TAS Super Disc List

Dire Straits – Love Over Gold

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More Love Over Gold

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  • This outstanding British import boasts solid Double Plus (A++) sound from first note to last
  • The open, spacious soundstage, full-bodied tonality and Tubey Magic here are obvious for all to hear – huge, punchy, lively and rockin’ throughout
  • This Hot Stamper is far more natural than any other pressing you’ve heard – we guarantee it
  • “Certainly a quantum leap from the organic R&B impressionism of the band’s early LPs and the gripping short stories of Making Movies, Love Over Gold is an ambitious, sometimes difficult record that is exhilarating in its successes and, at the very least, fascinating in its indulgences.” – Rolling Stone

This modern album (from 1982, which makes it 38 years old, but that’s modern in our world) can sound surprisingly good on the right pressing. On most copies, the highs are slightly grainy and can be harsh, not exactly the kind of sound that inspires you to turn your system up good and loud and really get involved in the music. I’m happy to report that both sides here have no such problem – they rock and they sound great loud.

We pick up every clean copy we see of this album, domestic or import, because we know from experience just how good the best pressings can sound. What do the best copies have? REAL dynamics for one. And with those dynamics, you need rock solid bass. Otherwise, the loud portions simply become irritating. (more…)

John Klemmer / Touch – A Great Test for Your Tweeters

 

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Mobile Fidelity, maker of some of the worst sounding records in the history of the medium, is the KING on this title.

Klemmer says pure emotion is what inspired the album’s creation. Whatever he tapped into to find the source of that inspiration he really hit pay dirt with Touch. It’s the heaviest smooth jazz ever recorded. Musically and sonically, this is the pinnacle of Klemmer’s smooth jazz body of work. I know of none better. (If you want to hear him play more straight-ahead jazz try Straight from the Heart on Nautilus.)

High Frequency Testing

MoFi was famous for demonstrating on an actual scope that the standard domestic ABC pressing had nothing above about 8 or 10 thousand cycles up top, which is why they all sound insufferably dull and dead. Some MoFi copies have no real top end either, which is the reason to we do these shootouts — to find the copies that are actually mastered and pressed right, not just the ones that should have been.

There’s plenty of information above 15K I would guess on this record — all those delicate percussion instruments ring so sweetly, the highs have to be extending way up there. (This album would probably make a good test to see how well your tweeters work, as well as for turntable setup. The right tracking weight and VTA are crucial to getting all the harmonics of a record like this right.) (more…)

Another Fine Entry for Our Hall of Shame (Now Nearly 300 Strong)

Hot Stamper Pressings of Pictures at an Exhibition

More on Mussorgsky’s (and Ravel’s) Masterpiece – Pictures at an Exhibition

 

Sonic Grade: F

Classic Records Repress at 33, 45, or any other speed

A Hall of Shame pressing and a Heavy Vinyl Disaster if there ever was one (and oh yes, there are plenty).

The shrillness, the hardness, the sourness, the loss of texture to the strings, the phony boosted deep bass — this is the kind of sound that makes my skin crawl. After a minute or two I’ve had it.

HP put this on his TAS List? Sad but true.

What do you get with Hot Stampers compared to the Classic Heavy Vinyl reissue? Dramatically more warmth, sweetness, delicacy, transparency, space, energy, size, naturalness (no boost on the top end or the bottom, a common failing of anything on Classic); in other words, the kind of difference you almost ALWAYS get comparing the best vintage pressings with their modern remastered counterparts, in our experience anyway. (more…)

Overtures and Dances / Reiner

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This RCA Pink Label TAS List LP plays Mint Minus. Side one of this record sounds AMAZING, especially the Dvorak piece.

Here are the comments for the copy we recently sold on the site:

Superb string tone. This is one record that deserves to be on the tas list, and you have to give harry credit for going against the audiophile tide and recognizing a cheap, thin pink vic! Side one sounds incredible. I never recall hearing sound like this on this victrola! It’s demonstration quality sound!

Classic Records remastered this record not long ago and ruined it. This is what it’s supposed to sound like. (more…)

Tchaikovsky / Symphony No. 4 in Living Stereo – What Does It Sound Like Now?

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Years ago we wrote:

This is a 1s / 5s Shaded Dog. TAS List (or at least it used to be). Probably the reason HP likes this LP so much is that it has a very wide soundstage. It also has good solid weight. A little soft on top, but that comes with the territory.

This is a very old review, probably from about 15 years ago. I don’t think I could recommend this record today. It probably belongs on this list, but I cannot truthfully say one way or another. As I recall, the copies I’ve played more recently were not impressive.

If I played it today, would I find it to be as bad as this Living Stereo pressing? Who knows? That experiment has not been run.

Some Advice

We much prefer Mravinsky for the symphonies, but good sounding copies of his records are just too hard to find, so we have never actually done a shootout for them.

Eric Rodgers’ Slaughter on Tenth Avenue – How is this title not on the TAS List?

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This copy was so good on side two it almost left me speechless. How is this title not on the TAS List?

