A distinguished member of the Better Records Rock and Pop Hall of Fame.
This White Hot Stamper side one backed with an almost-as-amazing side two has the sound we were looking for on BOTH sides of the album: rich and sweet, with the kind of TRANSPARENCY that lets you hear every breath Carly takes. This is not phony detail — her voice is natural and full-bodied, and the entire production is tonally correct from top to bottom. This pressing is just doing its job — showing you what’s really on the master tape — and not too many of the copies we played were able to do that.
Most of the copies we played were dull, smeary and opaque, like so many records from this era. Since a lot of the records we play for shootouts are from the ’70s, we’re pretty familiar with that sound by now. Simply put, we’re in the business of looking for the copy that doesn’t sound like that. We’re looking for the copy that manages to get all the information from the cutter head into the grooves and keep it there. We call such copies Hot Stampers, and when a random copy comes along that just happens to be amazingly good, as in this case, we call it a White Hot Stamper. (more…)