Demo Discs for Tubey Magical Acoustic Guitars

The Beatles – A Hard Day’s Night

  • With killer sound throughout, we guarantee you’ve never heard the 14 tracks of A Hard Day’s Night sound remotely as good as they do here
  • Both sides are big, spacious and absolutely jumping out of the speakers, with relatively rich, smooth sound
  • This one gets the heart of the music right – the lad’s voices – and that’s what makes The Beatles FUN to listen to
  • 5 stars: “Decades after its original release, its punchy blend of propulsive rhythms, jangly guitars, and infectious, singalong melodies is remarkably fresh.”

Drop the needle on any song on either side to see why we went crazy over this one. The emotional quality of the boys’ performances really comes through on this copy. They aren’t just singing — they’re really beltin’ it out. Can you imagine what that sounds like on the title track? We didn’t have to imagine it, we heard it!

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Cat Stevens – Teaser & The Firecat

  • This vintage Island Pink Rim pressing was doing pretty much everything right, earning seriously good Double Plus (A++) grades throughout – fairly quiet vinyl too
  • Here are sides that will rock your world with their size, richness, clarity and energy, the likes of which you may have never experienced on vinyl
  • A Brilliant Classic Folk Rock recording – the right pressings offer Demo Disc Quality sound and then some
  • 5 stars and a Top 10 album – in some ways it’s surely the Best Sounding record Cat Stevens ever made
  • This Folk Rock Masterpiece from 1971 is one that belongs in every audiophile’s collection
  • “Tuesday’s Dead,” “Morning Has Broken,” “Bitterblue,” “Moonshadow” “Peace Train” – and that’s just side two! What side of any album has five songs of such quality?

Before I get further into the sound of this record, let me preface my remarks by saying this is a work of GENIUS. Cat Stevens made two records which belong in the Pantheon of greatest popular recordings of all time. In the world of folky pop, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other recordings that are as good but there are no other recordings that are better.

When you hear The Wind, Changes IV, or If I Laugh on this copy, you will be convinced, as I am, that this is one of the greatest popular recordings in the history of the world. I don’t know of ANY other album that has more LIFE and MUSICAL ENERGY than this one. (more…)

Mike Auldridge / Dobro

More Mike Auldridge

More Country and Country Rock

  • Amazing sound throughout this original pressing of Mike Auldridge’s highly enjoyable album of Bluegrass music, with KILLER Shootout Winning Triple Plus (A+++) grades from start to finish
  • Both of these sides are sweet and rich with tons of Tubey Magic, exceptionally breathy vocals, deep punchy bass, and a super extended top end
  • We had a lot of fun hearing how good banjos, mandolins, dobros and fiddles can sound when recorded and mastered properly
  • 4 stars: “The skill with which Auldridge put together vehicles for his tremendously appealing soloing style … not only resulted in a boost in interest in the dobro, but the entire civilization of soloists on various instruments benefited from such obvious evidence of potential appeal, while the Washington, D.C., bluegrass scene never quite recovered from the legendary status of these recording sessions and the magical things that went on as the tapes rolled.”

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Yes – The Yes Album

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Reviews and Commentaries for The Yes Album

  • You haven’t begun to hear the weight, energy and space of Yes’s brilliant third album until you’ve played one of our killer Hot Stamper copies
  • The band’s best sounding record if you ask us (although Fragile can sound absolutely amazing too)
  • On the right system, at the right volume (very loud), this very record is an immersive experience like practically no other – I’ve Seen All Good People will surely blow your mind
  • A permanent resident of our Top 100 Rock and Pop List and a classic from 1971
  • This Progressive Rock Masterpiece from 1971 is one that we feel belongs in every audiophile’s collection
  • “Organist Tony Kaye, guitarist Steve Howe and bass player Chris Squire play as though of one mind, complementing each other’s work as a knowledgeable band should.”

Drop the needle on this bad boy and you will find yourself on a Yes journey the likes of which you have never known. And that’s what I’m in this audiophile game for. The Heavy Vinyl crowd can have their dead-as-a-doornail, wake-me-when-it’s-over pressings that play quietly. I couldn’t sit through one with a gun to my head.

