good overseas customers had this to say about the records he was purchasing before he found out about the superiority of our Hot Stamper pressings:

Hey Tom, 

I am of the opinion not that Heavy Vinyl is the problem, it is how the music is treated [processed] until it is pressed on the Heavy Vinyl. In any case, Heavy Vinyl is a crime against the environment. It is pure marketing.

But less than a year ago I was in the same trap. Unfortunately I need to admit that.

Dear Sir,

Glad to see you have taken Step One, which is recognizing and admitting you made a mistake when you bought all those rarely-better-than-mediocre Heavy Vinyl reissues.

You believed the reviewers and the forum posters and found out the hard way that none of those folks can be trusted to know what they are talking about.

The next steps are even easier.

Stop believing these people, buying the records they recommend, and take all the money you were wasting on that crap and buy yourself some amazing sounding Hot Stampers with it.

(more…)

Letter of the Week – “My stereo upgrades have widened the sonic chasm between good, old-fashioned records and their nouveau imposters.”

Record Collecting for Audiophiles – These Are the Fundamentals

One of our good customers, Dan, found much to agree with in our recent Better Record’s record collecting commentary and offered up his own two cents worth in the letter below. (Emphasis added.)

Tom,

Just wanted to affirm the new Better Records axiom of “the better your stereo gets, the fewer modern reissues you will own.” My collection has dozens of these Heavy Vinyl reissues, and none of them are holding up after a year and half’s worth of significant improvements to my stereo.

It was only at the beginning of last year that I found myself pleased with roughly 50% of my heavy vinyl purchases. Now, that number has plummeted to less than 10%. Almost everything that’s being put out today is an utter disappointment.

Of course, part of the explanation may be that my listening skills have improved. But it’s hard to imagine that I would have liked dull, dreary, lifeless vinyl a year or two ago. I like to think not.

More probable is that my stereo upgrades have widened the sonic chasm between good, old-fashioned records and their nouveau imposters.

I’d also like to second the avoidance of new vinyl purchases until major stereo improvements are made. I’m trudging through the laborious task of replacing these records with older, better sounding copies. It’s excellent advice to those new to the game or young (or both).

Amazingly, hearing the difference doesn’t even require a Hot Stamper, almost any original or early reissue will beat the Sundazed, Classic, etc. That’s how inferior they are. To borrow from The Who, the sound must change.

Dan,

I agree with this bit at the end of your letter, with one caveat:

Amazingly, hearing the difference doesn’t even require a Hot Stamper, almost any original or early reissue will beat the Sundazed, Classic, etc. That’s how inferior they are.

The caveat would be if you know how to clean your records right, right in this case being the way we recommend you clean them, using Prelude fluids and a machine.

Old uncleaned records can sound pretty bad. An audiophile pressing may beat your old original — until you clean it.

It’s one of the revolutionary changes in audio we spend so much time talking about, and it can make all the difference in the world on some records, especially old ones.

Thanks for your letter. You are not alone in swearing off these modern mediocrities. Many of our customers went through the same process you have, and it seems they are as pleased with the results as you.

Best, TP

(more…)

Heavy Vinyl – Audiophile Blessing or Curse?

More Letters Comparing Hot Stamper Pressings to their Heavy Vinyl Counterparts

Two editorial points to make up front:

The run-of-the-mill Heavy Vinyl pressing is so lifeless and opaque that we think the run-of-the-mill CD, on average, will sound better.

If you’re an audiophile who is currently collecting and playing Heavy Vinyl pressings, you are making the worst choice possible: second- or third-rate sound quality coupled with the hassle and expense of the modern LP.

In this letter Dan tells us of his disappointment with the new reissues he’s been trying:

I can’t tell you how many modern reissues I’ve bought over the past couple months that have lost, and lost badly, to just my one single original or early pressing of an album. Reissues by AC/DC, The Who, ZZ Top, The Rolling Stones, and Patti Smith have all failed miserably against my merely average sounding originals.

