milestone-2012

It Took Us Until 2012 to Finally Beat the Audiophile Pressing We Swore By

Hot Stamper Pressings of the Music of Supertramp Available Now

UPDATED 2026

We have not had very good luck with domestic pressings of this album for quite a few years now. The German pressings are also not very good, earning at most 1.5+ and more often than not a lower grade. (Hey, we had to be sure.)

The Canadian audiophile pressings are comparable, 1.5+ or close to it, not good enough to bother with when the right UK pressings are so much better.

The listing below is from 2012. Since that time we have been able to find and play a great many British pressings of the album, and they always win our shootouts now.

But the domestic pressings can also do very well, just not well enough to win shootouts these days, a clear case of live and learn.


Our Understanding from 2012

TWO AMAZING SIDES, including an A+++ SIDE ONE! It’s not the A&M Half Speed, and it’s not a British pressing either. It’s domestic folks, your standard plain-as-day A&M pressing, and we’re as shocked as you are. Hearing this copy (as well as an amazing Brit; they can be every bit as good, in their own way of course) was a THRILL, a thrill that’s a step up in “thrillingness” over our previous favorite pressing, the A&M Half Speed. [!]

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With This UK Copy You’d Better Be Ready to Rock

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

UPDATE 2026

The shootout for Zep IV discussed below was carried out in 2012.

It seems an early British PORKY/PECKO pressing did very well, winning side one and coming close to the best on side two.

For at least five years now we have been unable to find a British pressing that eaned grades better than 2+, or Super Hot. Since the British pressings tend to be very expensive and hard to find in good shape, we have simply stopped buying them as they do not seem to be capable of winning shootouts anymore.

Other comments may be problematic in this review as well, so best to consult our latest listing for what we think we currently know about the album. Here is a short test to get you started.


Our Review from 2012

We did a massive shootout in 2012 for Zep’s beloved fourth album and this British pressing earned a nearly perfect score with some of the BIGGEST, BOLDEST, HARDEST Rockin’ sound we have ever heard on the album. Without a doubt this is the best sounding IV side two we’ve ever played, with the biggest bottom of them all.

When the Levee Breaks, a problematical track on even the best copies, finally sounds the way you’ve always heard it in your head — relentless and so powerful it’s downright scary.

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