With the amazing Eddie Offord at the board, as well as the best batch of songs ever to appear on a single Yes album, they produced both their sonic and musical masterpiece — good news for audiophiles with Big Speakers who like to play their records loud.

These guys — and by that I mean this particular iteration of the band, the actual players that were involved in the making of this album — came together for the first time and created the sound of Yes on this very album, rather aptly titled when you think about it. (more…)

Led Zeppelin – Houses of the Holy

More Led Zeppelin

More Top 100 Titles

  • You’ll find superb Double Plus (A++) sound throughout this vintage Atlantic pressing – fairly quiet vinyl too
  • Only the pressings mastered by Robert Ludwig have any hope of doing well in our shootouts, and those are the only ones we have ever offered, beginning all the way back in 2006
  • Wall to wall, floor to ceiling Led Zeppelin power – this copy delivers like you will not believe, or your money back
  • A Better Records Top 100 album (along with 4 other Zep titles), 5 Stars in AMG and a True Zeppelin Must Own Classic
  • The Tubey Magical acoustic guitars heard here should be a wake up call to every audiophile that trying to remaster this album is just not in the cards
  • 5 stars: “Jimmy Page’s riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere…”
  • If you’re a fan of the band, this title from 1973 is clearly one of their best, and inarguably one of their best sounding

This copy has the kind of BIG, BOLD ROCK SOUND that takes this music to places you’ve only dreamed it could go. The HUGE drums on this copy are going to blow your mind — and probably your neighbors’ minds as well.

And what would a Zep record be without bass? Not much, yet this is precisely the area where so many copies fail. Not so here. The bottom end is big and meaty with superb definition, allowing the record to ROCK, just the way you know Zep wanted it to.

The vocals too are tonally correct. None of the phony upper-midrange boost that the Classic Records reissue suffers from is evident on this copy. The louder Robert Plant screams, the better he sounds and the more I like it. The Classic makes me wince. (more…)

Harry Nilsson – Harry

More Harry Nilsson

More Rock and Pop

  • A vintage pressing of Nilsson’s wonderful 1969 LP with excellent Double Plus (A++) grades on both sides
  • You’ll have a hard time finding a copy that sounds remotely as good as this one – it’s clean, clear, and present with tons of Tubey Magic
  • Full-bodied and energetic, with a punchy bottom end and plenty of space all around the various instruments, this is the sound of vintage analog
  • 4 stars: “…Harry is where Harry Nilsson began to become Nilsson, an immensely gifted singer/songwriter/musician with a warped sense of humor that tended to slightly overwhelm his skills, at least to those who aren’t quite operating on the same level.”
  • This is a Must Own album from 1969. The next time you see it on the site, grab it, because it is rarely up there. Until then, buy the DCC CD. It’s excellent.

This forgotten gem sank like a stone in 1969, but time has treated this album well; it still holds up. The production is superb throughout. Judging by this early Nilsson album, it appears he was already a pro in the studio, as well as an accomplished songwriter, and, more importantly, the owner of one of the sweetest tenors in popular music, then or now.

This album checks off a few of our favorite boxes:

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The Grateful Dead – American Beauty

More Grateful Dead

More Hippie Folk Rock

  • The acoustic guitars are magical on this copy, and you won’t believe how wonderfully breathy and sweet these guys’ voices sound
  • American Beauty is one of Stephen Barncard‘s greatest recording achievements – the richness and clarity are really something here
  • 5 star Top 100 album – “A companion piece to the luminous Workingman’s Dead, American Beauty is an even stronger document of the Grateful Dead’s return to their musical roots. American Beauty remains the Dead’s studio masterpiece.”
  • A permanent resident of our Top 100 Rock and Pop List — no other album by the band is as well recorded
  • Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.

This is a longtime Better Records favorite for both music and sound. For those of you who love acoustic guitar-driven folk songs — we call it Hippie Folk Rock — you should find a lot to like about the sound of this album.

