
- Boasting two solid Double Plus (A++) sides or close to them, this copy of Ambrosia’s 4th studio album will be very hard to beat
- The sound is lively, punchy, and powerful (particularly on side one) – with all due respect, it should murder whatever copies you may have
- Analog at its Tubey Magical finest (also particularly on side one) – you’ll never play a CD (or any other digitally sourced material) that sounds as good as this record as long as you live
- “The ballads are the album’s redeeming feature. They are all lovingly crafted and boast strong, often complex melodies that keep them from getting too sappy or sentimental… The album’s finale, “Biggest Part of Me,” is the best… It combines rich Beach Boys-styled harmonies with a heartfelt lyric to create a rich slice of blue-eyed soul that gave the group a number two hit single…”
- As is sometimes the case, there is one and only one set of stampers that consistently wins our shootouts for One Eighty. Click on this link to see other titles with a single set of stamper numbers that always come out on top
This is smooth, rich analog at its best. Easy on the ears as we like to say.
This is clearly the poppier side of Ambrosia, containing two of their highest-charting mainstream hits, “Biggest Part of Me” (#3) and “You’re the Only Woman” (#13). I, myself, of course prefer the proggy first two albums, falling as they do into the broad category of Art Rock where my favorite albums by Bowie, Peter Gabriel, Roxy Music, Supertramp, 10cc, later-period Beatles, Jethro Tull, Pink Floyd, Traffic and so many others from the last forty-plus years can be found.
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