- Both sides of this outstanding original 360 pressing earned solid Double Plus (A++) grades for sound and play reasonably quietly, all things considered
- The only versions of the album we sell are the 360 originals, but most of the dozens plus stamper numbers we know cannot hold a candle to this pressing
- The sound is HUGE, rich, dynamic and POWERFUL – BS&T is a permanent member of our Top 100 and a Demo Disc par excellence
- This is surely Roy Halee’s engineering masterpiece, and here’s the kind of pressing that, given the right equipment, room, and setup, can really make our case
- 4 1/2 stars: “Their finest moment and a testimony to the best of the jazz/rock movement … The album is bold, brassy and adventurous.”
We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.
Tom Port – Better Records
In my opinion this is the BEST SOUNDING rock record ever made. I may be biased because I like the music so much, but played on a Big Speaker System a Hot Stamper pressing is nothing less than ASTOUNDING, the ultimate Demo Disc. It has the power of LIVE MUSIC.
You don’t find that on a record too often, practically never in fact. I put this record at the top of The Best Sounding Rock Records of All Time link (seen on the left) and said it was in a class of its own for good reason — IT IS IN A CLASS OF ITS OWN.
As I’ve noted before, this record is a milestone in the history of popular music. Not only is it The Most Successful Fusion of Rock and Jazz Ever. It’s also One of the Finest Recordings of Popular Music Ever.
The sound is nothing short of amazing. Just the drums alone are enough to win awards: the kick drum has real kick, the snare may actually be the best rock snare ever recorded, the cymbals shimmer like real cymbals; almost everything is right with this record. Especially the music.
Good Demo Disc, Good Test Disc Too
This is the kind of record that doesn’t fall into the “Good Demo Disc, Bad Test Disc” trap. It’s both a good Demo Disc and a good Test Disc; not too many records can make that claim. (Especially the kinds of records audiophiles tend to like.) The good copies of this album sound good on almost any system. But the better systems reveal qualities to this recording that you are very unlikely to have ever heard on another record. That’s the Demo side.
On the Test side, no matter what level your system is at, any change you make will be instantly obvious on this recording, for good or bad. Nothing can fool it. It’s too tough a test, the toughest I know of bar none. For this record to sound right, truly right, every aspect of its reproduction has to be at the highest level. Any shortcoming will be glaringly obvious. The record may still sound good, but it won’t really sound right. (Knowing what “right” means in this context makes all the difference in the world of course.)
If you want to improve your stereo, this is the record that will show you whether or not you’re making progress. (more…)
- This vintage Island Pink Rim import pressing boasts outstanding Double Plus (A++) sound from start to finish – exceptionally QUIET vinyl too
- Spacious, rich and dynamic, with especially smooth, present vocals – this is what we love about Eddie Offord’s work here
- ANALOG at its Tubey Magical finest – you’ll never play a CD that sounds this good as long as you live
- Lucky Man and Take A Pebble on this copy have Demo Disc Quality Sound like you won’t believe
- 4 1/2 stars: “Lively, ambitious, almost entirely successful debut album… [which] showcased the group at its least pretentious and most musicianly …there isn’t much excess, and there is a lot of impressive musicianship here.”
If you’ve got the system to play this one loud enough, with the low end weight and energy it requires, you are in for a treat. The organ that opens side two will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. This is bombastic prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels, it actually will rock your world.
This UK Island pink rim import pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- A stunning copy that is absolutely guaranteed to rock your world like no other – QUADRUPLE Plus (A++++) on side two and nearly Triple Plus (A++ to A+++) on side one
- With Mint Minus Minus grades or BETTER on both sides, the surfaces are exceptional for this title, but there are some marks that play, carefully noted in the body of the listing below
- The sound is freakishly good – we created a Top Ten list just to put this album at the top of it
- We long ago gave up on anything but these killer RL (and SS) pressings, because nothing else comes close
- With copies selling for $1000+ on ebay, sometimes $3k+, we’re having to pay big bucks for Zep II these days, but if any album is worth it, it’s this one
- On side one, there’s a mark on the first track that makes about ten light to medium pops. At the beginning of the third track there are five to seven light ticks. There are some intermittent ticks on Thank You, the last track on this side and the hardest one to find playing quietly.No inner groove damage, which is rare in and of itself.
- On side two, there’s a mark at the end of track five that makes six light ticks. Note that the basic playing condition of this side is as quiet as any copy we have ever listed and quieter than 95% of those that actually did make it to the site.
Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl not withstanding. If you can tolerate the surfaces on this pressing you are in for some amazing music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.
Please note: we award the Four Plus (A++++) grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. We rarely find records with this kind of sound, just a few times a year at most — this is the only one on the site at this time. When you hear this copy you will know why we gave side two that fourth plus!
Quick Notes for Side One
Meaty bass and guitars. Big energy. Just not as spacious and resolving as the best. 2.5+
Quick Notes for Side Two
So much bass! The most yet and it’s huge! Big size and space, really gets huge and jumps out. I love it! Awesome. 4+ (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
A side two for the ages — it beat our best Ref Copy to earn a Four Plus (A++++) grade. Both sides are stunning with superb Demo Quality sound: huge, rich, spacious, dynamic and lively. An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound.
We rate records with a Four Plus grade so rarely that we don’t even have a graphic for it on our Sonic Grade chart seen above. The scale only goes up to three pluses, but this side two blew our minds to earn a fourth!
This is an incredible recording, but finding killer pressings like this is no walk in the park. We’ve had countless copies with promising sound that were just not in any condition to sell, and plenty of clean ones that just didn’t sound good.
This copy really delivers on the sound side — you get stunning immediacy, big-time presence, tons of depth to the soundfield, full-bodied vocals, amazing transparency, and BOATLOADS of Tubey Magic. Elton John fans, today is your lucky day. (more…)
Yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.