Tubey Magical Acoustic Guitar reproduction is superb on the best Hot Stamper pressings. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

All the Elements Come Together for Once

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

You could choose any track you wanted to and find lovely sound here, but I’d recommend “Ripple” and “Attics Of My Life” for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here.

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The Beatles – Sgt. Pepper’s Lonely Heart’s Club Band

  • Huge, spacious and detailed, with the Tubey Magic of a fresh tape, this is the way to hear Sgt. Pepper in all its analog glory, not remixed and not remastered
  • Most pressings – especially the new ones – have nothing approaching the Tubey Magic, space and energy of this LP
  • A Better Records Top 100 Title – “It’s possible to argue that there are better Beatles albums, yet no album is as historically important as this.”
  • It’s hard to conceive of any list of the Best Rock and Pop Albums of 1967 that would not have this record on it, and there is a very good chance it would be right at the top of that list
  • Quite a few customers have written us letters telling us how much they enjoyed the Hot Stamper pressing of Sgt. Pepper we sent them

The sound here is so big and rich, so clear and transparent, that we would be very surprised, shocked even, if you’ve ever imagined that any pressing of Sgt. Pepper could sound this powerful and REAL. (more…)

Elton John – Self-Titled

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Reviews and Commentaries for Elton John’s Second Album

  • This is an original UK pressing with superb sound — it’s a Must Own album for all right thinking audiophile record lovers, not just Elton John fans
  • No modern record has ever sounded like this – these sides are HUGE, with sound that positively jumps out of the speakers
  • Some of the most remarkable string arrangements (and Tubey Magical string sound) ever recorded for a pop album
  • 4 1/2 stars: “Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. …Elton John remains one of his best records.”
  • A permanent resident of our Top 100 Rock and Pop List — this is a Must Own album from 1970
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. Elton John is a good example of a record many audiophiles may not know well but would certainly benefit from getting to know better.

Folks, if you’re looking for Classic Popular Music that still appeals to sophisticated adults fifty-plus years after it came out, this is the album for you. It’s one of the four Classic Elton John records (five if you count GYBR) that belong in every right-thinking audiophile’s collection.

(The others are, in order of quality: #1) Tumbleweed Connection, #2) Honky Chateau, #3) Goodbye Yellow Brick Road , and #4) Madman Across the Water.)

It’s full of analog Tubey Magic — the richness, sweetness, and warmth are nothing short of stunning. The transparency, clarity, texture, dynamics, energy, spaciousness, and three-dimensionality of this recording are really something to be heard.

The piano has real weight, the vocals are breathy and full, and the string tone is some of the best we have ever heard on a pop album.

Drop the needle on Border Song. When it hits the big “Holy Moses” chorus, you can pick out and follow all the different voices. What sounds like a harp on Sixty Years On is actually a Spanish Guitar. Whatever it is, it’s positively sublime on the best pressings.

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Jethro Tull – Stand Up

More Jethro Tull

More British Blues Rock

  • A vintage UK import that was doing practically everything right, with both sides earning killer Nearly Triple Plus (A++ to A+++) grades – just shy of our Shootout Winner
  • This is a True Tull Classic – my favorite by the band – and a VERY tough record to come by with this kind of sound and surfaces that play this well
  • Both of these sides give you richness, Tubey Magic, clarity and resolution few copies can touch, including most Pink Label Island pressings, especially the early ones
  • Marks in the vinyl are sometimes the nature of the beast with these classic rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • “Stand Up! has great textural interest, due, in part, to a more sophisticated recording technique, in part to the organ, mandolin, balalaika, etc., which Anderson plays to enrich each song. The band is able to work with different musical styles, but without a trace of the facile, glib manipulation which strains for attention.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These UK pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. We must give thanks to the brilliant engineer Andy Johns.

This record is the very definition of Tubey Magic. No recordings will ever be made that sound like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of this album, quite a few of them I would guess, but those of us with a good turntable could care less.

If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage All Tube Analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

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