Masterpieces of Jazz

Weather Report – Heavy Weather

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  • With outstanding Shootout Winning Triple Plus (A+++) sound from start to finish you will not believe how BIG and BOLD this copy is
  • Birdland on this pressing has some of the most dynamic, wall-to-wall, floor-to-ceiling jam-packed sound ever committed to vinyl
  • Joe Zawinul and Jaco Pastorius are both here and at the absolute peak of their creative powers – this is a work of GENIUS
  • Allmusic 5 Stars: ”Birdland’ is a remarkable bit of record-making, a unified, ever-developing piece of music that evokes, without in any way imitating, a joyous evening on 52nd St. with a big band.”

The hottest of the hot stamper pressings demonstrate that this is a truly amazing recording, with some of the most dynamic, wall-to-wall, floor-to-ceiling jam-packed sound ever committed to vinyl. The grit, grain and grunge of most pressings is nowhere to be found on these killer sides, and that alone puts them in a very special league indeed.

What To Listen For (WTLF)

We’ve discovered that the key to the hottest sounding pressings is a fairly simple one: the copies with high frequency extension and the tremendous rhythmic energy that results from it are consistently the best sounding.

You may have read elsewhere on the site that what separates many of the best Columbia LPs from their competition is an open, extended top end. For some reason, Columbia, seemingly more than any other label, had a bad habit of making slightly dull records. Slightly dull does not work for this album.

My notes on Palladium in the Track Listing sum it up: when the highs on the record are right, it almost always comes together. Unfortunately, most copies don’t have those highs. There’s more to it of course: some copies lack bass, some sound a bit grainy and gritty — the normal problems associated with vinyl records are all here.

But when you have good highs, you are way more than halfway hom; you are about 80 to 85% of the way toward a Hot Stamper. Just fill in the last few details (bass, dynamics, etc.) and the sound will more than likely blow your mind. (more…)

John Klemmer – Touch

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  • With excellent Double Plus (A++) grades on both sides, this is an outstanding copy of the best MoFi title to ever hit the site – exceptionally quiet vinyl too
  • Musically and sonically this is the pinnacle of Klemmer’s smooth jazz – we know of none better
  • The best sounding Smooth – But Real – Jazz Album ever made, and the only vintage MoFi we know of that deserves a place in your collection
  • “Klemmer sets up the mellow grooves that we have come to associate with smooth jazz. But there are no cliche blues licks, none of the crap that players in this genre try to foist upon as “hip.””

This Hot Stamper copy of Touch is one of the best sounding records Mobile Fidelity ever made, and the only record of theirs I know of that can’t be beaten by a standard real-time mastered pressing.

We’re talking Demo Disc quality sound here. The spaciousness of the studio and the three-dimensional placement of the myriad percussion instruments and bells within its walls make this something of an audiophile spectacular of a different kind — dreamy and intensely emotional.

Shocking as it may be, Mobile Fidelity, maker of some of the worst sounding records in the history of audio, is truly the king on this title.

Klemmer says pure emotion is what inspired the album’s creation. Whatever he tapped into to find the source of that inspiration he really hit paydirt with Touch. It’s the heaviest smooth jazz ever recorded. Musically and sonically, this is the pinnacle of Klemmer’s smooth jazz body of work. I know of none better. (If you want to hear him play more straight-ahead jazz try Straight from the Heart on Nautilus.) (more…)

The Poll Winners – Straight Ahead

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  • This superb collaboration has KILLER Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • Musically, this is by far our favorite Poll Winners record – these guys got back together after 15 years and were eager to prove that they still had their youthful exuberance, and even better chops, which they did have and did prove!
  • 4 1/2 stars: “Kessel in particular is heard in excellent form… Overall this is the best all-around recording by The Poll Winners and is easily recommended to bop fans.”

These guys play with more spunk here than on any other album of theirs I’ve ever heard. And you have to love those ’70s leisure suits they’re wearing on the cover. I remember my commentary when this record was around, mentioning that Roy DuNann had lost none of his engineering skills in the intervening years either.

This is a very dynamic recording, one of his best. You almost never hear cymbals sound this good on an RVG Blue Note, that’s for sure. The bass definition on this record is amazing — you can really hear Ray Brown pulling and bending the strings of the instrument. He’s tearing it up. (more…)

Return to Forever – A Masterpiece of Jazz/Rock Fusion

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Romantic Warrior is my favorite JAZZ/ROCK FUSION album of all time. As good as the music is, the sound is even better. This is the Jazz/Rock Demo Disc that stands head and shoulders above the rest. In my experience, no record of this kind is more DYNAMIC or has better BASS. Not one. Demo Disc doesn’t begin to do this kind of sound justice.

Simply put, not only is this one of the greatest musical statements of all time, it’s one of the great recording statements. Few albums in the history of the world can lay claim to this kind of POWER and ENERGY.

But the Super Sound has a purpose, a raison d’etre. This is the kind of music that requires it; better yet, DEMANDS it. In truth, the sound is not only up to the challenge of expressing the life of the music on this album, it positively ENHANCES it.

