
More of the Music of Dave Brubeck
This time around [2014] no other copy of Time Out could touch our good Six Eye Stereo pressings. They were simply in a league of their own.
If you’ve been with us for a long time you may remember that this was not always the case. We used to really like some 360s as I recall, as well as the original mono pressing. This time around, not so much.
This time around most everything is different. Allow us to explain.
1. Our stereo is different; we’ve made quite a number of changes to it since our last big shootout for Time Out a few years back. We are strong proponents of making audio progress.
2. We’re different; we have better (I would hope) listening skills. In fact I’m sure we listen for different qualities in a recording than we might have years ago.
3. Even more importantly, we don’t have the same pile of pressings we had years ago. They’re gone, replaced by a new batch. This new batch had some killer original pressings, some good 360s, and not much to speak of on the later labels.
With a different batch we might have found a great sounding 360 pressing; we have to believe they exist, and we certainly can’t say that our best copy here could not have been bettered in some way. That would be foolish; anything can be bettered.
The next time we run this experiment, the results could be different.
[Update from 2021: we have run the experiment a number of times in the five years since this commentary was written, and the best Six Eye in the shootout has not been beaten yet. Yet.]
For us, in 2014 (and probably through 2015), this is it.
This is the right sound.
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