Top Artists – Carly Simon

Carly Simon – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

Too many copies we played erred on the hi-fi-ish side, with not enough warmth. The copies that sound incredibly clean and clear just didn’t do much for us; they weren’t able to convey the intimacy and emotion of the music.

I’m sure you’ve had a similar experience playing CDs of some of your old favorites. You keep wondering why you liked the music in the first place. Don’t blame the music. Blame those crappy CDs. 

TRACK LISTING

Side One

That’s The Way I’ve Always Heard It Should Be
Alone
One More Time
The Best Thing
Just A Sinner

Side Two

Dan, My Fling
Another Door
Reunions
Rolling Down The Hills
The Love’s Still Growing

Review

Carly Simon was mostly well received by critics when released. Timothy Crouse, writing in Rolling Stone, stated “Carly’s voice perfectly matches her material” and her “…superbly controlled voice is complemented by deft arrangements.”

In more recent years, William Ruhlmann, writing for Allmusic, gave the album a three and a half star rating out of a possible five, and stated “That’s the Way I’ve Always Heard It Should Be” and “Dan, My Fling”, were the stand-out tracks.

Simon stated in the Ask Carly section on her website that “Reunions” was her mother’s—Andrea Simon—favorite song of hers.

Wikipedia

Carly Simon – Boys In The Trees – How Clearly Can You See the Hi-hat

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The Hi-hat Listening Test — yet another in our series of Home Audio Exercises.

Carly’s soulful version of You Belong To Me is what made this album a Must Own back in the day (and still does). During our shootout, as we listened to the song over and over again on copy after copy, it became clear that the best pressings allowed us to easily hear the drummer’s hi-hat within the dense mix of this heavily produced pop song. On most copies it’s buried and all but inaudible.

If the pressing you own is full-bodied and tonally correct, and you can easily pick out the rhythmic contribution of the hi-hat within the mix, you have a copy with the kind of transparency that few we played managed to achieve.

Transparency (and all the other stuff we talk about) can and does make a big difference in your enjoyment of the music. If the average record sounded even close to right nobody would need us to find good sounding copies for them, copies would be in every record bin in town and we would have to find some other records to sell. Copies of this album may be in every bin in town — that’s where we found this one — but the sound sure isn’t.

(And without the very best cleaning technologies, the ones invented only recently as a matter of fact, there is no chance of achieving the kind of transparency our best copies have. We consider it one of the most important Revolutions in Audio of the last twenty years. If you want your records to sound their best, we would love to help you do it.) (more…)

Listening in Depth to Carly Simon’s Second Best Album – No Secrets

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Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For 

The immensely talented engineer ROBIN GEOFFREY CABLE worked his audio magic on this album. You may recall that he recorded a number of the greatest sounding rock records of all time, Elton John’s self-titled second album and Tumbleweed Connection, both in 1970, as well as this album and Nilsson Schmilsson in 1972, with Richard Perry producing. 

One more note: having your VTA set just right is critical to getting the best out of this album. The loudest vocal parts can easily strain otherwise. Once you get your settings dialed in correctly, a copy like this will give you the kind of rich, sweet sound that brings out the best in this music. (more…)