Top Artists – Led Zeppelin

Led Zeppelin II on Classic Records – What Could Be Sadder?

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Led Zeppelin – II on Classic Records

Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

An absolute DISASTER — ridiculously bright, ridiculously crude, in short, a completely unlistenable piece of garbage.

Over the years we have done many Led Zeppelin shootouts, often including the Classic Heavy Vinyl Pressings as a “reference.” After all, the Classic pressings are considered by many — if not most — audiophiles as superior to other pressings. What could be sadder?

In fact. you will find very few critics of the Classic Zep LPs outside of those who write for this very website, and even we used to recommend three of the Zep titles on Classic: Led Zeppelin I, IV and Presence.

Wrong on all counts.

Since then we’ve made it a point to create debunking commentaries for some of the Classic Zeps, a public service of Better Records. We don’t actually like any of them now, although the first album is still by far the best of the bunch.

See more commentaries as well as our in-stock Led Zeppelin albums

 

In Through The Out Door – Another Classic Records Disaster

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Sonic Grade: D

A classic case of Live and Learn. After finishing our first shootout for this album in August of 2007, our faces were sure red. We used to think the Classic version was pretty decent, but the best originals SLAUGHTER it!

We had never done a shootout for this album before that. We didn’t feel up to the challenge, because the typical pressing tends to be miserable — gritty, grainy, hard sounding, congested mids, dull, and so on. (more…)

Led Zeppelin – Physical Graffiti on Classic Records

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

Tonally correct, which is one thing you can’t say for most of the Zeps in this series, that’s for sure. Those of you with crappy domestic copies, crappy imported reissues and crappy CDs, which is pretty much all there is of this recording, will not know what you’re missing.

Compare this title to some of the better Classic Zep releases and I expect you will notice that hearing into the midrange is a more difficult proposition on these songs, with reduced ambience and space around the voices and instruments.

In other words, like most Heavy Vinyl, it’s OPAQUE and AIRLESS.

 

 

Led Zeppelin – III – on Classic Records

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

Ridiculously bright and harsh, we are proud to say this was one of the Classic Zep releases that we never carried on the site (along with II and Houses, both of which stink).

You will find very few critics of the Classic Zep LPs outside of those who write for this very website, and even we used to recommend three of the Zep titles on Classic: Led Zeppelin I, IV and Presence. (more…)

Zep II – With Trees This Ugly, Would You Give the Forest a Good Grade?

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We herein offer some rather interesting observations by a well known writer about the new Heavy Vinyl Led Zeppelin II that’s just come out. They are in no particular order and clearly taken out of context — we’re not even providing the reference to the specific song under discussion. Some you can guess; as for the rest, what difference, at this point, does it make?

Allow us to present: The Trees

the spatial presentation seemed meek

individual cymbal hits in that psychedelic break lacked sparkle

instead of an interruption eruption the changeover was anything but abrupt

overall musical intent wasn’t being fully communicated

spatially mashed together and lacking in detail delineation

You can barely make out the flanging effects on Plant’s voice

should send shivers but just doesn’t

The bass line was homogenized and the attack softened

Textures sounded bland

Microdynamic gestures—very familiar ones—seemed to have been lost

The album’s grit and edge seemed worn down

Page’s guitars… are homogenized

small dynamic differences that communicate intent blend into one level, quelling musical excitement

(more…)

Led Zeppelin – Presence – Our White Hot Shootout Winner for 2018

 


Our White Hot Shootout Winner for 2018


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  • A stunning sounding copy with a Triple Plus (A+++) side one and a Double Plus (A++) side two; you’ll hear massive amounts of Zeppelin Rock and Roll energy on this copy
  • This is all the power, dynamics, whomp, and presence (pun only slightly intended) you could hope for
  • Featuring a stripped down, harder rock sound, Presence really benefits from the killer bottom end found on this pressing
  • “Presence has more majestic epics than its predecessor, opening with the surging, ten-minute Achilles Last Stand and closing with the meandering, nearly ten-minute Tea for One.”

See all of our Led Zeppelin albums in stock

We just finished a massive shootout for this album and were reminded just how hard this album rocks. Achilles Last Stand, For Your Life and Nobody’s Fault But Mine are all KILLER on a Hot Stamper pressing like this one. After cleaning and playing a pile of copies we are pleased to report that the best of them are full of The Real Zep Magic. The average LP may not be much of a thrill but our Hot Stampers sure are, with all the energy, dynamics, whomp, and presence (pun only slightly intended) you could hope for.

That is EXACTLY the kind of sound we love here at Better Records. (more…)

Listening in Depth to Led Zeppelin – Houses of the Holy

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Listening in Depth

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You really get an understanding of just how much of a production genius Jimmy Page was when you listen to a copy of Houses with the kind of resolution and transparency found on our best copies. To take just one example, just listen to how clearly the multi-tracked guitars can be heard in the different layers and areas of the soundstage. On some songs you will have no trouble picking out three, four and even more guitars playing, each with its own unique character.

This clarity allows you to recognize — perhaps for the first time — the special contribution each makes to the finished song.

In-Depth Track Commentary

Side One

The Song Remains the Same
The Rain Song

Check out the guitars — the sound should be warm, sweet and delicate. There are some dead quiet passages in this song that are almost always going to have some surface noise. Most copies start out a bit noisy but almost always get quieter as the music goes along.

Over the Hills and Far Away

This is a great test track for side one. It starts with lovely acoustic guitars before the Monster Zep Rock Chords come crashing in. If both parts of the song sound correct and balanced, you more than likely have a winner. And the bigger the dynamic contrast between the parts the better.

Turn your volume up good and high in order to get the full effect, then stand back and let the boys have at it.

The Crunge (more…)

When Led Zeppelin IV Sounds This Good, We Get Letters

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LED ZEPPELIN IV

 

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Michael just got a nice copy of Zep IV from us. His letter follows.

Well son of a bitch. Do you know how many tube combinations, cartridge adjustments, turntable adjustments, speakers, speaker placements, and other hocus pocus shit I’ve gone through after listening to a Led Zeppelin album I have where Bonham was barely present and Page’s guitar would wear my ears out within 2 songs thinking this can’t be the way they sounded…I know Bonham hit those drums hard. Well, that ain’t the case with the Zeppelins I recently purchased from you. Shit man, finally. It’s alive! Thank you Tom. (more…)

Today’s Heavy Vinyl Mediocrity Is… Zep IV

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The Classic 200 Gram Pressing — Dead as a Doornail

It wasn’t that long ago that I thought the Classic 200 gram pressing was the king on this title. In late 2006 I wrote: “You can hear how much cleaner and more correct the mastering is right away…” Folks, I must have been out of my mind.

I wasn’t out of my mind. I just hadn’t gotten my system to the place where it needed to be to allow the better original pressings to sound their best. (more…)

Led Zeppelin I – The Best Album These Guys Ever Made

More on the band’s phenomenal debut

Led Zeppelin I

 

  • TRIPLE TRIPLE!
  • A stunning pressing of Zep’s debut with A+++ sound on both sides and fairly quiet vinyl
  • The sound is MASSIVE — big, bold, lively and powerful with the kind of dynamics that bring out the best in this music
  • Demo Quality sound for a ton of Zep classics: Dazed and Confused, Good Times Bad Times, Babe I’m Gonna Leave You and more
  • 5 stars on Allmusic, BR Top 100, and one of the most important debut albums in all of rock and roll history

For the real Led Zep magic, you just can’t do much better than their debut — and here’s a copy that really shows you why. From the opening chords of Good Times Bad Times to the wild ending of How Many More Times, this copy will have you rockin’ like you won’t believe! (more…)