As a result, I have almost zero interest in buying anything that’s reissued nowadays. But I believe you said in a recent commentary that the less audiophile pressings you have in your collection the better. So I suppose the fact that I’m weeding these out from my collection is good news as far as my ears and stereo are concerned. But it’s still a sad state for the audio industry as a whole. It’s too bad we can’t tell a different story. I don’t know what in the mastering/pressing process needs to be different, but something does.

(more…)

Better Sounding Records Are the Only Surefire Cure for Audiophile Burnout

Robert wrote a piece which I rather liked with the heading:

The Cure for Audiophile Burnout, Upgrade-itis and Other Audiophile Ailments

Phil, one of my newer customers, responded to his post with these comments, which Phil has graciously allowed me to repost here:

Hi, Robert, thanks for the post. I recall reading that post on Audiogon too, and I felt at the time I should respond with what I’ve been learning of late from you and Tom Port: Better Records are what count, (pun intended). I know, I’ve purchased a few Hot Stampers from BR, and damn!!! I’m excited!

Those few Hot Stampers are now guiding the rebuilding of my whole system.

I’ve stopped buying reissues, remasters or original pressings just because “they’re supposed to be good.”

And, I’ve begun listening. And I’m buying more than one copy of the same title to learn how to listen, for differences in the stampings, where I can. Granted, not thorough shootouts by a longshot, I’m not deep-pocketed enough for that, but now I understand what you guys have been working at for so long, trying to get it through our thick skulls out here in the audiophile community why it’s important not to blow money just grabbing a single album for the title/mastering house/engineer, etc, and think it’s done.

If I’m understanding you guys, it’s about the listening.

And getting the stereo in shape to get all the music out of these best albums.

So, I’m starting the path. I’m devouring Tom and your posts to follow as best I can.

And you’re absolutely right, since beginning this journey (and oh how I wish I’d started so much earlier), I’ve been excited about this hobby, more so than anything I’ve ever done for personal growth, health, adventure.

Thanks Robert. Thanks for all your hard work. It will not go wasted.

Robert replied:

Phillip,
This is all great to hear. To know that even one person out there appreciates what I’m advocating for is hugely rewarding. Thank you for your wonderful feedback!

Adding:

And to answer your question, listening is, of course, essential for growth in this hobby. How can it be otherwise? If we don’t train our ear to hear what is and what is not on these records, there’s no way forward.
Robert

Could not have said it better myself. It is indeed hard to find the way forward when you’re stuck in a Heavy Vinyl or Compact Disc rut. Which direction would forward be anyway?

Fortunately, returning to first principles is the best way to get started when digging yourself out of whatever hole you’ve dug yourself into. I freely admit to being lost in the 90s — this after having been heavily into audio for twenty years — and was fortunate to find my way forward only because I had no other choice. (And being irrationally obsessed with my favorite music helped a lot.)

Phil has started his journey, and because he is dealing with two guys who not only talk the talk but have walked the walk (as our blogs attest), his success is almost assured. If all goes according to plan, he will never suffer the burnout that afflicts the hoardes of credulous audiophiles whose approach to the hobby was doomed from the start, by their lack of skepticism more than anything else. (They should have read Richard Feynman on the subject of the ignorance of experts, ourselves included.)

Phil, thanks again for the kind words and we look forward to finding you even more Better Records to play!

Best, TP

(more…)

Letter of the Week – “I can’t listen to 99 percent of my audiophile or Japanese pressings…”

Hot Stamper Pressings of Jazz Rock Fusion Albums Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Now, meaning in the past year…

I can’t listen to 99 percent of my audiophile or Japanese pressings… 

I hear how wrong they sound…

I, of course, have since replaced just about all and 999 out of 1000 sound better than the average copy.

Why did I think a Japanese pressing was better? My god, all my Crusader Japan pressings next to plain old original releases nooooo comparison.

Btw, can’t believe your customers don’t want Southern Comfort, Crusaders 1 and Crusaders 2… all are unreal powerful double LPs.. and many in their catalogue almost equal to those… Crusaders: the best of the best.

Regards
Andy

Andy, we tried to do shootouts for some of their records a few years back and were underwhelmed by the sound, the music, or both.  I’m afraid you will have to do your own shootouts for now.

