Hot Stamper Pressings of the Music of Bill Evans Available Now
During our most recent shootout for Waltz for Debby, we took the opportunity to play the early OJC that first came out in the 80s. We found the OJC pressings with the stampers identified below had good, not great sound.
I remember playing the Analogue Productions version from 1992, mastered by Doug Sax, and being shocked at how overly rich, murky, thick and unnatural it sounded. I knew the AP Way Out West was bad. Was every title that Analogue Productions remastered going to sound like it was being played by 50’s JBL speakers powered by Mac 30s?
This was the sound audiophiles had always wanted? This was the sound that made them think they were listening to the master tape? (To prove that bad ideas never die — that sooner or later they return in a different guise — there is a Mr. Hutchison who makes records that sound very similar to those Chad was making in the early 90s. The more things change…)
Back to the OJC of Waltz for Debby. A local fellow who had requested my 1990s catalog, the one in which I say the OJCs just kill the new AP Heavy Vinyl pressings, came over and bought some OJCs, the ones I thought sounded very good, which were the only ones we carried. They were all of ten bucks each.
He promptly went home, played them and called me to tell me just how awful his AP vinyl of the album sounded and how much better his OJC was in comparison, at less than half the price. I’m sure I said something along the lines of “Tell me something I don’t know!” My credibility established beyond all doubt, he and I soon became fast friends.
I never reviewed the Waltz for Debby on AP, but I wrote reviews for three other AP titles: Way Out West, Chet, and Jazz Giant. Spoiler alert: I thought all three were unbelievably awful.
The G1A/B1 OJC pressing we played suffered these problems:
- It’s opaque but not too opaque
- It’s small and a bit dull
Hot Stamper Pressings of the Music of Bill Evans Available Now
