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Tchaikovsky / The Nutcracker Ballet in Two Acts (Complete) / Ansermet

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Orchestral Music Conducted by Ernest Ansermet

  • Tchaikovsky’s complete classical masterpiece returns to the site for the first time in nearly two-years with INSANELY GOOD Shootout Winning Triple Plus (A+++) sound on all FOUR sides of these original London pressings
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • If you have never experienced a vintage top quality pressing of a Wilkinson-engineered Decca Tree recording from Victoria Hall, this is your chance to hear sound that puts practically anything else to shame
  • A record like this lets you get lost in the world of its music, and what could be more important in a recording than that?
  • This is our favorite performance of The Nutcracker, perhaps the most famous ballet ever written, and one that belongs in every right-thinking audiophile’s collection
  • Enchanting music and sound combine on this copy to make one seriously good Demo Disc, if what you are trying to demonstrate is how relaxed and involved vintage analog can make you feel
  • If you’re a fan of brilliant orchestral showpieces, this London Box Set from 1959 belongs in your collection.

There is certainly no shortage of Audio Spectaculars available on the site. A record such as this, so rich, natural and effortless, has distinctly different qualities that we feel are every bit as vital to the critical audiophile’s enjoyment of Tchaikovsky’s music.

Ansermet breathes life into this ballet as only he can and the Decca engineering team led by Kenneth Wilkinson do him proud. (more…)

Tchaikovsky / Excerpts from The Nutcracker

Reviews and Commentaries for The Nutcracker

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

[This review is from many years ago. I cannot say we would still feel the same way about the reissue reviewed here.]

For our shootout we played Ansermet’s performance of the Suites on London, as well as pressings by Reiner and Fiedler, both of whom opted against using the Suites as Tchaikovsky wrote them, preferring instead to create a shorter version of the complete ballet with excerpts of their own choosing (shown below).

The CSO, as one might expect, plays this work with more precision and control than any other. They also bring more excitement and dynamic contrasts to their performance, adding greatly to our enjoyment of the music.

Side One

A++, Super Hot! The quieter passages have some of the richest, sweetest, most Tubey Magical sound you will ever hear in your home. There is not a trace of phony sound anywhere to be found, and the most pronounced effect it has on the listener is to make him relax and forget entirely about the sound. With this record the music is all.

The hall is huge with space around all the instruments.

Listen to how breathy the flutes are. This of course is a result of the judicious use of compression. The loudest string passages can get congested, another result of the use of compression (unavoidable in classical recordings), so we are holding the grade at A++.

Side Two

A++ to A+++, and some of the best sound we heard all day in our shootout! Every bit as rich and full-bodied as side one, but with less compression this side is more dynamic and exciting than any other that we played. A little dark, but that prevents the strings from becoming strident when loud.

The clarinet is especially musical on this recording. What a record!

Reissues Vs Originals

This RCA reissue pressing of LSC 2328 has some of the BEST SOUND we have ever heard for The Nutcracker, and we’ve played them by the dozens, on the greatest Golden Age labels of all time, including, but not limited to, the likes of Mercury, RCA and London.

In a somewhat (but not too) surprising turn of events, the reissue pressing we are offering here beat all the originals and early reissues we could throw at it. Finally, this legendary Mohr/Layton production can be heard in its full glory!

If you like your Nutcracker exciting and dynamic, this is the copy for you.

Don’t buy into that record collecting / audiophile canard that the originals are better.

We like our recordings to have as many Live Music qualities as possible, and those qualities really come through on a record such as this when reproduced on the full-range speaker system we use.

