An insanely good sounding copy with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two!
Both sides here are incredibly big and full yet still very clean and clear with excellent bass and none of the edginess that plagues the average copy
Fairly quiet throughout (w/ caveats, see below) — Mint Minus to Mint Minus Minus
“Armstrong finds the essence of each tune, bending and projecting them with his patented joie de vivre and gravel-voiced warmth every time.”
I first heard this album on the wonderful Classic Records pressing from the ’90s. I remember really enjoying the music and liking the sound of Bernie Grundman’s remaster very much. We reviewed and recommended the album (along with Under the Stars) in our old paper catalogs.
I have no idea what I would think of their version these days — well, to be honest I do have some idea of what I would think of it — but their version is at least good enough to make the case that Russell Garcia’s orchestral arrangements and Louis Armstrong’s sublime skills interpreting The Great American Songbook are a match made in heaven.
You may have seen Russell Garcia’s name on one of the landmark recordings of the ’50s: Ella Fitzgerald and Louis Armstrong’s recording of Porgy and Bess for Verve in the previous year, 1959.
Watch for copies coming to the site one of these days. We’ve discovered some exceptional original and reissue pressings (as well as some that really do a disservice to the music and the engineers who recorded it. What else is new in the world of records?).(more…)
This VERY RARE 2 LP Shaded Dog pressing has Super Hot Stamper sound. Much of what’s good about Golden Age recordings is heard here, with side one for example having the sound of a HUGE hall and that Three-Dimensional quality that the best vintage recordings are able to convey so well.
We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as this by the score every month and can hear what they do so well. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.
Such qualities allow this record to sound — in some ways, to be sure not all — like live music. Heavy Vinyl just plain doesn’t.(more…)
Some audiophiles buy organ records to show off their subwoofers, and records like this can do that, but records this good have musical qualities far beyond simple demonstrations of bass reproduction – with this pressing you can feel the cool air in the hall!
With this pressing you can feel the cool air in the hall, something no Telarc or audiophile organ record can offer in our experience
We’ve played plenty of them, and it is our opinion that the more modern the recording, the worse it sounds, especially if it’s on an audiophile label — those are the worst!
Karl Richter understands this music and makes it come alive in a way I’ve never heard any other musician manage to do – the Decca engineers are of course a big help too
For those of you who think technology marches on — which of course it does in some ways — this 1956 recording (finally released in stereo in 1960) shows that they could capture the authentic sound of the real instrument with the equipment of the day. Maybe they could even capture it better back in those days. I certainly can’t think of a better organ record than this, and musically I don’t think there are too many organists in Richter’s class.(more…)
This outstanding pressing boasts solid Double Plus (A++) sound from start to finish, the equal of the last Blueback pressing we listed (shown in the second picture)
A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
There is a rosiny texture to the strings that no record made in the last 30 years can capture, and if you don’t believe me, we offer this pressing as proof
Audiophiles have known of this record’s sublime sonic qualities for decades. As our stereos get better, so do amazingly powerful recordings such as this one.
Both sides of this record have that classic Decca rich, sweet sound. It’s not for everybody, it’s probably not the sound one would hear in a concert hall, but we love it and so do many audiophiles.
The performance here by Peter Maag and London Symphony Orchestra is legendary and definitive. The sound is perfectly suited for this music, with massed strings to die for. This is classic Tubey Magical Decca orchestral sound.
If you want immediacy, buy a Mercury. If you want luscious, rich string tone, this Decca should be right up your alley. This is a sweetheart of a record, full of the Tubey Magic for which Decca recordings are justly famous. (more…)
Rich, natural, transparent, spacious and musical throughout – you won’t believe how good this Mellow Jazz Classic from 1960 sounds
“Rudy van Gelder captured the exquisite sound in his usual manner by setting up a couple of high-fidelity microphones and letting the players and room speak for themselves. If I close my eyes, I’m in the Village Vanguard listening to him live.”
