Top Engineers – Alan Parsons

Which One’s Pink? – And What Do All Those Numbers Mean?

More Which One’s Pink?

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An erstwhile customer sent us an email a while back asking this question: “What is the FULL stamper matrix for this record… all the way around the dead wax?”

I replied that we never give out stamper numbers for the records we sell. The only way to find out the stampers for our records is to buy them. And while we’re on the subject, you might enjoy reading this commentary I wrote a while back pointing out how misleading the matrix numbers can be: The Book of Hot Stampers.

He then countered with this bit of information:

Well, ok. I don’t understand the logic, but it’s your show.

Floyd stampers are probably the most uniquely well documented stampers on [a site that no longer exists] that they’re pretty much common knowledge. If I understand your logic, a first pressing may not be a “Hot Stamper” while a 3rd, 4th or 5th might be. Just a function of the stars aligning when that record is pressed. So what’s the diff?

I would think this would be pretty obvious. If we say pressing X is the best, this is information that you cannot get anywhere else, certainly not on the site you sent us a link to. The day that such a site tells you which stampers sound the best is the day that such a site will have any value to those who are not collecting for the sake of collecting, but actually want to find pressings with the best sound to play (more…)

The Old 80/20 Rule in Action (But It’s Actually More Like 90/10)

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Ambrosia’s first album does exactly what a Test Disc should do. It shows you what’s wrong, and once you’ve fixed it, it shows you that it’s now right.

We audiophiles need records like this. They make us better listeners, and they force us to become better tweakers. You cannot buy equipment that will give you the best sound. You can only tweak the right equipment to get it.

At most 20% of the sound of your stereo is what you bought. At least 80% is what you’ve done with it. Based on my experience I would put the number closer to 90%. (more…)

“NEVER would I have thought a single record could make this kind of difference…”

pinkfdarks

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Dan, our letter writer, is a new convert to the world of Hot Stampers. Although his system is modest by his own admission, the sound he was able to conjure up in his living room was “…a revelation…”
A good Dark Side can have that effect on you.

Hi Tom,
I received this DSOTM yesterday…

First I played the 180gm 25th anniversary release, so I listened to the first side. While it didn’t necessarily ‘grab’ me, I sat through and listened, with the assumption that I really needed to get a feel for this to do a somewhat critical A/B listening experience.

Then I put this Hot Stamper on.

From the very beginning, I heard vocals I never heard before, in my 12 years of listening to this album. There was such a dramatically engaging ‘dreamlike’ flow to the music, that I have never experienced before! The soundstage was so 3-dimensional, the speakers disappeared, and moment after moment, I completely forgot I was sitting in my living room!
(more…)

Expanding Space Itself on The Dark Side of the Moon

Dark Side of the Moon

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Recently we played a copy with all the presence, all the richness, all the size and all the energy we ever hoped to hear from a top quality pressing of Dark Side of the Moon. It did it ALL and then some. The raging guitar solos (there are three of them) on Money seemed to somehow expand the system itself, making it bigger and more powerful than I have ever heard. Even our best copies of Blood Sweat and Tears have never managed to create such a huge space with that kind of raw power. This copy broke through all the barriers, taking the system to an entirely new level of sound.

Take the clocks on Time. There are whirring mechanisms that can be heard deep in the soundstage on this copy that I’ve never heard as clearly before. On most copies you can’t even tell they are there. Talk about transparency — I bet you’ve NEVER heard so many chimes so clearly and cleanly, with such little distortion on this track. (more…)