ledzeIV

With This UK Copy You’d Better Be Ready to Rock

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

UPDATE 2026

The shootout for Zep IV discussed below was carried out in 2012.

It seems an early British PORKY/PECKO pressings did very well, winning side one and coming close to the best on side two.

For at least five years now we have been unable to find a British pressing that eaned grades better than 2+, or Super Hot. Since the British pressings tend to be very expensive and hard to find in good shape, we have simply stopped buying them as they do not seem to be capable of winning shootouts anymore.

Other comments may be problematic in this review as well, so best to consult our latest listing for what we think we currently know about the album. Here is a short test to get you started.

Our Review from 2012

We did a massive shootout in 2012 for Zep’s beloved fourth album and this British pressing earned a nearly perfect score with some of the BIGGEST, BOLDEST, HARDEST Rockin’ sound we have ever heard on the album. Without a doubt this is the best sounding IV side two we’ve ever played, with the biggest bottom of them all.

When the Levee Breaks, a problematical track on even the best copies, finally sounds the way you’ve always heard it in your head — relentless and so powerful it’s downright scary.

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Letter of the Week – “Wanted to drop you a note and let you know [I’m] not a skeptic any more.”

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Wanted to drop you a note and let you know you have me now not a skeptic any more.

Case in point, over the 12 days of Christmas I acquired an [original] Led Zeppelin IV from you. I also received one from a family Member.

You are absolutely correct in that not all pressings sound the same.

I played both copies in a shootout and yours hands down was the better of the two.

The most recent purchase has me sitting staring at my speakers in amazement.

Both the Rumours and the But Seriously Folks are AMAZING!

Kevin

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Led Zeppelin – Led Zeppelin IV

More of the Music of Led Zeppelin

  • A Zep IV that was doing just about everything right, earning solid Double Plus (A++) grades on both sides
  • Insane rock and roll energy like nothing you have ever heard – the sound is full-bodied and reasonably smooth, making it possible to get the volume up good and high where it belongs
  • Here are the rock and roll classics that reign supreme to this very day – “Black Dog,” “Rock & Roll,” “Stairway to Heaven,” “When the Levee Breaks,” every one sounding better than you’ve ever heard them or your money back
  • There are some bad marks (as is sometimes the nature of the beast with these Classic Rock records) on “Rock and Roll,” but once you hear just how excellent sounding this copy is, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • 5 stars: “Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin’s untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of 70s hard rock.”
  • If you’re a fan of the band, this title from 1971 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

It is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you when you play this copy at the listening levels it was meant to be heard at.

You’d better be ready to rock, because this copy has the ENERGY and WHOMP that will make you want to. Zep IV demands loud levels, but practically any copy will punish you mercilessly if you try to play it at anything even approaching live levels.

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Letter of the Week – “You can’t hear the speakers; the sound fills the entire room, including the back walls.”

More Customer Letters Comparing Our Hot Stamper Pressings to Their Heavy Vinyl

One of our good customers had this to say about some Hot Stampers he purchased a while back:

Hey Tom, 

A good friend of mine came over today to take a look at my cartridge setup now that it is properly burned in. I was still getting some brightness in the right channel and we found that the cartridge was not seating properly in the groove. A few adjustments and now perfection!

My litmus test, Yes Close to the Edge now sounds absolutely unbelievable! You can’t hear the speakers; the sound fills the entire room, including the back walls.

As you stated, everyone should own a copy of this record to determine if their setup is correct.

I went through several of my hot stampers and I feel like I am in audio heaven now.

Morning Has Broken also sounds amazing; Piano definition, Cat’s voice, etc.

nother 3D sound extravaganza!

Finally, I had a chance to compare Led Zeppelin 4 (your hot stamper vs. my 200g Classic).

Before the cartridge tweaking I was hard pressed to tell the difference.

Now that the stylus is properly seated in the groove, with the Hot Stamper I can hear more detail in Jimmy’s guitar, more airiness in Robert’s voice and just an overall more listenable experience.

The entire soundstage is about 3 feet higher than the Classic version.