“With bassist Tommy Potter and drummer Roy Haynes giving the pianist fine support, the trio plays such songs as “You Go to My Head,” “Come Sunday” and “Born to Be Blue” quietly and with taste.”
Truly superb sound can be found on both sides of this early Jazzland pressing, with each earning Shootout Winning Triple Plus (A+++) grades
Wally Heider, recording these sessions in San Francisco in 1960, captured some real jazz excitement on tape, and as good as the OJC mastered by George Horn may be, The Real Deal here takes the sound to another level
4 stars: “Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes… The music is as well-played and swinging as one would expect from this superior bop group.”
This original Six Eye boasts superb Triple Plus (A+++) sound on side one – this is As Good As It Gets, folks, and that’s very good indeed
Full-bodied and warm, exactly the way you want your vintage analog to sound
The piano is surprisingly real here, solid and dynamic
Classic Records remastered this title in the 2000s, as has Speakers Corner, but if you think either one of those pressings can hold a candle to the real thing from 1960, let us send you this record and disabuse you of that notion
4 stars: “One of Ellington’s rarer studio sessions… Ellington’s solo abilities were always a bit underrated due to his brilliance in other areas, but this set shows just how modern he remained through the years as a player.”
We sold this copy last night (10/10), immediately after one had sold in an auction on ebay for $787, a price almost two hundred dollars more than what we were asking. Note that our copy was cleaned and auditioned and found to be both phenomenally good sounding and reasonably quiet. None of these things could be said of the record on ebay of course, but apparently the word is out that this is an amazing recording and the bidding reflected that fact. I have never seen one go for anything like this kind of dough. Now that they do — there were four bidders about $550 — you should not expect to see a Hot Stamper pressing of the album show up on our site again unless we get very lucky locally, and that is highly unlikely. Here is the link to the auction, which will only be up for about 2 weeks.
Unbelievable Shootout Winning Demo Disc quality sound throughout — Triple Plus (A+++) on both sides and vinyl that is as quiet as any that can be found from this era
This is a spectacular recording, and one of the Greatest Violin Showpiece Albums of All Time
It is certainly a record that belongs in every right-thinking audiophile’s collection. If you’re on our site and taking the time to read this, that probably means you.
Ruggiero Ricci is superb throughout – we know of no better performances of this works than those found on this very record
Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case
Ricci’s playing of the Bizet-Sarasate Carmen Fantasie is OUT OF THIS WORLD. There is no greater performance on record in my opinion, and few works that have as much Audiophile Appeal.(more…)
With two Double Plus (A++) sides, this pressing was showing us a lot of the RCA Living Stereo sound we were looking for on this famous record
This Shaded Dog pressing of Reiner’s superb 1960 recording for RCA has glorious Living Stereo sound on both sides and plays reasonably quietly for such a vintage pressing
There were only three performances with truly audiophile quality sound, and the Shaded Dog pressing not only had the best performances, but the sound that the team of Mohr/Layton managed to record was second to none
If you know anything about these works, you know that have tons of top and bottom end, and it is the rare pressing that can capture both
The texture and harmonic overtones of the Living Stereo strings are near perfection – as we listened we became completely immersed in the music on the record, transfixed by the remarkable virtuosity Reiner and the CSO brought to these difficult and demanding works 60 years ago
Some records never justified the time and money required to find Hot Stamper pressings of them in order to make it worth our while to give them a second go around. This is one such album, and the link above will take you to many more.
For us audiophiles both the sound and the music found here are enchanting. If you’re looking to demonstrate just how good 1963 All Tube Analog sound can be, this killer copy may be just the record for you.
All the copies we played were stereo. We’ve had very poor luck with mono pressings of Living Stereo recordings and tend to avoid them.
Produced by Chet Atkins in Nashville, 1960, with Bill Porter engineering, this is superb countrypolitan pop by the man who practically invented it.
Jim Reeves is lucky to have had the Bill Porter and his staff of RCA engineers from the era on his team. Although we love to do these vintage Hot Stamper shootouts, finding clean copies of these albums is getting harder every day.