(more…)

Tchaikovsky / Nutcracker Suites 1 & 2 / Ansermet

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

Hot Stamper Pressings of The Nutcracker Available Now

  • A superb copy of Tchaikovsky’s Classical Masterpiece with Double Plus (A++) sound from first note to last
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • If you have never experienced a vintage top quality pressing of a Wallace-engineered Decca Tree recording from Victoria Hall, this is your chance to hear sound that puts practically everything else to shame
  • A record like this lets you get lost in the world of its music, and what could be more important in a recording than that?
  • This is an AMAZINGLY well recorded performance of one of the most famous ballets – probably the most famous – ever committed to analog tape
  • Enchanting music and sound combine on this copy to make one seriously good Demo Disc, if what you are trying to demonstrate is how relaxed and involved vintage analog can make you feel
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you

There is certainly no shortage of Audio Spectaculars available on the site. A record such as this, so rich, natural and effortless, has distinctly different qualities that we feel are every bit as vital to the serious audiophile’s enjoyment of Tchaikovsky’s music.

Ansermet breathes life into this ballet as only he can and the Decca engineering team led by Roy Wallace do him proud.

(more…)

Letter of the Week – “There is an airiness to the recording where the instruments seem to float in a 3D space in the soundstage.”

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Orchestral Music Conducted by Ernest Ansermet

One of our good customers had this to say about some Hot Stampers he purchased recently. 

Hey Tom, 

I wanted to give you my impressions of the hot stamper (vs. the Speakers Corner Decca reissue) before going out of town for a bit.

Crank it up. Sounds really good turned up loud so I knew I was going to be in for a treat. There is an airiness to the recording where the instruments seem to float in a 3D space in the soundstage. I also noticed an improved clarity of the instruments themselves; in particular, the triangles, flute, and strings.

Yes, these differences are obvious to us, because we already have the best pressings, so the heavy vinyl stuff is always wrong or worse in some way that is not hard to hear. Back to back it does not take a pair of golden ears to hear these kinds of differences.

Funny, we discussed this yesterday and as you said, until you compare multiple pressings you might think you already have a great recording. Another big difference I noticed was the tightness and solidity of the bottom end. The Decca [Heavy Vinyl reissue] seemed to smear the low frequency content compared to the London.

This happens a lot. The smear is everywhere on these newly remastered records but sometimes you can hear it most clearly in one area or another. In this case you heard it most clearly in the bass, but it’s everywhere.

The ONLY thing I miss is the flow of the full ballet. The ballet seems to tell a nice complete story where the suite just gives me the reader’s digest version — sort of a greatest hits if you will, and does not allow one to immerse themselves in the whole experience. Ideally, a hot stamper of the full ballet would be pretty amazing I am guessing.

We can definitely get you the complete ballet at some point, but these shootouts take years to get going.

I would say your best bet is to return the record since it doesn’t seem to be the way you want to hear the music and we can put you on the want list for the next complete version we find.

(more…)

Letter of the Week – “The Nutcracker set I’d previously asked to return is sounding incredible.”

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

Hot Stamper Pressings of The Nutcracker Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Tom, I’ll have a couple of returns for you from recent orders:

Tchaikovsky / The Nutcracker (Complete Ballet) / Ansermet (CS 6069)

Surprised to be returning this, but it just doesn’t do much on my system. Sounds like any old good discogs copy, not WHS for me. Cost wouldn’t have been a factor here for a copy that ’sang’ more.

He then bought some new, bigger speakers, because if you are going to play a work like The Nutcracker, you need big speakers if you want it to sound anything like what you would hear in a concert hall.

The good news is with my new speakers + amp setup, the Nutcracker set I’d previously asked to return is sounding incredible. Previously it sounded little different to your average discogs copy, but I can hear now how much body I was missing with the smaller Harbeths. The drums are slammin’, the sweet treble notes are dropping like luminous honey, the field is deep and rich. My only beef is that this performance is a bit ‘fast’, in terms of tempo, but this is by design. So, will hang on to this (which leaves $500 in your pocket).

Dear C,

We couldn’t be happier to hear of the audio progress you’ve just achieved.

I’m guessing that a lot more of our records will meet with your approval now, and that most of your Heavy Vinyl pressings will sound even worse than before, or at least they will sound more second-rate than before, which is kind of the same thing.