Well, I am spoiled again and loving it!

Thanks again,
Rob

Rob,

Glad to hear your turntable is working better. As you say, differences between Hot Stampers and Heavy Vinyl pressings are not much more obvious, and that’s a good thing. We think audiophiles should learn to do all these sorts of things for themselves, and have written about it at some length: Tuning and tweaking are essential to improving your critical listening skills.

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Listening in Depth to Led Zeppelin IV

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

Presenting another entry in our extensive listening in depth series with advice on what to listen for as you critically evaluate your copy of Zep’s mighty fourth album.

Here are some albums currently on our site with similar track by track breakdowns.

We always have a great time doing Zep IV shootouts. It’s one of those all-too-rare cases where amazing music and amazing sonics coexist on the same slab of vinyl. You just need to find the right slab, a proposition that turns out to be much harder than it sounds.

You probably know by now just how tough it is to find audiophile quality sonics on this album. Far too many copies just leave us cold, but the best pressings, whether British or domestic, are so good, and so much fun at the loud volumes we employ, that it ends up being worth all the time, trouble and expense it takes to wade through the vinyl dreck to find them.

But the best copies are so good, and so much fun, that it was definitely worth the trouble. Because the best copies ROCK, and it is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you.

This link will take you to the Hot Stamper pressings of our hardest rockin’ albums currently available on the site.

Here are some of the other titles that have earned a place on our none rocks harder list.

Side One

Black Dog

The key to both of the first two tracks is to find a copy with a solid bottom end. Next look for an extended top end, easily heard on all the splashing cymbals.

Now listen for a tonally correct Robert Plant. The copies with lots of top will typically have him sounding too bright.

The copies with little in the way of high frequency extension will have him sounding veiled and dull.

One out of ten copies (with potentially good stampers) will get all three right: the top, the bottom and his voice. When you hear it you know it immediately, but you sure do have to go through a lot of copies before you have much of a chance of hearing it!

Rock and Roll

“[Rock and Roll] was a little tough to record because with the hi-hat being so open and [Bonham] hitting it that hard it was difficult to control. But I managed somehow or another.” Andy Johns

“The better copies prove once and for all that these are some of most up-front, lively and above all real sounding rock cymbals ever put on tape.” Tom Port
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Letter of the Week – “Finally – It’s alive!”

xxxMore of the Music of Led Zeppelin

Michael got a nice copy of Zep IV from us and took the time to tell us how he felt about it in a letter.

Well son of a bitch. Do you know how many tube combinations, cartridge adjustments, turntable adjustments, speakers, speaker placements, and other hocus pocus shit I’ve gone through after listening to a Led Zeppelin album I have where Bonham was barely present and Page’s guitar would wear my ears out within 2 songs thinking this can’t be the way they sounded… I know Bonham hit those drums hard.

Well, that ain’t the case with the Zeppelins I recently purchased from you. Shit man, finally. It’s alive! Thank you Tom.

Michael S.

Michael,

Glad to hear it! If you ever win the lottery we’ll get you a White Hot copy and REALLY blow your mind. About one out of ten with the right stampers gets When the Levee Breaks to sound the way you want it to.  When I finally heard it about two or three years ago [now more like ten] I could hardly believe it. Most pressings just plain suck.

When The Levee Breaks is rarely mastered properly and consequently rarely sounds the way it should. If the cymbals or the double-tracked harmonicas on your copy don’t get at least a little gritty, you probably have an overly smooth copy, and it’s even possible that it’s made from a second or third generation tape. On the best copies both are alive with presence and energy.

And the room around the drums is huge, as is that famous 26″ Ludwig bass drum.

The Classic Records reissue corrects this problem somewhat, but at a cost. They’ve completely robbed the song of all the Zep magic. It’s not as big, not as open, not as rich, not as lively, not as punchy, and so on — but the cymbals are clean. Is that a tradeoff we should be happy to live with? If you’re on our site you already know the answer.

