Jazz, Piano & Vibes

Bill Evans – Waltz for Debby

More of the Music of Bill Evans

  • Waltz for Debby makes its Hot Stamper debut on this reissue pressing that boasts two incredible Nearly Triple Plus (A++ to A+++) sides, just shy of our Shootout Winner – fairly quiet vinyl too
  • Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied – this pressing was a big step up over practically all other copies we played
  • This is not an original (those are terrible sounding), not a later reissue (also bad), and not the original OJC (which is passable at best) – no, this is modern pressing that — finally! — has the sound we have been trying to find for the last twenty or so years
  • Normally this is information we might not choose to share, as anyone can buy a modern OJC, but the fact that so many different OJC versions exist — I counted six different OJC-210s — means you probably would spend a lot more money finding a good sounding OJC pressing than the price we are charging
  • However, if you do find a great sounding OJC, be sure to drop us a line and let us know that stamper numbers — we would be curious to know if anyone was actually able to succeed with such an effort
  • If you want to hear the Tubey Magic, size and energy of this wonderful session from 1961, recorded live at the Village Vanguard in New York, this pressing will let you do that
  • 5 stars: “Evans chose the material here, and, possibly, in some unconscious way, revealed on these sessions … a different side of his musical personality that had never been displayed on his earlier solo recordings or during his tenures with Miles Davis and George Russell: Evans was an intensely romantic player, flagrantly emotional, and that is revealed here in spades on tunes such as ‘My Foolish Heart’ and ‘Detour Ahead.'”

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Louie Bellson / Ray Brown / Paul Smith – Intensive Care

More Direct-to-Disc Recordings

More Jazz Piano Recordings

  • Both sides of this amazing Discwasher direct-to-disc Japanese import earned STUNNING Shootout Winning Triple Plus (A+++) sonic grades
  • Here are just a few of the things we had to say about this incredible copy in our notes: “so big and roomy”…”no veil at all” (side one)…”huge and rich with a power low-end”…”very articulate and round piano”…”tubey and weighty”…”best bass, deep and note-like” (side two)
  • One of our all time favorite direct-to-discs; Piano Trio doesn’t get much better than this
  • Paul Smith is an underrated jazz player – most of his albums as a leader are forgettable (we should know, we’ve played a bunch of them), but on this album he swings and really makes music with his two bandmates
  • The playing is extremely energetic and involving, the sound is some of the best we’ve heard, and the engineering is by Phil Schier, who also recorded another favorite direct disc of ours, Friendship, and we recommend both albums highly
  • If you want a good jazz direct-to-disc, you would be hard pressed to find one better than this
  • If you’re a fan of piano trio jazz recordings, recorded direct to disc or otherwise, this is a killer record from 1978 that belongs in your collection.

This record probably doesn’t have the reputation it deserves because it came out on the Discwasher label, which to my knowledge, only made one good record, this one. The same metalwork would have been used to make the version Pausa released, and that fairly common pressing may be virtually identical to this Discwasher pressing. (more…)

Thelonious Monk / Big Band and Quartet

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More Large Group Jazz Recordings of Interest

  • This amazingly well-recorded big band concert from 1963 returns to the site for only the second time in years, here with solid Double Plus (A++) grades throughout this black print Stereo 360 pressing
  • Both of these sides are doing just about everything right, with sound that is remarkably rich, Tubey Magical, spacious and lively
  • Monk alternates between a 10 piece Big Band and his standard quartet, with magical results
  • 5 stars: “This is one of pianist-composer Thelonious Monk’s greatest recordings and represents a high point in his career.”

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Cecil Taylor Quartet – Looking Ahead!

More Jazz Recordings Featuring the Piano

More Contemporary Label Jazz Recordings

  • Looking Ahead! is back on the site for only the second time in years, here with incredible Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • We play a lot of vintage Contemporary recordings, but this one surprised us right from the first track with sound that stands out — this on a label that produced many of our favorite standout recordings
  • Both of these sides are clean, clear, and transparent, with an abundance of energy and wonderful clarity in the mids and highs
  • This is not an easy record to come by, as evident by how long it took us to get our most recent shootout going, and they usually don’t sound anywhere near this good when you manage to track one down
  • 4 1/2 stars: “It’s an amazing document of a talent fairly straining at the reins, a meteor about to burst onto the jazz scene and render it forever changed.”

These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

This vintage Contemporary pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

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Count Basie & Oscar Peterson – Yessir, That’s My Baby

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More Oscar Peterson


  • Excellent sound for this wonderful Basie/Peterson record pressed on fairly quiet Pablo vinyl, with Double Plus (A++) grades or close to them on both sides
  • This copy is bigger, clearer and more full-bodied than most of what we played (particularly on side one) – man, this is the glorious sound of analog
  • “The two pianists (backed by bassist John Heard and drummer Louis Bellson) play five standards and three blues with predictable swing, finding much more in common with each other than one might have originally suspected.”