The bass on the best copies is AWESOME. Playing a Hot Stamper copy at loud levels with big woofers will have your house quaking. Add to that the kind of ENERGY that the better pressings have in their grooves and the result is an album guaranteed to bring most audiophile systems to their knees, begging for mercy.
This is The Audio Challenge that awaits you. If you don’t have a system designed to play records with this kind of SONIC POWER, don’t expect to hear Crime of the Century the way Ken and the boys wanted you to. The album wants to rock your world, and that’s exactly what our Hot Stamper pressings are capable of doing.
The typical Brit copy is dull, and that quality just takes all the magic out of the recording. The three dimensional space and clarity of the recording rely heavily on the quality of the top end. The MoFi, on the best copies, shows you what is missing from the typical Brit, domestic or other import LP. This is what impressed me back in the ’70s when I bought my MoFi. It was only years later that I realized what was missing and what was wrong. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
In my opinion this is the BEST SOUNDING rock record ever made. I may be biased by the fact that I like the music so much; nevertheless, on a big stereo a Hot Stamper pressing like the one is nothing less than ASTOUNDING. It has the power of LIVE MUSIC. You don’t find that on a record too often, practically never in fact. I put this record at the top of The Best Sounding Rock Records of All Time List for good reason — it’s in a class of its own.
Our last big shootout was back in early 2008. Since we never tire of discussing the Revolutionary Changes in Audio that have occurred over the last quite eventful year (really more like five quite eventul years) , we here provide you with yet another link to that commentary. Suffice to say, this record, like most good records, got a whole lot better.
(Some records do not, but that’s another story for another day.) We noted some new qualities to the sound that we would like to discuss; they’re what separated the men from the boys this time around. Note that we have left the exhaustive Track by Track Commentary from the last shootout in the listing. It took a long time to write it, and the vast majority of it is still true. We might quibble with some of it, but for the most part we think you will get a lot of out it, so there it will stay.
As I’ve noted before, this record is a milestone in the history of popular music. Not only is it The Most Successful Fusion of Rock and Jazz Ever. It’s also One of the Finest Recordings of Popular Music Ever. The sound is nothing short of amazing. Just the drums alone are enough to win awards: the kick drum has real kick, the snare is, in my opinion, the best rock snare ever recorded, the cymbals shimmer like real cymbals; almost everything is right with this record. Especially the music.
What We Learned This Time Around
All the best qualities of the best copies stayed the same; this is to be expected. If records you know well over a long period of time suddenly start to sound different, you can be pretty sure that you’ve made an audiophile error in your system somewhere. You need to find it and figure out how to fix it as fast as possible, although as a rule this process can turn out to be very time consuiming and difficult. The first place I would look is to any changes in wire, whether speaker, interconnect or power cord. It has been my experience that this is where most of the bad sound in audiophile systems comes from. Much commentary to that effect can be found in The Better Blog. (more…)
On any given day a White Hot side one of The Original Soundtrack could very well be the best sounding record on the site.
“On any given day” being a day when we don’t have a hot German copy of Dark Side of the Moon to offer, or a killer Eagles first album, or a top copy of the self-titled BS&T, or an RL Zep II, or a White Hot Teaser and the Firecat. Most days we don’t have such records on the site, and on those days this 10cc album is a recording Tour De Force that would be bigger, bolder, more dynamic, and more powerful than anything we could throw against it.
The Eagles first album is without a doubt Glyn Johns’ masterpiece — rock records just don’t sound any better! It’s exactly the kind of record that makes virtually ANY Audiophile Record pale in comparison. EVERYTHING you could ask for as an audiophile is all here and more.
The Eagles first album is without a doubt Glyn Johns’ masterpiece — rock records just don’t sound any better! It’s exactly the kind of record that makes virtually ANY Audiophile Record pale in comparison. EVERYTHING you could ask for as an audiophile is all here and more. When you drop the needle on Train Leaves Here This Morning, the opener for side two, the immediate impression you will get is “WOW”. The sound is as BIG and BOLD as any outside of the live event. The sweetness and the tubey magical quality of the vocals are virtually without equal. It’s my favorite track on the album and it KILLS on this copy!
A Top Ten Title
You may have seen our Top 100 list of the best sounding rock records elsewhere on the site. If we were to pick out a Top Ten from that list, this record would have made the cut. (more…)
- A huge and powerful UK pressing of Supertramp’s Masterpiece, offering outstanding Double Plus (A++) quality sound or BETTER on both sides
- Ken Scott engineered this one to have Cinerama-sized height, width and depth to rival the best albums you’ve ever heard
- Clearly their Magnum Opus, a great leap forward and a permanent member of our Rock & Pop Top 100 Album List – fairly QUIET vinyl too
- “The tuneful, tightly played songs, pristine clarity of sound, and myriad imaginative sound effects, helped create an album that Sounds magazine likened to ‘Genesis, The Beach Boys… a smattering of [Pink] Floyd.'”
This is engineer Ken Scott’s (and the band’s) MASTERPIECE, but the average copy sure can’t get your blood pumping the way this one will. We’ve long recognized that Crime of the Century is a true Demo Disc in the world of rock recordings, a member of our Rock & Pop Top 100 list right from the get go. We admit to being overly impressed with the MoFi back in the ’80s and the Speakers Corner pressing in the ’00s. Our Hot Stamper pressings are guaranteed to handily beat either one and any domestic or import pressing you care to put to the test as well.
When you hear the guitars come jumping out of your speakers on School or Bloody Well Right you can be sure that you’re playing a very special pressing of a very special recording indeed. (Yes, you need both. That’s why we’re here.) (more…)