my_stereo

Our Playback System – And Why You Shouldn’t Care

Advice to Help You Make More Audio Progress

Below you will find a list of most of the equipment we have been using over the last twenty years or so to carry out our Hot Stamper pressing evaluations, or “shootouts” as we like to call them.

Naturally the reality of the 80/20 Rule comes into play here — 80% (probably more like 90 or 95%, truth be told) of the sound is what you do with your audio system, 20% (or 10 or 5%) of the sound is the result of the components you own.

We like to say it’s not about the audio you have, it’s about the audio you do: how you set up your system, what you’ve done to treat your room, how good your electricity is and all the rest of it.

  • Our VPI Aries (original, not the latest model) with 
  • Super Platter (no longer made) and
  • TTWeights Carbon Fiber Platter (a big upgrade, no longer made).
  • VPI Synchronous Drive System (as of 2016 now sitting on a Townshend Seismic Sink).
  • Triplanar tonearm.
  • Dynavector 17dx.
  • Aurios (no longer made), which sit on a
  • Townshend Seismic Sink (another big upgrade).
  • EAR 324P and the hundreds of hours we’ve spent setting up and tweaking this beast is at the heart of everything we do around here.
  • We love our modified Legacy Focus speakers.
  • Even more now that they have much improved high frequency extension courtesy of Townshend Super Tweeters.
  • Mix in extensive room treatments, aided inestimably by three pairs of Hallographs (as we like to say, there is practically no Hi-Fi without them), more than thirty years of experience and endless hours of experimentation and you have a system that can separate the winners from the losers like nobody’s business.
  • Exactly like nobody’s business, because nobody does it in this business but us. Having heard hundreds of systems over the years, it’s an open question as to whether anyone else could do what we do even if they tried.

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Question – “How would you describe the sound signature of your evaluation equipment?”

Our Advice to Help You Make More Audio Progress

The following letter came to us not long ago:

Hey Tom, 

I am trying to make sense of the information on your site and the asking prices for these ‘hot stampers.’

In order to better understand how you assess sound quality, can you let me know what equipment you use for this purpose (what turntable, arm, cartridge, amps, speakers)?

How would you describe the sound signature of your evaluation equipment?

Bas

Bas,

Thanks for contacting us. We wrote a commentary about it, linked here:

As for our sound signature, we’ve labored mightily over the last forty years to build the biggest, most dynamic, most powerful system, limited by only those colorations we don’t know how to rid ourselves of. Here are some thoughts on what we went through in order to achieve our current level of fidelity:

Having done all that work over the course of decades, we feel we are in a good position to offer our readers:

Even the ones that never asked for it!

A lot of the basics about our Hot Stampers can be found at the top of every page under:

Our customers tend to be very enthusiastic about our Hot Stampers, as you can see by the letters they write us:

Any questions, feel free to write me.  Of course, writing is one thing, but

Best, TP

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