Demo Discs for Big Speakers that Play at Loud Levels – Rock, Pop, Soul, etc.

Emerson, Lake & Palmer – Out of This World Sound at Loud Levels

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More Prog Rock

  • This UK Island Pink Rim pressing makes the case that ELP’s debut is clearly one of the most POWERFUL rock records ever made
  • Spacious, rich and dynamic, with big bass and tremendous energy – these are just some of the things we love about Eddie Offord‘s engineering work on this band’s albums
  • ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digital sourced material) that sounds as good as this record as long as you live
  • “Lucky Man” and “Take A Pebble” on this copy have Demo Disc Quality Sound like you won’t believe
  • If you are looking for a shootout winning copy, let us know – with such good music and sound, we hope to get another shootout going again soon
  • 4 1/2 stars: “Lively, ambitious, almost entirely successful debut album… [which] showcased the group at its least pretentious and most musicianly …there isn’t much excess, and there is a lot of impressive musicianship here.”

If you’ve got the system to play this one loud enough, with the low end weight and energy it requires, you are in for a treat. The organ that opens side two will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. This is bombastic prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels, it actually will rock your world.

This UK Island pink rim import pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Elton John / Honky Chateau – A Must Own Classic

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Reviews and Commentaries for Honky Chateau

  • This vintage UK import pressing boasts superb Tubey Magical British Rock sound, with excellent Double Plus (A++) grades on both sides
  • A monster Demo Disc – the bottom end is huge, the top is open and extended, and the overall tonality rich and balanced
  • An amazing recording and a founding member of our Top 100 – it’s a shame we rarely find them with sound this good and audiophile quality surfaces (DJM see-through vinyl being what it is)
  • 5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote.”

If you doubt that Elton John was an unusually gifted Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should serve as all the proof you could possibly need. There’s not a dog in the bunch, and most of these songs are positively brilliant. Drop the needle on any track, you simply can’t go wrong.

Honky Chateau has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be.

The amount of effort that went into the recording of Honky Chateau is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this music to life and allowed us to make sense of it. This is yet another definition of a Hot Stamper — it’s the copy that lets the music work as music.

Big Production Tubey Magical British Rock just does not get much better than Honky Chateau. (more…)

Elton John / Tumbleweed Connection


  • This early DJM import pressing of Elton John’s 1970 Masterpiece boasts solid Double Plus (A++) grades from first note to last
  • The sound here is richer, with much less transistory grain, and more of the All Important Tubey Magic than most other copies we played
  • An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “….[Elton John and Bernie Taupin’s] most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”
  • If you’re an Elton John fan, this is a classic from 1970 that belongs in your collection
  • We consider this Elton John album a Masterpiece. It’s a recording that should be part of any serious popular Music Collection. Others that belong in that category can be found here.

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Pink Floyd – Dark Side Of The Moon

  • With seriously good Double Plus (A++) sound or BETTER from start to finish, this mindblowing recording is guaranteed to rock your world – exceptionally quiet vinyl too
  • The transparency, the clarity, the energy, the power – it’s all here on these very special import pressings
  • Just listen to how clear the clocks are on Time, how breathy the vocals are on Breathe, how textured the synthesizers are and how silky the top end is from the beginning of the album all the way to the powerful finish
  • A Top 100 album (Top Ten actually) and a Rock Demo Disc to rival the most amazing sounding records of all time
  • 5 stars: “…what gives the album true power is the subtly textured music… no other record defines [Pink Floyd] quite as well as this one.”

This vintage import pressing has the presence, the richness, the size and the energy you always wanted to hear on Dark Side — AND NOW YOU CAN! (more…)

Phil Collins – Face Value

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  • An early UK copy of Phil Collins’ killer solo debut with superb Double (A++) sound from start to finish
  • The recording quality of this album is still analog and can be excellent, thanks to hugely talented engineer and producer Hugh Padgham (Peter Gabriel, Genesis, The Police, Yes, Emerson, Lake & Palmer, etc.)
  • We’ve tried his other albums, but nothing we’ve played has struck us as being remotely as well recorded as his debut
  • 5 stars: “. . . Collins’ most honest, most compelling work. He went on to become a huge star, with loads more hits, but Face Value stands as his masterpiece and one of the finest moments of the ’80s musical landscape.”
  • If you’re a fan of Phil’s, this has to be seen as a Top Title from 1981 that belongs in your collection
  • It’s without a doubt his best sounding album, and, to our way of thinking, his only essential one
  • The sound may be heavily processed, but that kind of sound works surprisingly well on the best sounding pressings (played at good, loud levels on big dynamic speakers in a large, heavily-treated room, of course)

