Hot Stamper Pressings of the Music of Beethoven Available Now
One of our good customers had this to say about some Hot Stampers he purchased recently. (Emphasis added by us.)
Hi Tom,
I finally had a chance to listen to the Super Hot of Beethoven’s 5th I bought from you last month.
Tom, I am feeling really grateful to you. With your guidance, and your records, I have something I simply assumed I could never have – a stereo that can do full justice to orchestral music.
I picked this record, along with Tchaikovsky’s Violin Concerto, as my first foray into full orchestral music on my reworked stereo assembled following your recommendations – Dynavector cartridge, EAR phono stage, Legacy speakers.
Today, sitting at home, I felt like I was at a concert.
This is saying something. I had come to believe this was just not possible. I still remember the sound and the feeling of hearing Beethoven’s 5th performed by the SF Symphony, conducted by Michael Tilson Thomas, about 20 years ago. Seeing it performed for the first time, I was struck by what a small number of musicians the piece calls for. Nobody needed a score, MTT didn’t hold a baton – the whole performance just had a sense of mastery, control, and passion for the music. The sound from that relatively small orchestra was overwhelming. It is this sound I’ve been longing to hear at home. Today, I heard it.
About four years ago I had the opportunity to hear the Berlin Philharmonic play Tchaikovsky’s 5th from a really good seat. Hearing orchestral music performed unamplified in a venue with good acoustics has always led me to believe that it’s not possible to create that on a stereo.
I had come to believe that all stereos distort. When live orchestral music gets loud, it coheres. The sound of a symphony at full volume is just something no stereo or recording can provide. Or so I thought. I figured it was just one of the realities of musical reproduction.



We’ve auditioned many pressings of the album, including the 




