fusion-best

Pat Metheny – Watercolors

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  • A KILLER sounding copy with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one – exceptionally quiet vinyl too
  • Both of these sides were clean, clear and lively with tons of detail and a solid bottom end
  • 4 stars: “Metheny’s softly focused, asymmetrical guitar style, with echoes of apparent influences as disparate as Jim Hall, George Benson, Jerry Garcia, and various country guitarists, is quite distinctive even at this early juncture.”

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King Crimson – Lizard

  • Stunning sound throughout for this vintage Island Sunray pressing with both sides earning Shootout Winning Triple Plus (A+++) grades or very close to them
  • Every bit the sonic equal of the first album – if colorful Big Production Jazzy Prog Rock (with mellotron!) is your thing, you can’t go wrong here
  • 4 stars: “Lizard is very consciously jazz-oriented — the influence of Miles Davis (particularly Sketches of Spain) being especially prominent — and very progressive, even compared with the two preceding albums.”

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Miles Davis – Water Babies

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  • This superb compilation album makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or close to it throughout
  • Tubier, more transparent, more dynamic, with that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has
  • Huge amounts of three-dimensional space and ambience, along with boatloads of Tubey Magic – here’s a 30th Street recording from 1967 and 1968 that demonstrates just how good Columbia’s engineers were back then
  • “Time has revealed this band to be as daring and fascinating as any in the long Davis career, and Water Babies contains some of its best music. There is simply so much happening here; hear it.”

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Al Dimeola / Elegant Gypsy – Di Meola’s Masterpiece

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  • One of the best copies of this phenomenal Fusion Guitar Jazz Classic to ever hit the site — Triple Plus (A+++) throughout
  • Both sides are incredibly lively, full-bodied, open and present — the sound is HUGE and WEIGHTY and it rocks
  • 5 stars: “Generally an explosive affair, although it does have a fair amount of variety. A near classic in the fusion vein.”

SHOCKINGLY GOOD SOUND for one of the all-time great guitar albums! We were positively BLOWN AWAY by how lively, dynamic and full-bodied this copy sounds. There’s real texture to all the instruments and the bottom end is tight and punchy beyond belief. They just don’t make records with this kind of Tubey Analog Magic anymore.

If you’ve enjoyed the sonics on one of our Hot Stamper pressings of Return To Forever, Weather Report or Santana, I think you’ll find a lot to like about this record.

This album still holds up today. The All Music Guide gives it five big stars, and on a copy like this one I bet you’ll rate the music just as highly. When you have a pressing with this kind of weight, power, clarity and transparency, you can easily appreciate just how amazing the musicianship is. (more…)

John McLaughlin / Extrapolation – Our Shootout Winner from 2013

INCREDIBLY POWERFUL AND DYNAMIC DEMO QUALITY SOUND THROUGHOUT! If you’re looking for a jazz-fusion guitar album that will wake your system up (and show off its best qualities to boot), this is the hot ticket right here. We had been slowly compiling various pressings for a big shootout for ages, and we finally let it rip recently. This was one of the most impressive pressings, earning an A++ on side one and an A+++ on side two. If you’re a fan of ’70s Miles Davis or the Birds Of Fire album, you probably already know that you need this in your collection!  (more…)

Carlos Santana, John McLauglin and The Mahavishnu Orchestra – Love Devotion Surrender

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More of The Mahavishnu Orchestra

  • This stellar collaboration finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound throughout
  • The sound is huge, spacious, lively, transparent and punchy – this is jazz fusion that really rocks
  • A superb collection “inspired by the teachings of Sri Chinmoy and intended as a tribute to John Coltrane”
  • 4 1/2 stars: “To hear this recording in the context of not only Carlos Santana’s development as a guitarist, but as the logical extension of the music of John Coltrane and Miles Davis influencing rock musicians — McLaughlin, of course, was a former Davis sideman — this extension makes perfect sense in the post-Sonic Youth, post-rock era.”

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Donald Byrd – Fancy Free

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  • Fancy Free makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from top to bottom
  • The overall sound here is Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
  • Credit must go to Rudy Van Gelder once again for capturing the jazz energy and performance space of this superbly sympathetic ensemble
  • “1969’s Fancy Free marked the beginning of Donald Byrd’s move away from hard bop, staking out fusion-flavored territory… the rare Donald Byrd album that holds appeal for rare-groove fanatics and traditionalists alike.”

If you’re ready to take a mindblowing jazz fusion trip with sonics to match, you should definitely check this one out. (more…)

Al Di Meola et al. – Friday Night in San Francisco

A KILLER copy of this Columbia red label pressing with both sides earning Shootout Winning Triple Plus (A+++) grades.

“… a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees… All in all, Friday Night in San Francisco is a fantastic album and one of the best entries in all of these guitarists’ fine discographies.” (more…)

Miles Davis – Live-Evil

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  • A STUNNING copy of Davis’ superb 1971 release, with Shootout Winning Triple Plus (A+++) sound on all four sides – exceptionally quiet vinyl too
  • Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied sound that blew away every other copy we played
  • A wonderful double album of both live and studio-recorded music, featuring numerous jazz greats, including Herbie Hancock, Keith Jarrett and Jack DeJohnette
  • Pitchfork’s Ryan Schreiber believed it was “easily the most accessible of Miles Davis’ late-’70s electric releases,” describing its music as “at once both sexually steamy and unsettling.” He said the live recordings “run the gamut from barroom brawl action-funk to sensual bedroom jazz magic, creating two hours of charged eccentricity you’ll never forget.”

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The Mahavishnu Orchestra – Visions of the Emerald Beyond

On the first track of side one we will happily state for the record: no record rocks harder. When you hear Ponty’s double-tracked violins explode out of each speaker on the first track, you will know what we mean when we say this record is as big and as bold a recording statement as any you have ever heard.

It’s yet another triumph from one of our favorite engineers, Ken Scott.

This may be jazz, but it’s jazz that ROCKS harder than 98% of the rock records we’ve ever played, and we’ve played rock records by the thousands. (more…)