Those monster Lenny White drum rolls that run across the soundstage from wall to wall may be a recording studio trick, but they’re there to draw your attention to his amazing powers, and it works! The drums are EVERYWHERE on this album, constantly jumping out of the soundfield and taking the music into the stratosphere where it belongs.
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Sonny Rollins – Saxophone Colossus

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  • KILLER sound for this Prestige Gold Label Mono pressing with both sides earning Shootout Winning Triple Plus (A+++) grades or very close to it
  • This one has been a long time coming but boy was it worth the wait — full-bodied, Tubey Magical and super dynamic with tight note-like bass, this is by far the best copy we have ever played  
  • About as quiet a vintage copy as we are ever likely to find – this pressing plays Mint Minus Minus, which in our experience is practically a miracle
  • 5 Stars: “Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set… Essential music”

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Horace Silver – Song For My Father

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  • You’ll find outstanding Double Plus (A++) sound on this Blue Note Jazz classic
  • The piano is clear and clean here, with much more weight and solidity than one would expect from an RVG recording
  • This copy was obviously cut with super-low distortion mastering equipment, and boy does it help the sound
  • 5 Stars: “Horace Silver’s signature LP and the peak of a discography already studded with classics. Silver was always a master at balancing jumping rhythms with complex harmonies for a unique blend of earthiness and sophistication, and Song for My Father has perhaps the most sophisticated air of all his albums…”

The leading edge transients on the horns here are excellent, with the pinched quality you hear on some tracks kept to a minimum. The whole of the ensemble is transparently clear. (more…)

Oliver Nelson – The Blues and the Abstract Truth

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  • Oliver Nelson’s masterpiece returns to the site with outstanding Double Plus (A++) sound on both sides
  • Clean, clear and present with a solid bass foundation, as well as the big stage this big group of musicians needs
  • If all you know is Van Gelder’s original cutting, you will surely have your eyes and ears opened by this wonderful Hot Stamper
  • Allmusic calls this album “…his triumph as a musician for the aspects of not only defining the sound of an era… but on this recording, assembling one of the most potent modern jazz sextets ever.” 5 Stars (of course)

The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here.

For those record lovers who still cling to the idea that the originals are better, this record will hopefully set you straight.

Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?

Maybe he should be; it’s a point worth arguing.

But ideas such as this are only of value once they have been tested empirically and found to be true. (more…)

Kenny Burrell – Midnight Blue

More Kenny Burrell

Midnight Blue

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  • An outstanding copy of this amazing RVG recording with solid Double Plus (A++) sound or BETTER throughout
  • One of our All Time Favorite Blue Note albums for music and sound – is there a better bluesy Jazz Guitar album?
  • Both sides are rich, full and Tubey Magical with excellent clarity and a lovely bottom end
  • AMG 5 Stars – if there were a Top 100 Jazz List on our site, Midnight Blue would be right up at the top of it
  • Jazz Improv Magazine puts the album among its Top Five recommended recordings for Burrell, indicating that “[i]f you need to know ‘the Blue Note sound’, here it is.”

Midnight Blue is our favorite Kenny Burrell album of all time, at least in part because it’s one of the All Time best sounding Blue Notes. 

If you already own a copy of Midnight Blue and you don’t consider it one of the best sounding jazz guitar records in your collection, then you don’t have a copy that sounds the way this one does! In other words, you don’t know what you’re missing. (And if you own the Classic Records release, or any other Heavy Vinyl pressing from the modern era, then you really don’t know what you are missing.) (more…)

The Dave Brubeck Quartet – Time Out – Our Shootout Winner from 2011

More Dave Brubeck

More Time Out

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A distinguished member of the Better Records Jazz Hall of Fame.

STUNNING A+++ SOUND AND QUIET VINYL ON BOTH SIDES! Breathtakingly spacious and transparent, this copy has the big three-dimensional soundstage that makes this record such a joy to listen to. The piano has weight and heft, the drums are big and dynamic, and everything is relaxed and sweet — in short, this copy does everything we want it to.

Listen to the drums on Everybody’s Jumpin’ . This album was recorded on a big sound stage and there is a HUGE room which can clearly be heard surrounding the drum kit. Add to that that some of the drums are in the left channel and some of the drums are in the right channel and you have one big drum kit — exactly the way it was intended to sound. (more…)

Eric Dolphy – Out To Lunch

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A SUPERB JAZZ DEMO DISC on unusually QUIET vinyl! Blue Note fans, take notice — this is a VERY special pressing!

Folks, Out To Lunch is one of the ultimate Blue Note titles for both music and stereo sound, and I don’t think you could find another pressing of the album that sounds this good and plays this quietly no matter how many you played, realistically speaking of course. If you’ve been watching our better Blue Note offerings, you probably know that this is the first Hot copy to ever make it to the site. And what a way to start off — both sides earned A+++ grades.

Dolphy’s debut for Blue Note is an absolute KNOCKOUT musically, and the quality of the sound on this pressing was everything we could have ever hoped for — more, really — (which is not a bad definition of a White Hot Stamper LP when you come to think about it). It’s 100% guaranteed to blow your mind.

This is an amazing album — All Music Guide calls it “Dolphy’s magnum opus, an absolute pinnacle of avant-garde jazz in any form or era” and we think that hits it right on the head.

Thankfully, for us audiophiles the sound on the better pressings can be stunning. The trick of course is finding those copies, and it’s a tough enough job that we’ve never been able to get any Hot Stamper copy up on the site until now. For the fellow who snaps this bad boy up, I am positive this White Hot Stamper will prove well worth the wait. (more…)