And of course we’ve long been of the opinion that Japanese pressings mostly suck. Maybe one out of fifty is great, and those odds do not make them an attractive proposition for audiophiles.

You know what we know: vintage pressings — when you find good ones — will beat anything and everything you can throw at them.

(more…)

Letter of the Week – “I quickly sold all those [audiophile] copies and began building a real world-class collection of Hot Stamper level records.”

Hot Stamper Pressings of the Music of Hall and Oates Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I want to thank you once again.

Quite a few years ago now I contacted you and talked about this concept called “Hot Stampers.” It ended up both saving me a lot of misdirection and foolishly trying to rebuild my vinyl collection with new vinyl re-releases often called “audiophile” and “Half-Speed” issues.

After a few confirmations of what you said, I quickly sold all those copies and began building a real world class collection of vinyl “original” Hot Stamper level records. A good number came from your business and I also made a hobby of trying to do what you do in finding “Hot Stampers.”

Fortunately Philadelphia has a reasonable number of used record stores but unfortunately, as you well know, this is a rigorous and costly endeavor, but it can be rewarding at times and at other times requires that I rely on you.

So today I’m snowed in here and I fired up the rig and decided to do some small scale shootouts and find the true great copies from my already culled collection.

Put on several Hall and Oates and focused on “She’s Gone.” One was just clearly dynamic, clear and present.

Then I put on several Dire Straits “Love Over Gold” and ended up with 3 killer copies (such a good LP).

I then put on about 5 copies of Phil Collins “Face Value” with “If Leaving Me is Hard.” What a great love song, and narrowed it to 2.

Yes my rig is really awesome for close-up intimate listening at any level. It is something I have worked on for decades to become resolving, dynamic, harmonic, dimensional transparent, and involving. I can listen loud and close without distortion. When I suddenly find that “Hot Stamper” Phil Collins is in the room where I hear his voice articulate and rich with background singers just as good and the band perfectly balanced to his vocal.

And it is then I think of your contribution to all of this and want to tell you. So that is what I am doing. I know what three stars means. I can’t afford many of them as I would assume some wealthy customers can but I really appreciate them and their unfortunate rarity and I appreciate all the work you have done to make this possible.

Ed

Ed,

We love it when our customers take the time and make the effort to do their own shootouts.

And swearing off the modern Heavy Vinyl pressing is surely one of the clearest signs of progress any audiophile can see for himself.

(more…)

Letter of the Week – “I wish I had never bought a new audiophile pressing now that I have come across your site.”

More Hot Stamper Letters from Customers

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I wish I had never bought a new audiophile pressing now that I have come across your site. A new experience listening to music. Thank you.

Bennett

Bennett,

Thanks for your letter. You are not alone in swearing off these modern mediocrities. Many of our customers went through the same process you have, and it seems they are just as pleased with the results as you appear to be.

TP

P.S.

The above letter came to us years ago, in 2020 probably.

As of 2024, we’re sorry to report that Heavy Vinyl pressings — at least the ones we’ve played recently — show little evidence of improvement.

If anything they’re every bit as bad as they used to be, as you can see from our reviews of almost 200 of them.

(more…)

Letter of the Week – “Your Hot Stampers have changed the game for me.”

Hot Stamper Pressings of the Music of Foreigner Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:  

Hi Tom,

Recently I purchased Double Vision by Foreigner White Hot stamper 3/3. I also have the MoFi #1-052 copy. Using your notes, I did a comparison of the two copies.

Double Vision WH stamper 3/3, absolutely mind bending on my system and every bit as described in the notes. WOW!

On the other hand, the MoFi copy is just like the rest of the early MoFi copies I have. They are nothing special!

The low end sounded like the sound was underwater! The midrange is smeared, harsh and very hard to listen to, especially at loud volumes. The high end (cymbals) were there but nothing special. The voice sounded like it was on a 2 dimensional plain. No depth or space around it. No extension from top to bottom, no space or air between the instruments. No 3-D to the voice.

If I had never listened to a Hot Stamper in my life, especially WH or NWH copies, I probably would have thought the sound was great.

However, your Hot Stampers (WH & NWH) have changed the game for me. I do have a system that will blow your mind and probably your socks off too.

