Well Recorded Jazz Albums – The Core Collection

Dave Brubeck Quartet – Time Further Out

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Reviews and Commentaries for Time Further Out

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  • You’ll find KILLER Shootout Winning Triple Plus (A+++) sound from start to finish on this original 6 Eye Stereo Pressing
  • These sides are incredibly tubey – rich, full-bodied and warm – yet clear, lively and dynamic
  • This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
  • 4 1/2 stars: “The selections, which range in time signatures from 5/4 to 9/8, are handled with apparent ease (or at least not too much difficulty) by pianist Brubeck, altoist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello on this near-classic.”

Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.

If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording. (more…)

Miles Davis / Basic Miles – Here Is the Hot Stamper Sound of Kind of Blue

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Reviews and Commentaries for Kind of Blue

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Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • Demo Disc Jazz sound for this wonderful collection, with both sides earning outstanding Double Plus (A++) grades
  • Opening side two, the 9 plus minutes of On Green Dolphin Street has some of the coolest jazz you will ever hear, on any record, at any price
  • If you want to know what the better copies of Kind of Blue sound like, this pressing will tell you, because it has that sound
  • And that means it is absolutely NOTHING like the MoFi 45 RPM 2 LP pressing that some audiophiles (and the reviewers who cater to them) seem to like so much
  • We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match

Want to know how good our Hot Stamper Kind of Blue pressings sound? Listen to this very record. If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians.

That means Stella By Starlight and Little Melonae on side one, and Green Dolphin Street and Fran-Dance (Put Your Little Foot Right Out) on side two. We’re talking Bill Evans, John Coltrane, and Cannonball Adderley in their prime, 1958, with top 1958 sound to match.

The nine-minute plus Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear. With Fran Dance on the same side, that gives you about 17 minutes of great-sounding jazz by Miles’ classic Kind of Blue lineup.

Side one has the same cats playing for more than 12 minutes. By my calculation, that’s close to another album’s worth of material from the group. The rest of the material on this compilation is best seen as gravy; maybe not essential, but never less than interesting. (more…)

Donald Byrd – A New Perspective

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More Hot Stamper Pressings on Blue Note

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Reviews and Commentaries for Blue Note Records

  • An STUNNING stereo pressing of one of our all-time favorite Blue Note albums with Shootout Winning Triple Plus (A+++) sound throughout
  • The gospel vocals are amazingly well recorded (thanks RVG!) – with the transparency of this copy, you can easily pick out and follow each voice
  • To hear the real RVG magic, play Beast of Burden on side one – that’s some real audiophile DEMO DISC sound
  • 5 stars: “One of the most successful uses of a gospel choir in a jazz context. This is a memorable effort that is innovative in its own way, a milestone in Donald Byrd’s career.”

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Joe Newman Quintet / Jive At Five – Killer Trumpet Jazz from 1960

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More of Our Best Jazz Trumpet Recordings

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Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • Jive At Five arrives on the site with killer Shootout Winning Triple Plus (A+++) sound or close to it from start to finish – exceptionally quiet vinyl too
  • This hard to find Prestige Swingville LP is big, spacious, swinging with energy and absolutely jumping out of the speakers
  • 4 stars: “…[this music] is very much in the Count Basie vein. That fact is not too surprising when one considers that the quintet includes three members of Basie’s men: trumpeter Joe Newman, tenor saxophonist Frank Wess and bassist Eddie Jones. Joined by the complementary pianist Tommy Flanagan and drummer Oliver Jackson, Newman and his friends swing their way through four vintage standards and a couple of the leader’s original blues…”

Jive at Five is one of my all-time favorite jazz trumpet albums. This Shootout Winning Prestige reissue might very well turn you into a big fan as well.

I highly recommended this album back in the day. Hearing it now as a much older man, having played thousands of jazz records in the ensuing decades, and thankfully being able to hear it on much better equipment than I had back then, I realize both the music and sound (can’t forget that!) have stood the test of time very well indeed.

This is what a good jazz trumpet album should sound like, miles from the squawky, muted microphone-distorted horn sound so many audiophiles seem to revere. I’m guessing you know who I’m referring to. Miles Davis was surely a genius and a brilliant innovator, but his horn sound from the sixties on was never as relaxed, smooth and natural as it is on this wonderful Joe Newman Quintet album from 1960.