We discuss the idea of Big Speakers in this boilerplate found all over the site:

Let’s face it, this is a big speaker record. It requires a pair of speakers that can move air with authority below 250 cycles and play at fairly loud levels. If you don’t own speakers that can do that, this record will never really sound the way it should.

It’s the kind of recording that caused me to pursue big stereo systems driving big dynamic speakers for as long as I can remember. You need a lot of piston area to bring this recording to life, and to get the size of all the instruments to match their real life counterparts.

For that you need big speakers in big cabinets, the kind I’ve been listening to for more than forty years. (My last small speaker was given the boot around 1974 or so and I have never looked back.)

To tell you the truth, the Big Sound is the only sound that I enjoy. Anything less is just not for me.

Thanks for your letter,

TP

Further Reading

(more…)

Does Anybody (Other than Us) Ever Talk About the Dry String Tone of Some London LPs?

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Reviews and Commentaries for The Nutcracker

Not that we know of. If audiophiles and the reviewers who write for them are listening carefully to these famous recordings on high quality equipment, why do they never talk about this problem?

Here is what we noticed when we played a big batch of Nutcracker recordings on London and Decca:

On some copies of this album the strings are dry, lacking in that wonderful quality we like to call Tubey Magic. Dry is decidedly not our sound, although it can often be heard on the hundreds of London pressings we’ve played over the years.

And we imagined that this might be the culprit:

If you have a rich sounding cartridge, perhaps with that little dip in the upper midrange, the one that so many moving coils have these days, you may not notice this tonality issue nearly as often as we do.

Our Dynavector 17Dx Karat is ruler flat and quite tonally unforgiving in this regard. It makes our shootouts much easier, but brings out the flaws in all but the best pressings, exactly the job we require it to do.

We discussed the issue in a commentary entitled Hi-Fi Beats My-Fi If You Are At All Serious about Audio.

Here are some other records that are good for testing string tone and texture.

Can we really be hearing all these things that nobody else seems to be hearing?

Like what, you ask? Like:

Not to mention the fact that we have played a lot of these kinds of records:

If audiophiles and audiophile reviewers are hearing these things on the records they review, in magazines and audiophile forums, why aren’t they discussing them?

Case in Point Number One

We occasionally take the time to create a little “test” to see if audiophiles — customers or just visitors to the blog, makes no difference to us — can hear a specific quality we’d noticed when auditioning a record. Normally this would be a quality that jumped out at us when playing the record, and we were just curious as to whether it jumped out at anybody else.

On this version of Sweet Baby James we heard something that took us by surprise, an artifact we subsequently dubbed an “EQ Anomaly.” We put the question of what this anomaly might be to our readers and waited for someone to spot it. And here is what we got in return.

Crickets. Nada. Zilch. Not even one response.

Does no one own the new Heavy Vinyl reissue? As we said in our review, it’s very good sounding and the vinyl is quiet. I think you could buy one for twenty bucks or less before it went out of print. Seems like someone should have bought one and played it.

If someone did play it, they must not have heard it, because the anomaly could be described in ten words or less in an email to me.

Many of the Heavy Vinyl pressings we play these days — watch for reviews for some heavy hitters coming soon — suffer from the same problem, a shortcoming, by the way, that is almost never heard on authentic vintage vinyl pressings in our experience, our experience being derived from the tens of thousands of them that we have auditioned over the past twenty years.

In the case of Sweet Baby James  I believe I know why most audiophiles can’t hear it: It actually helps fix a problem in their systems. That’s probably why lots of records these days have it. Audiophiles may actually prefer that their records have it. They sure don’t seem to complain about it much.

But if your system is correct from top to bottom, it’s easy to hear. In fact it sticks out like the proverbial sore thumb.

Case in Point Number Two

Nobody seems to want to play this game, although Geoff Edgers took a stab at it, and he would no doubt describe himself as more of a music lover than an audiophile.

