ambrobest

Ambrosia / One Eighty

More of the Music of Ambrosia

  • Boasting two solid Double Plus (A++) sides or close to them, this copy of Ambrosia’s 4th studio album will be very hard to beat
  • The sound is lively, punchy, and powerful (particularly on side one) – with all due respect, it should murder whatever copies you may have
  • Analog at its Tubey Magical finest (also particularly on side one) – you’ll never play a CD (or any other digitally sourced material) that sounds as good as this record as long as you live
  • “The ballads are the album’s redeeming feature. They are all lovingly crafted and boast strong, often complex melodies that keep them from getting too sappy or sentimental… The album’s finale, “Biggest Part of Me,” is the best… It combines rich Beach Boys-styled harmonies with a heartfelt lyric to create a rich slice of blue-eyed soul that gave the group a number two hit single…”
  • As is sometimes the case, there is one and only one set of stampers that consistently wins our shootouts for One Eighty.  Click on this link to see other titles with a single set of stamper numbers that always come out on top

This is smooth, rich analog at its best. Easy on the ears as we like to say.

This is clearly the poppier side of Ambrosia, containing two of their highest-charting mainstream hits, “Biggest Part of Me” (#3) and “You’re the Only Woman” (#13). I, myself, of course prefer the proggy first two albums, falling as they do into the broad category of Art Rock where my favorite albums by Bowie, Peter Gabriel, Roxy Music, Supertramp, 10cc, later-period Beatles, Jethro Tull, Pink Floyd, Traffic and so many others from the last forty-plus years can be found.

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Ambrosia – Life Beyond L.A.

More of the Music of Ambrosia 

  • With superb Double Plus (A++) grades from start to finish, we guarantee you’ve never heard Life Beyond L.A. sound this good – exceptionally quiet vinyl too
  • These sides are dramatically bigger and richer, and have more vocal presence and hard-rockin’ energy, than a lot of the others we played in our most recent shootout
  • The sound is solid and rich, the vocals breathy and immediate, and you will not believe all the space and ambience – which of course are all qualities that Heavy Vinyl records have far too little of, and the main reason we have lost all respect for the bulk of them
  • “[The album] marked a bit of a move away from their lush arrangements and introduced a more raw, aggressive progressive rock / jazz influence.”

This Hot Stamper Ambrosia LP has the kind of sound you would never expect to find in the grooves of this album. It was a thrill to hear, especially at the volumes at which we played it! The transparency and openness were excellent. We’re big fans of this band here at Better Records — we love their take on complex, Big Production Arty Rock.

The Music

Life Beyond L.A. may not be especially well known in audiophile circles but it is certainly an album we know and love here at Better Records. I’ve been playing it regularly for decades. There’s so much good music on the album that, now that we can hear it right, we’ve come to appreciate it all the more. It rocks in a more straightforward manner compared to the first two albums. It’s still got plenty of proggy elements and breakdowns, but now there’s an entirely new jazz element introduced into the mix, which comes to the fore strongly on the wonderful “Apothecary.” Side one is exceptionally strong from first note to last.

Side two starts out brilliantly with the dynamic, energetic “Dancin’ By Myself,” a song that ranks with the best by the band. It’s followed by “Angola,” a tongue-in-cheek staple of their live act these days, and then on to the wonderful ballad “Heart to Heart,” pointedly reminiscent of “Holdin’ On To Yesterday,” right down to the violin solo. The last track is a bit of a downer, but everything before that is superb.

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Ambrosia – Self-Titled

More of the Music of Ambrosia

  • This copy was delivering the goods for Ambrosia’s ambitious Masterpiece with very good Hot Stamper grades throughout
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • A permanent member of our Top 100 and, on big speakers at loud levels, the best copies are Rock Demo Discs of the highest order
  • “Its songs skillfully blend strong melodic hooks and smooth vocal harmonies with music of an almost symphonic density.”
  • Ambrosia is an album that helped us dramatically improve our playback quality

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Ambrosia – Somewhere I’ve Never Travelled

Ambrosia

  • An original pressing of this truly phenomenal 70s big rock production (one of only a handful of copies to hit the site in years) with solid Double Plus (A++) grades or close to them from top to bottom
  • Side two was sonically very close to our Shootout Winner – you will be shocked at how big and powerful the sound is
  • The reason you never see this album on the site is that it’s extremely difficult to find good sounding pressings that play quietly — most of our best copies are just too noisy to sell, making this shootout pretty much a bust
  • This copy gives you the harmonic coherency, richness, body and Tubey Magic that nothing being pressed today can begin to offer
  • The better sides have the trademark Alan Parsons sound, with huge amounts of space in the studio, and the kind of musical energy that made the first Ambrosia album (which he mixed) such a joy to play
  • I’ve been listening to this album a lot lately — even though I was never that big of a fan of their sophomore effort, now that I’ve played thousands of albums since this one came out, I can tell you that I became obsessed with trying to understand all the musical influences that went into the heads of these four guys and came out on this album
  • “There is an unusual dreamlike quality that pervades its work. The songs seem to be reaching the listener direct from some strange and beautiful realm of the unconscious. It is an experience rare in popular music today or at any time.” – Billboard

Alan Parsons produced this album, and at its best, it is truly a Demo Disc — if you have the system to play it.

This album needs lots of space and a big, wide, open soundstage if it’s going to work, and the best sides deliver that sound. It’s a rare copy that manages to have real presence and top end without getting too edgy; on the good ones, the bass is big, solid and punchy and the energy is superb. (more…)