The sound is absolutely awesome and mind bending and what an incredible spiritual experience!

Thx, Mike

Mike followed up the next day with this additional thought:

One thing I want to add to my comments. One of the most important aspects of the Hot Stamper vs MoFi….

Absolutely NO energy from the MoFi copy and TONS of energy from the WH stamper!

Yeah baby!

Dear Mike,

It’s amazing how many audiophiles do not seem to notice that Half-Speed mastered records almost always are seriously lacking in energy and musical drive, especially the rock titles.

What good is a compressed, lifeless Foreigner record? Their music lives and dies by how lively it is. The MoFi we played years ago was dead on arrival. Seems yours is too.

And if you start pulling out all the MoFi pressings in your collection, you are going to find that the other titles you own have a lot in common with your Foreigner MoFi — they’re guaranteed to bore you to tears.

Clear out that crap and put the money towards records that have real life in their grooves. Those are the ones we sell, but you can find your own using our shootout approach and the advice we give out here on the blog.

Thanks for writing.

Best, TP

Mike read this post and added the following the next day:

Read your blog, thank you for your feedback.

Recently I mentioned to Fred regarding the fact that I will no longer buy a vinyl pressing from anyone but you guys. He mentioned it is a common refrain from many of your best customers.

It is like a man being blind his whole life and suddenly being given sight! That is how powerful the experience is with Hot Stampers versus the boring…

Soon, I will start listing albums from my collection I purchased over the last 5 years uninformed by the machine (record companies) just how funny and crappy their records sound!

(more…)

Letter of the Week – “The sound is absolutely breathtaking, magical, mind blowing and beautiful…”

Hot Stamper Pressings of the Music of U2 Available Now

One of our good customers had this to say about some Hot Stampers he purchased a while back:  

Hey Guys,

Just wanted to pass on to you and the team at Better Records how thankful I am for what you guys do. I have accumulated 40 hot stampers since May 1st and 3 more on the way.

The sound is absolutely breathtaking, magical, mind blowing and beautiful the way pure analog should sound.

Until I listened to my first hot stamper (U2 Joshua Tree) I had no idea what I was missing!

Over the last 5 years I have spent 1000s of dollars on remastered Heavy Vinyl, MoFi and others and the sound quality is absolutely dreadful on almost every one of them. To the point where it is extremely difficult to listen to them anymore!

I am very bummed about that but life goes on. I may start selling them at some point going forward. We will see.

Silver lining, I have hot stampers to enjoy and more to purchase in the future. I am not bragging at all, but with the system I have built over the last 4 years, hot stampers are the ONLY way to go!

Thx,
Mike P.

Dear Mike,

Thanks so much for the kind words. It’s great to hear you are enjoying your Hot Stamper pressings of these wonderful albums. What could be better?

Especially now that your stereo is cookin’, as I am sure it must be.

What could be more convincing evidence than the fact that our records are sounding right and these modern remasters are falling further and further behind?

(more…)

Letter of the Week – “When I think of all the money I’ve spent on those sites…”

Hot Stamper Pressings of the Music of The Rolling Stones Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I just wanted to thank you for the expedited shipping for The Stones Exile on Main Street that I recently purchased.

I look forward to my next purchase from you, especially since I never buy from Acoustic Sounds, Music Direct, or eBay anymore. When I think of all the money I’ve spent on those sites…

Cordially,
Christopher

Christopher,

Happy to get you the record quickly, glad UPS is doing its job.

As for the other record dealers you mention, it is indeed sad that so much money is being wasted on so much bad vinyl.

But whose fault is that, really? How many audiophiles have heard of us and yet never tried one of our Hot Stampers?

At least 98% would be my guess.

Mediocrity is the operating principle which governs the world. Most folks will never go beyond the average, and as far as I can tell, that’s just fine by them.

Some come to know better, and it’s good that you are one of those lucky few. Hearing is believing, and once you’ve heard the difference, buying Heavy Vinyl pressings from the hacks who sell them would be like taking a giant step backward in your audio journey.

Almost like starting over, but now with a low ceiling that you will never be able to break through.

(more…)