Why is it not one of the most sought-after recordings in the RCA canon? Beats the hell out of me.

But wait just one minute. Until a month ago [now years ago] I surely had no idea how good this record could sound, so how can I criticize others for not appreciating a record I had never taken the time to appreciate myself?

Which more than anything else prompts the question — why is no one exploring, discovering and then bringing to light the exceptional qualities of these wonderful vintage recordings (besides your humble writer of course)?

HP has passed on. Who today is fit to carry his mantle into the coming world of audio? Looking around I find very few prospects. None in fact. But then again, I’m not looking very hard. I could care less what any of these people have to say about the sound quality of the records they play. They all seem to like records that don’t sound very good to us, so why put any faith in their reviews for other records?

Reviewer malpractice? We’ve been writing about it for more than 25 years.

But I digress. (more…)

23 Glee Club Favorites / Men of the Robert Shaw Chorale

More TAS List Records

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This record is pristine and amazing! A great choral record. DEMONSTRATION QUALITY SOUND. TAS List of course.

Here is a complete list of the Living Stereo titles we have available on the site at this time  On our blog you can find reviews for hundreds more that we have auditioned over the years.

Demo Discs for Tubey Magic

TAS Super Disc Recordings

Offenbach / Gaite Parisienne / Fiedler

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  • Stunning sound on both sides of this Shaded Dog pressing from 1954 with each earning Shootout Winning Triple Plus (A+++) grades – exceptionally quiet vinyl too
  • This is a true Demo Disc quality recording – both sides are big, full-bodied, clean and clear, with huge amounts of energy and tons of space around all of the players
  • This 2-track recording is RCA’s first stereo recording of the work from all the way back in 1954 – can you believe it?
  • Two mics and two channels and it blows away most of the classical recordings that followed it
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – this record proves it
  • In the ’90s I was regularly selling this title for $1000+ and people were happy to pay it!

NOTE: *There is a mark about 1″ from the end of the side that plays 10 times at a light to moderate level.

In a listing from a while back we wrote:

I love Fiedler’s performance and the 1954 two track RCA Living Stereo sound but finding an original Shaded Dog pressing in clean condition under $500 with the right stampers (something above 10 as I recall) is all but impossible nowadays. If you want to go that way more power to you.

Well we found one! With the right stampers! There are other good stampers for this album, but none that sounded as good as these in the shootout. And the vinyl is exceptionally quiet for a pressing from circa 1958 (the first year that stereo pressings were available; before that you had to buy the music on reel to reel to hear it in stereo). (more…)

Art Garfunkel – Breakaway

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  • This outstanding pressing boasts solid Double Plus (A++) sound or close to it from first note to last – exceptionally quiet vinyl too
  • Top sound for some of the best tracks: My Little Town, I Only Have Eyes for You, 99 Miles from L.A. and more
  • Superb space and clarity, with the rich, tubey smoothness that’s missing from most copies
  • The keyboards are full and rich, the guitars ring sweetly
  • Richard Perry went for the Big Sound here and he got it – this copy will show you just how well recorded the album really is

The problem with this album is that, for whatever reason, practically every copy you find is to some degree grainy, harsh and shrill in the loudest passages of the music. When the music gets loud, the sound often becomes strained and unpleasant. A copy like this one that doesn’t do that is the exception, not the rule.

Listen to the song ‘Disney Girls’ on side one. If you own the average pressing – odds are your copy is in fact quite average unless you went through a pile of copies and played them in order to find a good one – parts of that song will sound painfully hard and shrill, assuming your playing the record at the kinds of levels we do.

Which is the main reason I’ve never understood what qualified this record to be on the TAS Super Disc list. Now, having heard the best of the best copies sounding so big, rich and tubey, I can certainly say I hear what impressed HP (he likes that sound, as do we). It may indeed be a very well recorded album, but it clearly falls short for our own Rock and Pop Top 100 List. As you know we play a lot of amazing albums around here. (more…)

The Insufficiently Dedicated Will Struggle Mightily with The Fantasy Film World of Bernard Herrmann

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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An orchestral dreadnought such as this requires mastering and pressing of the highest quality.

Herrmann’s music taxes the limits of LP playback itself, with deep organ notes (listen for the famous Decca rumble accompanying the organ if you have the deep bass reproduction to hear it); incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects everywhere — every sound an orchestra can produce is found on this record, and then some.

You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can’t even imagine what instrument could possibly make such a sound!

Your Hard Work Pays Off

A recording of this size and scope will bring virtually any stereo system to its knees. This is the real Power Of The Orchestra! You had better have a top quality front end if you want to play this record properly, not to mention plenty of power and big speakers.

This is not the record for the Weekend Budget Audiophile. If you haven’t put in the years of effort and invested the tens of thousands of dollars in equipment and room treatments it takes to play records of this difficulty, your system is probably not up to the challenge this album represents.

If on the other hand, you have done the work and spent the money, this is the album that will show you what you have achieved. (more…)