Genre – Vocals – Male

Ella Fitzgerald & Louis Armstrong – Ella and Louis

  • You’ll find very good Hot Stamper sound or BETTER on both sides of this early mono pressing – if only a record of this quality could be found on quieter vinyl!
  • One of the greatest duet albums of all time, if not THE GREATEST – a Desert Island Disc to beat them all
  • Problems in the vinyl is sometimes the nature of the beast with these early pressings – there simply is no way around it if the superior sound of vintage analog is important to you
  • 4 1/2 Stars: “Ella and Louis is an inspired collaboration, masterminded by producer Norman Granz… Gentle and sincere, this is deserving of a place in every home.”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Santana’s first album is a good example of a record many audiophiles may not know well but should.
  • If you’re a fan of vintage Pop and Jazz Vocals, this 1956 release is an absolute Must Own
  • The complete list of titles from 1956 that we’ve reviewed to date can be found here.

Click and pop counters might want to give this one a miss. It’s not as quiet as a modern pressing would be, but it’s as quiet as this title can be found on vintage ’50s Verve vinyl. If you have a top quality, heavily tweaked front end and a quiet cartridge, you might be good to go, but if you are picky about your surfaces, we recommend you give this one a miss.

Those of you looking for a cheaper, quieter alternative to spending hundreds of dollars on one of our Hot Stampers should look into the original Speakers Corner pressing or the CD, both of which we’ve played and both of which are quite good. (more…)

The Hi-Lo’s – A Demo Disc for Tubey Magic

More Pop and Jazz Vocals

  • Superb sound throughout this early 6-Eye Stereo pressing, with both sides earning excellent Double Plus (A++) grades – fairly quiet vinyl too
  • On the right system, the better copies of this All Tube Chain Demo Disc from 1958 will demonstrate the superiority of both the analog medium and the vintage pressing (not to mention the concept of Hot Stampers)
  • With a copy this good, The Hi-Lo’s will appear as living, breathing (albeit disembodied) persons right in your very own listening room – we call that “the breath of life,” and there is plenty to be found on this record
  • “The Hi-Los weren’t really a jazz unit, but more of a pop band that knew how to incorporate jazz’s harmonic sensibilities. This was among their better albums, complete with catchy title.”
  • More records with exceptionally Tubey Magical Sound
  • More reviews of our most Tubey Magical Demo Discs

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Nat King Cole / This Is Nat “King” Cole – Our Shootout Winner from Way Back

More of the Music of Nat “King” Cole

Reviews and Commentaries for the Music of Nat “King” Cole

The presence and immediacy here of Nat King Cole’s vocals are ’50s Capitol Recording Magic at its best. Set the volume right and Nat is right between your speakers, putting on the performance of a lifetime. The selection of material and the contributions of all involved (Nelson Riddle among them) are hard to fault.

Here it is – only the second Hot Stamper copy of Nat’s classic 1957 release to ever hit the site, and what a pressing it is! It’s taken us a long time to pull together enough clean copies to make the shootout happen. Boy, was it worth all the trouble.

Our Overview

We’re always on the lookout for Nat King Cole records with good sound. In our experience finding them is not nearly as easy as one might think. Far too many of his recordings are drenched in bad reverb, with sound that simply can’t be taken seriously — fine for old consoles but not so good on modern audiophile equipment.

At least one we know of has his voice out of phase with the orchestra on most copies, which put a quick end to any hope of finishing the shootout we had started.

If anything the sound on his albums gets even worse in the ’60s. Many of Nat’s albums from that decade are over-produced, bright, thin and shrill.

We assume most audiophiles got turned on to his music from the records that Steve Hoffman remixed and remastered for DCC back in the mid-’90s, For those of you who were customers of ours back then, you know that I count myself among that group. I even went so far as to nominate the DCC of Nat’s Greatest Hits as the best album DCC ever made. I know now, as I expect you do, that that’s really not saying much, but at the time I thought it was a pretty bold statement.

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Tony Bennett – I Left My Heart In San Francisco

More Tony Bennett

More 5 Star Albums

  • A superb Columbia Black Print “360 Sound” Stereo pressing with Double Plus (A++) sound from the first note to the last
  • Rich, smooth, sweet, full of ambience (maybe too much ambience!), dead on correct tonality, and wonderfully breathy vocals – everything that we listen for in a great record is here
  • Huge amounts of three-dimensional space and ambience, along with boatloads of Tubey Magic – here’s a 30th Street recording from 1962 that demonstrates just how good Columbia’s engineers were back then
  • The title track became a gold-selling Top Ten hit that stayed on the charts for almost three years (!) and earned Bennett two Grammy Awards (Record of the Year and Best Solo Vocal Performance)
  • To hear the real Tony Bennett, play “Once Upon a Time” – it’s here and nobody sings it better
  • 5 stars: “…Bennett had been searching for a … musical approach beyond his long-gone pop work…. With this album, [he] found the key, not only by happening across a signature song in the title track, but also in the approach to songs like ‘Once Upon a Time’…and Cy Coleman and Carolyn Leigh’s ‘The Best Is Yet to Come,’ which Bennett helped make a standard.”

