Top Artists – Andre Previn

Shelly Manne & His Friends – Bells Are Ringing – Our Shootout Winner from 2016

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More Bells Are Ringing

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A distinguished member of the Better Records Jazz Hall of Fame.

Better Than a Dream, the second track on this side, has one of the best sounding jazz pianos I have ever heard. My notes say “you cannot record a piano any better” and I stand behind that statement one hundred percent.

There is not a modern reissue on the face of the earth that can hold a candle to the sound of this record. For any of you out there who doubt my words please take this record home and play it against the best piano jazz recordings you own. If it doesn’t beat them all we are happy to pay the domestic shipping back. Even our much vaunted 45 RPM pressing of The Three (some do not present the listener with a piano that sounds as real as the one on this side two. (more…)

Shelly Manne and Friends – My Fair Lady

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  • This early Black Label Stereo pressing earned solid Double Plus (A++) grades from start to finish – practically unheard of quiet vinyl for an original!
  • This Contemporary pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce 
  • Recorded entirely in one session, this album was the first jazz recording comprised entirely of songs from a Broadway musical – the results are decidedly provocative
  • 5 stars: “This trio set by Shelly Manne & His Friends… was a surprise best-seller and is now considered a classic…The result is a very appealing set that is easily recommended.”

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Rachmaninov / The Bells / Previn – Reviewed in 2008

More of the music of Sergei Rachmaninoff (1873-1943) 

The Bells / Previn 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is a Minty EMI original looking pressing of the famous TAS List title. You will have a very hard time finding a nicer one than this!

Since it is such a famously well-regarded recording we decided to clean it up and gave it a spin. Side one has sweet string tone and an extended top end, and it plays very quiet.

Side two is not quite as good; it’s fuller but lacks the extension on the top that side one has in spades. It’s also quiet at mostly Mint Minus. (EMIs from this period are almost never quieter than that.) (more…)

Andre Previn & His Pals – Pal Joey

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  • Superb Double Plus (A++) sound or BETTER on both sides – this copy is truly a knockout Piano Trio record 
  • Our best Hot Stamper copies will show you just how good Fifties All Tube Analog can sound
  • Yet another Demo Disc for Contemporary, the brilliant work of the engineering team of Dunann and Holzer
  • One of Andre Previn’s better jazz performances on record – his pals Manne and Mitchell are no slouches either

The piano sounds uncannily lifelike right from the start, a beautiful instrument in a natural space, tonally correct from top to bottom. I can’t think of many records off the top of my head that get a better piano sound than this one. Dunann and Holzer in 1957 are hard to beat. (more…)

Gershwin / Concerto In F & Rhapsody In Blue / Previn – Kostelanetz

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More Concerto In F & Rhapsody In Blue / Kostelanetz

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This early Columbia 360 Label pressing has Super Hot Stamper sound on both sides. Exceptionally rich and Tubey Magical from start to finish. The sound on this vintage pressing is natural and above all musical. Both works are performed with consummate skill and attention to detail, the result magnificent. 

I’ve always loved these performances, but the crude, smeary and painfully-shrill-when-loud Columbia recording quality has always been a barrier to their enjoyment. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound.” As a consequence we rarely put much effort into surveying their vintage pressings; the good ones are just too hard to find. (more…)

Benny Carter – Jazz Giant

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  • With two Triple Plus (A+++) Shootout Winning sides, this copy blew the doors off of everything else we played
  • If you still think that Analogue Productions is remastering records properly, you have definitely never heard a real Contemporary that sounds like this(!)
  • The sound of Contemporary Records is alive on this copy, with space, size, clarity and richness that no other pressing can match
  • “Benny Carter had already been a major jazz musician for nearly 30 years when he recorded this particularly strong septet session for Contemporary … This timeless music is beyond the simple categories of “swing” or “bop” and should just be called “classic.”