We added this to an amended review of the Classic pressing after revisiting it not long ago:

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Led Zeppelin IV – The First Two Tracks on Side One Are Key

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

We always have a great time doing Zep IV shootouts. It’s one of those all-too-rare cases where amazing music and amazing sonics potentially coexist on the same slab of vinyl. You just need to find the right slab and be able to clean it right, a proposition that turns out to be much harder than it might sound.

You probably know by now just how tough it is to find audiophile quality sonics on this album. Far too many copies just leave us cold. However, the best pressings, whether British or domestic, are so good, and so much fun at the loud volumes we play them at, that in the end it turns out to be worth all the time, trouble and expense it has taken to find them.

On these two tracks, the best pressings of Led Zeppelin IV were capable of producing some of the biggest, boldest sound we have ever heard.

It’s clearly a Demo Disc for big speakers that play at loud levels. The louder you play it, the better it sounds.

Warning: do not attempt to play this album on any system that looks like this one.

The two tracks we discuss below are the ones that can truly test the energy and musical drive of whatever pressing you are playing. If you are fortunate to be able to have one of our better Hot Stamper copies on your table, the energy and musical drive of Black Dog and Rock and Roll might just take your breath away.

Side One

Black Dog

The key to both of the first two tracks is to find a copy with a solid bottom end. Next look for an extended top end, easily heard on all the splashing cymbals.

Now listen for a tonally correct Robert Plant.

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Today’s Heavy Vinyl Disaster from Classic Records… Zep IV

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

A classic case of live and learn

Back in the day I thought the Classic 180 and then 200 gram pressing was the king on this title. In late 2006 I wrote:

“You can hear how much cleaner and more correct the mastering is right away…”

Folks, I must have been out of my mind.

No, that’s not quite fair. I wasn’t out of my mind. I just hadn’t gotten my system to the place where it needed to be to allow the right original pressings to show me how much better they can sound.

Our EAR 324 phono stage and constantly evolving tweaks to both the system and room are entirely responsible for our ability to reproduce this album correctly. If your equipment, cleaning regimen, room treatments and the like are mostly “old school” in any way, getting the album to sound right will be all but impossible. Without the myriad audio advances of the last decade or so you are just plain out of luck with a Nearly Impossible to Reproduce album such as this.

All of the above are courtesy of the phenomenal revolutions in audio that have come about over the last twenty years or so. It’s what progress in audio in all about.

The exact same 200 gram review copy now [this was written about ten years ago] sounds every bit as tonally correct as it used to, and fairly clean too, as described above, but where is the magic?

You can adjust your VTA until you’re blue in the face, nothing will bring this dead-as-a-doornail Classic LP to life.

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The Recordings Won’t Change, So Other Things Have To

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

Another entry in our series of commentaries we’ve grouped under the heading what’s the big idea?

It’s amazing how many records that used to sound bad — or least problematical — now sound pretty darn good. The blog is full of commentaries about them. Here’s a personal favorite.

Every one of them is proof that comments about recordings are of limited value.

The recordings don’t change.

Our ability to find, clean and play the pressings made from them does, and that’s what the Hot Stamper revolution is all about.

You have a choice. You can choose to take the standard audiophile approach, which is to buy the record that is supposed to be the best pressing and then just consider the case closed.

You did the right thing, you played by the rules. You bought the pressing you were told to buy, the one you read the reviews about, the one on the list, the one they said was made from the master tape, the one supposedly pressed on the best vinyl, and on and on.

Cross that title off and move on to the next, right?

When — sometimes if but usually when — the sound of the record doesn’t live up to the hype surrounding it, you merely accept the fact that the recording itself must be at fault.

Prepare to allot a fair amount of time to complaining about such an unfortunate state of affairs. “If only they had recorded the album better…” you say to yourself as you toddle off to bed, ending your listening session prematurely, fatigued and frustrated with a record that — for some reason — doesn’t sound as good as you remember.

We did it too, more times than I care to admit.

Try It Our Way

Or you can adopt our approach and hear those very same albums sound dramatically better than you ever thought possible. Better than you remember. It happens all the time here at Better Records and it can happen at your house too. Just follow the yellow brick– uh, scratch that, just follow these four steps.

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