I guess none of this should come as a surprise, because only one person wanted to play this game, and it’s been around for more than fifteen years.

These games, as well as doing your own shootouts, can radically change everything you do in audio for the better.

(more…)

The Royal Ballet – Gala Performances – on Classic Records

More Reviews of Classic Records Classical Titles

More Heavy Vinyl Commentaries 

Sonic Grade: C or Better 

Probably a fairly good Classic Records album. When I played this record years ago, I thought it was one of the better Classic RCA titles. You can be sure it won’t sound like the original — [almost] no Classic record does — but it might be pretty good all things considered. One thing to consider is that the original in clean condition sells for many thousands of dollars!

(more…)

Tchaikovsky / The Nutcracker on Speakers Corner

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Reviews and Commentaries for The Nutcracker

Sonic Grade: B?

Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

Superb! New records just don’t sound any better! This is the complete Nutcracker Ballet as conducted by Ansermet for Decca, a record that sets a standard of performance and sound that is unlikely ever to be equaled, and almost certainly not to be surpassed.

For those of you on a budget, if you can get your hands on one of these for a reasonable price, the Heavy Vinyl reissue would not be a bad way to go.

That’s assuming the copy you buy sounds at least good, similar to the one I played all those years ago, something that cannot be assumed.

But it would make for a good jumping off point.

A Must Own Classical Record (on Vintage Vinyl)

Ansermet breathes life into this ballet as only he can, and the Decca engineering team led by Kenneth Wilkinson do him proud.

It’s an Orchestral Spectacular that should have a place of honor in any audiophile’s collection.

Others that belong in that category can be found here.

(more…)

Tchaikovsky / Excerpts from The Nutcracker

Reviews and Commentaries for The Nutcracker

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

This review was written many years ago. I cannot say we would still feel the same way about the Red Seal reissue reviewed here.

However, we recently did a shootout for the album and found that the White Dog pressings consistently came out on top.

This RCA reissue pressing of LSC 2328 has some of the BEST SOUND we have ever heard for The Nutcracker, and we’ve played them by the dozens, on the greatest Golden Age labels of all time, including, but not limited to, the likes of Mercury, RCA and London.

In a somewhat (but not too) surprising turn of events, the reissue pressing we are offering here beat all the originals and early reissues we could throw at it. Finally, this legendary Mohr/Layton production can be heard in its full glory.

If you like your Nutcracker exciting and dynamic, this is the copy for you.

Don’t buy into that record collecting / audiophile canard that the originals are better.

We like our recordings to have as many Live Music qualities as possible, and those qualities really come through on a record such as this when reproduced on the full-range speaker system we use.

A Wealth of Recordings

For our shootout we played Ansermet’s performance of the Suites on London, as well as pressings by Reiner and Fiedler, both of whom opted against using the Suites as Tchaikovsky wrote them, preferring instead to create a shorter version of the complete ballet with excerpts of their own choosing (shown below).

The CSO, as one might expect, plays this work with more precision and control than any other. They also bring more excitement and dynamic contrasts to their performance, adding greatly to our enjoyment of the music.

(more…)

Tchaikovsky / Swan Lake / Grossman – Reviewed in 2009

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

More Classical ‘Sleeper” Recordings We’ve Discovered with Demo Disc Sound

This budget Whitehall pressing is one of the most incredible SLEEPERS in the entire classical catalog, with SUPERB sound as well as performances of the highest quality from the Vienna Festival Orchestra. The sound is big and bold, spacious, open and sweet in the best golden age tradition. Superior pressings of this recording would give all but the best Shaded Dogs, Londons and Mercs a serious run for their money, beating most of them handily. Yes, it’s that good. The string tone and rosiny texture on side two are especially noteworthy.

There’s a freedom from coloration on either side that is positively refreshing after playing most vintage classical recordings. (more…)