Joe was one of Basie’s long-time band members, a fiery soloist with an unerring sense of swing. This album ably demonstrates those qualities. The guy is passionate but he never gets lost in his own solos; he keeps the melodies and the swing front and center. (more…)

Airto – Fingers

Another Record We’ve Discovered with (Potentially) Excellent Sound…

and One We Will Probably Never Shootout Again

Some records are getting too expensive to find in clean condition nowadays, and that makes the expense and labor costs of doing shootouts for them hard to justify. Fingers is a Desert Island Disc for yours truly, and the links below will take you to many more.

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Desert Island Discs Available Now

Desert Island Discs – The Complete List

  • Excellent from first note to last – Double Plus sound (A++) on both sides – exceptionally quiet vinyl too
  • Incredibly impressive funky Brazilian jazz sound with HUGE lifelike percussion – thanks RVG!
  • “Produced by Taylor and recorded at Rudy Van Gelder’s famous New Jersey studio, this LP demonstrates just how exciting and creative 1970s fusion could be. When Moreira and his colleagues blend jazz with Brazilian music, rock and funk on such cuts as “Wind Chant,” “Tombo in 7/4” and “Romance of Death,” the results are consistently enriching. Fingers is an album to savor.”

This is without a doubt the BEST ALBUM the man ever made. On top of that, this copy really has the kind of sound we look for, with an open, fully extended top end that gives all the elements of this complex music room to breathe.

We Love Fingers

Fingers is one of our all time favorite records, a Desert Island disc to be sure. I’ve been playing this album for more than thirty years and it just keeps getting better and better. Truthfully it’s the only Airto record I like. I can’t stand Dafos, and most of the other Airto titles leave me cold. I think a lot of the credit for the brilliance of this album has to go to the Fattoruso brothers, who play keyboards, drums, and take part in the large vocal groupings that sing along with Airto.

At times this record really sounds like what it is: a bunch of guys in a big room beating the hell out of their drums and singing at the the top of their lungs. You gotta give RVG credit for capturing so much of that energy on tape and transferring that energy onto a slab of vinyl. (Of course this assumes that the record in question actually does have the energy of the best copies. It’s also hard to know who or what is to blame when it doesn’t, since even the good stampers sound mediocre most of the time. Bad vinyl, worn out stampers, poor pressing cycle, it could be practically anything.) (more…)

Red Garland Trio – Groovy

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What makes this vintage piano trio album in mono so special? Allow me to quote a review from a few years back for a pair of recordings that Red Garland made with Miles Davis back in the mid-’50s: Workin’ And Steamin’.

To the Jazz Fans of the World, we here present one of the BEST sounding jazz recordings we have ever had the PRIVILEGE to place on a turntable. I cannot ever recall hearing a better sounding Rudy Van Gelder recording, and I have a theory as to why this tape is as good as it is: it’s MONO. It also sounds like it’s recorded completely LIVE in the studio, direct to one track you might say. As good a recording as Kind of Blue is, I think the best parts of this album are more immediate and more real than anything on KOB.

The size, the weight, the solidity, the clarity, the energy, the rhythmic drive – it’s all here and more. We’ve never heard the record sound better, and that’s coming from someone who’s been playing the album since the ’80s.

These guys are playing live in the studio and you can really feel their presence on every track — assuming you have a copy that sounds like this one.

Based on what I’m hearing my feeling is that most of the natural, full-bodied, smooth, sweet sound of the album is on the master tape, and that all that was needed to transfer that vintage sound correctly onto vinyl disc was simply to thread up the tape on a high quality machine and hit play.

The fact that nobody seems to be able to make an especially good sounding record these days — certainly not as good sounding as this one — tells me that in fact I’m wrong to think that such an approach would work. Somebody should have been able to figure out how to do it by now. In our experience that is simply not the case today, and has not been for many years, if not decades. (more…)

Grover Washington, Jr. – All The King’s Horses

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More Jazz Recordings Featuring the Saxophone

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  • Washington’s sophomore release finally returns to the site with STUNNING Shootout Winning Triple Plus (A+++) sound on both sides
  • There’s so much life in these grooves – the sound jumps out of the speakers right into your lap
  • Credit must go to Rudy Van Gelder for recording and mastering this album so well, and to Bob James for his brilliant big group arrangements
  • We cannot recommend this album highly enough – if you have the big speakers a big group of musicians need to perform live in your listening room, his record is going to be nothing less than a thrill
  • 4 stars: “. . . this set has assumed its proper place in Washington’s catalog: as one of his more ambitious and expertly performed sessions.”

Both sides of this original Kudu pressing are OUT OF THIS WORLD. The sweetness and transparency of Grover Washington Jr.’s breathy sax went beyond any copy we’ve ever played. Who knew it could sound like this? We sure didn’t!