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Dean Martin – This Time I’m Swingin’

  • STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on both sides of this vintage Capitol Stereo pressing
  • Classic Capitol big, full-bodied, Tubey Magical sound — Deano’s vocals are present and natural in the best tradition of rat-mate Frank Sinatra in the early ’60s
  • With Nelson Riddle arranging, you can be sure the album has plenty of swing all right — and the brass sounds amazing here
  • If you want to find your own copies and do your own shootout, be prepared for a lot of ebay heartache – the beat-up, thrift-store, trashy LPs that we regularly get sent are truly shocking
  • 4 1/2 stars: “…an easy swinging collection…”

If you’re a fan of the Capitol Sinatra sound you’ll love this record. It’s an exceptionally difficult title to find in anything but trashed condition. I’ve been a fan of this record for many years but this is the first copy we’ve been able to find that’s clean enough to go up on the site with White Hot Stamper grades.  (more…)

The Ames Brothers with Esquivel – Hello Amigos

More Exotica

Living Stereo Titles Available Now

  • By far the best sound we have ever heard for The Ames Brothers
  • 1960 Webster Hall vocals in RCA Living Stereo sound at its best
  • Huge, rich, smooth and natural, the Tubey Magic is off the charts
  • Esquivel and His Orchestra bring some fun Exotica flourishes to these Latin tunes

This copy is super spacious, sweet and positively dripping with ambience. This is vintage analog at its best, so rich and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to “improve” upon it.

This recording is the very definition of The Sound of Tubey Magic. No recordings will ever be made like this again, nor will any CD ever be able to capture what is in the grooves of this pressing.

For the audiophile of wide ranging taste, both the sound and the music should be lots of fun. If you want to demonstrate just how good 1960 All Tube Analog sound can be, I’d be hard pressed to think of another record that could do the job better than this one.

Perfect for demo-ing your stereo to anyone who thinks audio recording technology has improved in the last forty years. (more…)

Frank Sinatra and Duke Ellington – Francis A. & Edward K.

More Frank Sinatra

More Duke Ellington

  • A superb original Reprise pressing with outstanding Double Plus (A++) sound on both sides – remarkably quiet vinyl too
  • Sinatra is both natural and present – he actually sounds like he is standing on the same stage as Ellington’s band
  • The highs are extended and silky sweet, the bass is tight and punchy – this copy gives you more life and energy than most by a long shot
  • “Recorded on Sinatra’s birthday in 1967, this collaboration between America’s most popular singing icon and pre-eminent jazz composer still endures as one of Sinatra’s most enjoyable Reprise-era albums.” – Amazon

Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself. We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something.

You Are There

The presence and immediacy here are really something. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime.

The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most by a long shot. Very few Sinatra records offer the kind of realistic, lifelike sound you get from this pressing.

He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you. (more…)

Tony Bennett – Frank Laico Knocks Another One Out of the Park

More Recordings by Frank Laico

Reviews and Commentaries for the Recordings of Frank Laico

Amazing vocal reproduction courtesy of the brilliant engineering of Frank Laico at his favorite studio (and ours), Columbia 30th Street studios

We are not big soundstage guys here at Better Records, but we can’t deny the appeal of the space to be found on a record as good as this

Everything that’s good about Vocal Recordings from the ’50s and ’60s is precisely what’s good about the sound of this record.

The huge studio the music was recorded in is captured faithfully here. The height, width and depth of the staging here are extraordinary. We are not big soundstage guys here at Better Records, but we can’t deny the appeal of the space to be found on a record as good as this.

Transparency and Tubey Magic are key to the sound of the orchestra and you will find both in abundance on these two sides.

On this record Mr. Tony Bennett himself will appear to be standing right in your listening room! The space of your stereo room will seem to expand in all directions in order to accommodate them, an illusion of course, but nevertheless a remarkably convincing one. (more…)

Bennett & Evans – More Mistaken MoFi EQ

More of the Music of Bill Evans

More of the Music of Tony Bennett

Sonic Grade: F

That weird boost around 10k that Stan Ricker likes to add to practically every record he masters wreaks havoc on the sound of Tony Bennett’s voice. I would be very surprised if the current in-print Compact Disc doesn’t sound more tonally natural, and for us audiophile record lovers – not lovers of audiophile records, but guys who love records with audiophile sound – that’s simply another nail in the coffin for one of the most laughably inept remastering labels in the history of that sad enterprise.

If you love this album, and you should, the regular early Fantasy pressings are the only game in town.

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