If you like the sound of Contemporary Records, you won’t find a better example than this! Midrange magic doesn’t get anymore magical. (more…)

Andre Previn & His Pals – Gigi

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  • A KILLER sounding original Black Label Stereo pressing with Triple Plus (A+++) sound from the first note to the last    
  • If you have never heard an All Tube Analog piano trio recording by Roy DuNann from the Golden Age of Tape, you are really in for a treat with this phenomenal sounding LP
  • Exceptionally (I’m tempted to write impossibly) quiet vinyl throughout – Mint Minus to Mint Minus Minus
  • “André Previn’s ten records for Contemporary during 1957-1960 were among the finest jazz recordings of his career… Best known among the songs are “I Remember It Well” and “Thank Heaven for Little Girls,” but the trio also uplifts and swings the other lesser-known tunes.”

This vintage Contemporary Black Label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Shelly Manne & His Friends – Bells Are Ringing – What to Listen For

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Another in our series of Home Audio Exercises.

I have a very long history with this album, dating back close to twenty years. My friend Robert Pincus first turned me on to the CD, which, happily for all concerned was mastered beautifully. We used it to test and tweak my stereo and many of those that were owned by friends. 

Playing the original stereo record, which I assumed must never have been reissued due to its rarity (I have since learned otherwise), all I could hear on my ’90s all tube system was blurred mids, lack of transient attack, sloppy bass, lack of space and transparency, and other shortcomings too numerous to mention that I simply attributed at the time to vintage jazz vinyl.

Wellthings have certainly changed.

I have virtually none of the equipment I had back then, and I hear none of the problems with this copy that I heard back then on pressing I owned. This is clearly a different LP, I sold the old one off years ago, but I have to think that much of the change in the sound was a change in cleaning, equipment, tweaks and room treatments, all the stuff we prattle on about endlessly on the site.

In other words, if you have a highly-resolving modern system and a good room, you are should be knocked out by the sound of this record. I sure was. (more…)

Prokofiev / Symphonies No. 1 & 7 – Seventies EMI Classical LPs and Vintage Tube Playback

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More Symphonies No. 1 & 7

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What to listen for on this album? That’s easy: The all-too-common ’70s EMI harshness and shrillness. We could never understand why audiophiles revered EMI as a label the way they did back the day. I chalk it up — as I do most of the mistaken judgments audiophiles tend to make about the sound of records, my own included — to the limitations of the equipment, bad rooms and poor record cleaning. 

If you had vintage tube equipment back in the ’70s — McIntosh, Marantz, etc. (I myself had an Audio Research SP3-A1 and a D-75a, later a D-76a) — the flaws heard on most copies of this record wouldn’t be nearly as offensive as they are to those of us playing them on the much more revealing systems that are possible today. (more…)

Andre Previn & His Pals’ West Side Story – Our Shootout Winner

More Andre Previn / More Shelly Manne

More West Side Story

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A distinguished member of the Better Records Jazz Hall of Fame.

This superb sounding Black Label Stereo Contemporary pressing has close to Triple Plus (A++ to A+++) sound on side two. Side one earned a Double Plus, which makes this by far the best copy to ever hit the site and a great way to hear this classic piano trio swingin’ in 1959. This is yet another Demo Disc for Contemporary, more brilliant work from house engineer Roy Dunann. 

One of Previn’s best piano trio records, this album was recorded in 1959 by Roy Dunaan when he was at the height of his engineering powers. You will not find many piano trio records with sound better than this.

Note on the vinyl condition: it’s rare to find any Black Label original in audiophile playing condition, and almost none will play better than the Mint Minus Minus this one plays.

TRACK LISTING

Side One

Something’s Coming 
Jet Song 
Tonight 
I Feel Pretty

Side Two

Gee, Officer Krupke! 
Cool 
Maria 
America

AMG Review

The last of a series of showtune albums recorded by the trio of pianist Andre Previn, bassist Red Mitchell and drummer Shelly Manne finds the all-star group focusing on the music of West Side Story. As usual, the melodies are treated respectfully yet swingingly, and Andre Previn in particular excels in this setting. Recommended.