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The Three / Self-Titled (45 RPM)

More Jazz Recordings Featuring the Piano

  • Amazing sound throughout this Japanese import pressing, with both sides earning KILLER Shootout Winning Triple Plus (A+++) grades or close to them
  • The transients are uncannily lifelike – listen for the powerful kinetic energy produced when Shelly whacks the hell out of his cymbals
  • My favorite piano trio jazz album of all time — every one of the tracks is brilliantly arranged and performed
  • 4 stars: “One of Joe Sample’s finest sessions as a leader” – with Shelly Manne and Ray Brown, we would say it’s clearly his finest session, as a leader or simply as the piano player in a killer trio
  • Some of the other records we’ve discovered with top jazz piano sound can be found here
  • More amazing sounding piano recordings, of every kind of music, can be found here

If you want to hear the full six tunes recorded by The Three at that famous Hollywood session (which ran all day and long into the night, 4 AM to be exact), our 33 RPM pressings are your best bet.

If you want absolutely amazing, mind-blowing, you-are-there sound, a Hot Stamper 45 is the only way to go.

The music is so good that I personally would not want to live without the complete album. The Three is, in fact, my favorite piano trio jazz album of all time. Very one of those six tracks is brilliantly arranged and performed (if you have the right takes of course; more about that later).

This album checks off a number of important boxes for us here at Better Records:

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Oscar Peterson – A Tribute To My Friends

More Oscar Peterson

Another Top Pablo Recording

  • A superb copy with Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • Mastered by Joe Gastwirt at the JVC cutting center, this has the punchy, lively sound that some of the better Pablos are known for
  • The piano reproduction is especially clean, clear and lively, with solid weight down low, just the way we like it
  • 4 stars: “With the assistance of guitarist Joe Pass, bassist Niels Pedersen and drummer Martin Drew, Peterson sounds inspired on such themes as “Blueberry Hill,” “Stuffy,” “Cottontail” and even “A Tisket, a Tasket.”
  • More reviews and commentaries for recordings on Pablo
  • More reviews and commentaries for the music of Oscar Peterson

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Ramsey Lewis – For Some Titles We Go 17 Years Between Shootouts

More Ramsey Lewis

More Jazz Recordings Featuring the Piano

  • Sun Goddess is back and sounds better than ever on this vintage Columbia pressing with incredible Nearly Triple Plus (A++ to A+++) grades from start to finish – just shy of our Shootout Winner
  • The sound is huge, spacious, lively, transparent and punchy – this is jazz fusion that really rocks
  • The last time we reviewed this album was all the way back in 2005!
  • “Sun Goddess is also something of a stealth Earth, Wind & Fire album, as it features most of the key players from that band, and bears echoes of EW&F’s jazzier, more atmospheric side”
  • 4 stars: “Pianist Ramsey Lewis first came to fame as the purveyor of swinging soul-jazz in the mid-’60s [but] Sun Goddess…is miles away from the finger-snapping supper club sounds of “The In Crowd.” Lewis had transformed himself into a jazz fusion funkateer, riffing on electric piano and synthesizer amid arrangements that meld jazz with funk, R&B, and yes, even touches of progressive rock.”

Ramsey Lewis meets Earth Wind and Fire.

This is a bright recording and it’s supposed to sound that way, just like EWF’s recordings. The music is full of energy and lots of fun. This isn’t real jazz; it’s pop jazz. It’s produced by Maurice White and it even has Phillip Bailey on vocals.

You can’t get much more Earth, Wind and Firey than that.

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Horace Silver – Blowin’ The Blues Away

More Horace Silver

More Albums on Blue Note

  • Stunning sound throughout this original Blue Note Stereo pressing, with both sides earning Nearly Triple Plus (A++ to A+++) grades – just shy of our Shootout Winner
  • A Must Own from Horace Silver, with the kind of sound that only the best vintage pressings can offer
  • If you don’t know his music, this is a good place to start
  • Another triumph for engineering maestro Rudy Van Gelder – he refined a “live-in-the-studio” jazz sound that still sounds fresh to this day, even after 65 years
  • 4 1/2 stars: “Blowin’ The Blues Away is one of Horace Silver’s all-time Blue Note classics, only upping the ante established on Finger Poppin’ for tightly constructed, joyfully infectious hard bop… one of Silver’s finest albums, and it’s virtually impossible to dislike.”
  • If you’re a fan of Silver’s, this 1959 album belongs in your collection, along with quite a few others, if only we could fine them
  • The complete list of titles from 1959 that we’ve reviewed to date can be found here.

The really good RVG pressings (often on the later labels) sound shockingly close to live music — uncompressed, present, full of energy, with the instruments clearly located on a wide and often deep soundstage, surrounded by the natural space and cool air of his New Jersey studio. As our stereo has improved, and we’ve found better pressings and learned how to clean them better, his “you-are-there” live jazz sound has come to impress us more and more. (more…)

Dave Brubeck – Time Out

More of the Music of Dave Brubeck

  • This Six-Eye Stereo pressing boasts out of this world Demo Disc sound
  • Time Out captures the ambience and huge space of Columbia’s studio like practically no other record has (with a little reverb thrown in for good measure)
  • A knockout pressing of Brubeck’s astonishingly well recorded Jazz Classic, this is a record that belongs in every audiophile’s collection
  • Early stereo LPs in clean condition like this one are getting awfully tough to find nowadays…
  • “Buoyed by a hit single in Desmond’s ubiquitous Take Five, Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That’s a testament to Brubeck and Desmond’s abilities as composers, because Time Out is full of challenges both subtle and overt — it’s just that they’re not jarring.”
  • If you’re a fan of Brubeck and company, this 1959 album belongs in your collection, along with quite a few others from the classic jazz era

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