Song after song, Collins’ songwriting and musicianship shine with this breakout record, the first and clearly the best of all his solo albums. The sound on the best copies, like this one, is VIBRANT, with SUPERB extension on the top, PUNCHY BASS, and excellent texture on the drums and percussion, as well as spacious strings and vocals.

There may be some hope for Hello, I Must Be Going! (1982), but Phil’s third album, 1985’s No Jacket Required, is digital and ridiculously processed sounding. I suppose not many albums from 1985 weren’t, but it’s still an unfortunate development for us audiophile types who might’ve wanted to enjoy these albums but are just not able to get past the bad sound.

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David Bowie – Ziggy Stardust

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Reviews and Commentaries for Ziggy Stardust

  • A seriously good copy with Double Plus (A++) grades throughout – Ziggy Stardust in analog is simply a phenomenally good sounding recording
  • The stage is huge and the amount of Tubey Magic has to be heard to be believed – this is the pinnacle of sound for Glam Rock
  • Until you hear one of these killer British pressings you simply cannot know what you are missing
  • A Rock & Pop Top 100 album, and Ken Scott’s engineering masterpiece all rolled into one
  • 5 stars: “Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam.”

Drop the needle on any song. We guarantee you have never heard that song sound better. The mastering is superb. There’s really no “mastering” to listen for — all you’re really aware of is the music flowing from the speakers, freed from all the limitations that you’ve had to accept over the years.

Unquestionably, this is the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.

Is it Bowie’s Masterpiece?

Absolutely. No other Bowie record ranks higher in my book.

Is it amazingly well recorded?

You better believe it. This is not just Bowie’s masterpiece; it’s Ken Scott‘s as well. For BIG, BOLD, wall to wall, floor to ceiling sound, look no further. The best copies are swimming in rich, sweet TUBEY MAGIC. This is a sound we cannot get enough of here at Better Records.

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings)

The guitars on this record are a true test of stereo reproduction. Many pressings of this album do not get the guitars to sound right. On some they will sound veiled and dull, and on a copy with a bit too much top, they will have an unfortunate hi-fi-ish sparkle, the kind that Mobile Fidelity was infamous for in the late ’70s and ’80s.

The guitars may not sound “real,” they way they actually would in real life, but they sure sound grungy and GOOD!

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Loggins & Messina – Sittin’ In

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  • An outstanding copy of L&M’s debut Masterpiece with Double Plus (A++) grades from first note to last
  • The sound is big, lively, open and clear with Tubey Magical richness that only the best vintage pressings can show you
  • One of our favorite albums, and with every improvement in the system this one just keeps getting better and better
  • Every track on side one is brilliant, from “Nobody But You,” to “Danny’s Song,” to “Vahevala,” to the ending of the ‘Trilogy’ with “Peace of Mind”
  • 4 1/2 stars: “With their infectious blend of country, folk, rock and Caribbean music, L&M started out at the top of their game”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. L&Ms first album is a good example of a record many audiophiles may not know well but should.
  • If you’re a fan of this remarkable duo, and what audiophile wouldn’t be?, this title from 1971 is clearly one of their best
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

We love this album and have been playing it regularly since it came out in 1971. That’s a long time, and the good news is it just keeps getting better and better, like all the best records in your collection should. (more…)

The Who – Who Are You

More of The Who

Records We Only Sell on Import Vinyl

  • With two seriously good Double Plus (A++) sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage UK import – exceptionally quiet vinyl too
  • This copy has the Glyn Johns BIG, BOLD sound we demand from this famous producer/engineer
  • Forget the domestic pressings, forget the DD Labs half-speed, forget whatever lame reissues have come or will come down the pike – if you want to hear this album right, a Hot Stamper British pressing is the only way to go
  • The title song sounds great on this superb copy – the dynamic power of the recording comes through loud and clear
  • If you’re a fan of The Who, and what audiophile wouldn’t be?, this album from 1978 belongs in your collection
  • The complete list of titles from 1978 that we’ve reviewed to date can be found here.

Vintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG


Big, tubey and rockin’, this copy has The Who sound we know from Who’s Next so well. Huge and pacious, with lovely three-dimensional depth, the sound has that patented Live in the Studio quality that Johns’ practically trademarked. Breathy vocals and great life and presence to every instrument — this is the way to hear it!

Forget the domestic pressings, forget the DD Labs half-speed, forget whatever lame reissues have come or will come down the pike — if you want to hear this album right, a Hot Stamper British pressing is the only way to go.

This copy has the Glyn Johns Who Sound we demand from one of the most famous producer/artist collaborations in the history of rock music. (I would argue that Johns’ work with the Stones is even more legendary.)

This is certainly not the equal of the beyond brilliant Who’s Next — what is? It’s an undisputed Masterpiece — but the best songs here are certainly in that league. The title track is one I used to demo my system with twenty years ago and, with a copy like this, would be happy to again.

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Heart – Little Queen

  • An original Portrait pressing with seriously good Double Plus (A++) sound from start to finish
  • “Barracuda” and “Love Alive” are bar none two of Heart’s best songs and they are guaranteed to blow your mind
  • It’s the rare copy that has the powerful dynamics, deep bass, punchy drums and meaty guitars like you get here
  • A Rock and Pop Top 100 album with Demo Disc sound on a very special pressing such as this – it will rock your world
  • 4 1/2 stars: “After acquiring a substantial following with Dreamboat Annie, Heart solidified its niche in the hard rock and arena rock worlds with the equally impressive Little Queen.”

This is a Classic Rock Demo Disc to beat practically anything you could throw at it. “Love Alive” and “Barracuda” on this copy will deliver the full Rock and Roll Power your system is capable of. If you’ve got The Big Sound, this is the pressing that will truly show it off.

There are plenty of commentaries that discuss the sound of this recording and what it can really do when you get hold of a good pressing… and have the system that can play it… and turn up the volume good and loud. We proudly present here a copy with the kind of Big Sound that we think backs up every claim we make.

We’re huge Heart fans here at Better Records, and we’re not ashamed to say so. These ladies can really rock, and on the right pressing their music can and will sound absolutely amazing. Here’s a copy that will allow you to hear that magic at home — the sound is super punchy with incredible energy and wonderful clarity. You’ll have a very hard time finding another copy that rocks any harder than this one.

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Bad Company – Self-Titled

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More Rock Classics

  • This vintage UK Island pressing of Bad Company’s ’70s classic debut boasts outstanding sound from first note to last
  • Both sides are huge, present, punchy, lively, and solid as a rock – this is some of engineer Ron Nevison’s cleanest work
  • Here you will find none of the glossy artificiality you might hear on so many of the rock records we sell — there’s nothing wrong with that sound, mind you, but this recording captures much more of what the real instruments sound like in the studio
  • A member of the Better Records Rock and Pop Top 100, and a Must Own Classic Rock title from 1974
  • 4 1/2 stars: “Bad Company’s 1974 self-titled release stands as one of the most important and accomplished debut hard rock albums from the ’70s … it was one of the most successful steps in the continuing evolution of rock & roll.”
  • If you’re a Classic Rock fan, then Bad Company’s killer debut album from 1974 belongs in your collection.
  • The complete list of titles from 1974 that we’ve reviewed to date can be found here.

This one’s got what you’re looking for from this kind of Classic Rock album — clarity, punchy bass, big drums, and lots of energy. The guitars sound right: grungy and distorted with loads of tubey richness.

You’re going to want to play this one good and loud to let it REALLY ROCK!

And, if you’re playing it good and loud, you’ll feel like you’re in the room with the boys as they kick out the jams. “Ready For Love” sounds great here — shocking clarity, tons of ambience, and silky sweet highs. The overall sound on both sides is lively, full-bodied, and transparent with Tubey Magical guitars and good weight to the bottom end.

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