It’s spacious and full of life with virtually no distortion. Of special note, this copy has amazingly articulate bass which brings out the undeniable funkiness of the music in a way that no other copy did.

The early ’70s were a good time for Rudy Van Gelder. All the King’s Men from 1973 is an amazing Demo Disc for a large group. But it only sounds good on the copies that it sounds good on, on the pressings that were mastered, pressed and cleaned right, a fact that has eluded most jazz vinyl aficionados interested in good sound.

But not us. We’ve played the very special pressings that prove the album can sound amazing. (more…)

Charles Mingus – Mingus Ah Um

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  • This outstanding Columbia Red Label copy of Ah Um boasts solid Double Plus (A++) sound on both sides
  • An amazing 30th Street Studio recording by the legendary Fred Plaut – if you like Kind of Blue, here’s another album with that sound (same year, same studio, same engineer)
  • The rich, sweet, spacious sound of the vintage tubes used to record the session is reproduced faithfully here – without that sound, it would just not be Ah Um
  • 5 stars: “Mingus Ah Um is a stunning summation of the bassist’s talents and probably the best reference point for beginners… Mingus’ compositions and arrangements were always extremely focused, assimilating individual spontaneity into a firm consistency of mood, and that approach reaches an ultra-tight zenith on Mingus Ah Um”

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The Three / Self-Titled (45 RPM)

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More Jazz Recordings Featuring the Piano

  • You’ll find Demo Disc Quality Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
  • The transients are uncannily lifelike – listen for the huge amounts of kinetic energy produced when Shelly whacks the hell out of his cymbals
  • My favorite Piano Trio Jazz Album of All Time; every one of those six tracks is brilliantly arranged and performed (if you have the right takes of course; more about that later)
  • 4 stars: “One of Joe Sample’s finest sessions as a leader” – with Shelly Manne and Ray Brown, we would say it’s clearly his finest session, as a leader or simply as the piano player in a killer trio

If you want to hear the full six tunes recorded by The Three at that famous Hollywood session (which ran all day and long into the night, 4 AM to be exact), these 45 RPM pressings are the best way to go. The music is so good that I personally would not want to live without the complete album. The Three is, in fact, my favorite Piano Trio Jazz Album of All Time; every one of those six tracks is brilliantly arranged and performed (if you have the right takes of course; more about that later). (more…)

A Killer Kind of Blue — We Guarantee You’ve Never Heard It Sound Like This

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Hot Stampers of Miles’s Albums Available Now

A knockout copy of one of the most famous albums of all-time, the great Kind Of Blue! This one is absolutely SUPERB, earning our top Triple Plus (A+++) grade for both sides. You will not believe the presence, energy and transparency on this pressing. The brass sounds AMAZING. The bottom end is just right. And the piano is Right On The Money. Folks, I don’t think you could ask anything more from this music than what this White Hot Stamper gives you.

In my opinion, many of the best sounding copies are standard domestic Red Label pressings from the ’70s. I’m fully aware of how outrageous a statement that may sound. But I’ve long known of amazing sounding Kind Of Blue reissues.

Having played scores of different pressings of this record over the years, I think I know this recording about as well as anyone. The tube mastered original Six Eye Stereo copies have wonderful, lush, sweet sound. I’ve heard many of them. The 360s from the ’60s often split the difference — less tubey magical, but cleaner and more correct. The Red Labels are all over the map, ranging from smeary and dull to out of this world. And this copy, my friends, is one of the good ones.

Unimpeachable Audiophile Credentials

We know we’re asking a lot of money for a record that any jazz record dealer would be embarrassed to charge more than $25 for. (Actually, these are starting to sell for $40+ pretty regularly on eBay and elsewhere. Apparently the word got out that these can sound incredible. Blame us!) But jazz record dealers don’t know anything about sound. They know about collectibility. They know about price guides. They know their market — jazz collectors — and I know mine: audiophiles. This record has unimpeachable audiophile credentials. It has the sound in the grooves like you have never heard before. And who else but your friends at Better Records are going to be able to tell you that?

Quick Listening Test for Side One

This is an easy one. Just listen to the trumpet at the start of Freddie Freeloader. Most copies do not fully convey the transient information of Miles’ horn, causing it to have an easily recognizable quality we talk about all the time on the site: smear. No two pressings will have precisely the same amount of smear on his trumpet, so look for the least smeary copy that does everything else right too. (Meaning smear is important, but not all-important.)