1989-must-own-rock

Elvis Costello / Spike

  • With KILLER Shootout Winning Triple Plus (A+++) sound or close to it throughout, this copy is one of the BEST we have ever heard
  • This early import pressing showed us a Spike we never knew existed until a few years ago – there was so much energy and presence that it just came jumping out of the speakers and simply refused to mind its manners. Elvis should be proud. Why don’t more records sound like this?
  • “Any King’s Shilling” on side two, with its authentic Irish instrumentation (fiddle, uilleann pipes, Irish harp, bodhran), has Demo Disc Quality sound of the highest order
  • One of the best batches of songs Elvis (and his buddy Paul McCartney) ever wrote – the combination of such good sound and such good music makes this the last of the great Elvis records for us audiophiles
  • If you’re a fan of Elvis’s, this is a Top Title from 1987 that belongs in your collection

Spike checks off a number of important boxes for us here at Better Records:

Tears For Fears – The Seeds Of Love

More Tears For Fears

More Art Rock

  • Boasting two incredible Nearly Triple Plus (A++ to A+++) sides, this vintage import copy of the band’s Pop Masterpiece is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • We guarantee the sound is dramatically bigger, richer, fuller, and livelier than any pressing you have ever heard, and on this record that is saying a LOT
  • A tough record to find in audiophile playing condition – copies with vinyl this quiet and with no audible marks were neither easy nor cheap to source from overseas
  • The band’s Magnum Opus, a Colossal Production to rival the greatest Prog, Psych and Art Rock recordings of all time (Whew!)
  • 4 stars: “Thanks to the duo’s uncompromising stubbornness, expansive creative vision, and Dave Bascombe’s final production, The Seeds of Love has dated better than either of its predecessors and is inarguably Tears for Fears’ masterpiece.”

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Bonnie Raitt – Nick Of Time

  • Superb sound throughout this original copy, with both sides earning Double Plus (A++) grades
  • There was a time when these Capitol pressings were sitting in the bins all over town, but those days are gone, my friend
  • Some of the sweetest, richest, most ANALOG sound we’ve heard from any record Don Was produced – “Have A Heart” is a Demo Quality track
  • 4 1/2 stars: “Producer Don Was used Raitt’s classic early-’70s records as a blueprint, choosing to update the sound with a smooth, professional production and a batch of excellent contemporary songs. In this context, Raitt flourishes; she never rocks too hard, but there is grit to her singing and playing, even when the surfaces are clean and inviting. A great comeback album that made for a great story.”
  • Yes, the sound is heavily processed, with the kind of gloss that we’ve come to expect from Don Was, but these qualities take nothing away from the consistently high quality of the songwriting and production
  • If you like the vintage smooth sound of this album, there are plenty of Hot Stamper pressings currently available that offer it

The sound here is powerfully big and bold, with meaty, deep bass (such a big part of the rockers here, “Thing Called Love” being a prime example).

When you hear it like this — something probably pretty close to what he heard during the control room playback for the final mix — it actually makes sense. It works. It’s not exactly “natural,” but natural is not what they were going for, now is it?

We play albums like this very loud. I’ve seen Bonnie Raitt live a number of times, and although I can’t begin to get her to play as loud in my listening room as she did on stage, I can try. To do less is to do her music a profound disservice.

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