Top Artists – Bonnie Raitt

The Turn Up Your Volume Test – Bonnie Raitt’s Home Plate

More Bonnie Raitt

More Home Plate

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Another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This is a classic case of a record that really starts to work when the levels are up. It’s so free from distortion and phony processing it wants to be played loud, and that’s the level this music works at. It’s the level it was no doubt mixed at, and that mix sounds pretty flat at moderate levels. If you want to hear the real rockin’ Bonnie Raitt you gots to turn it up!

Like a lot of the best recordings from the mid-’70s, the production and recording quality are clean and clear, and we mean that in a good way. There is very little processing to the sound of anything here; drums sound like drums, guitars like guitars, and Bonnie sings without the aid of autotuning — because she can sing on-key, and beautifully. Her vocals kill on every song. (Her dad had a pretty good set of pipes too.) (more…)

Bonnie Raitt – Nick Of Time – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • A stunning sounding copy with a Triple Plus (A+++) side two and an excellent Double Plus (A++) side one
  • The overall sound here is rich, full and solid with a nice extended top end and excellent bass – Have A Heart sounds fantastic
  • About as quiet as we can find them — Mint Minus to Mint Minus Minus
  • 4 1/2 stars on Allmusic: “A great comeback album that made for a great story”.

See all of our Bonnie Raitt albums in stock

The sound here is POWERFULLY BIG AND BOLD, with meaty, deep bass (such a big part of the rockers here, Thing Called Love being a prime example) and some of the sweetest, richest, most ANALOG sound we’ve heard from any record Don Was has been involved with.

When you hear it like this — something probably pretty close to what he heard during the control room playback for the final mix — it actually makes sense. It works. It’s not exactly “natural,” but natural is not what they were going for, now is it?

We play albums like this VERY LOUD. I’ve seen Bonnie Raitt live a number of times and although I can’t begin to get her to play as loud in my listening room as she did on stage, I can try. To do less is to do her music a profound disservice.

What to Listen For (WTLF)

Note how silky the cymbal crashes are; not too many copies get them to sound that way.

Listen especially for how all the elements of the recording are clearly laid out and audible, never forced or hyped in any way. The sound can be so 3-D!

Key note for side two — listen for the sibilance on Bonnie’s voice on Too Soon to Tell. Some copies have really gritty spitty sibilance, others keep it well under control, with a much more silky quality. (more…)