never-again

These are just some of the records that probably won’t go into shootouts again. We encourage you to find your own Hot Stamper pressings of them using the methods we’ve laid out here on the blog.

Brahms / Sonata in D Minor / Laredo

Hot Stamper Pressings Featuring the Violin Available Now

DEMONSTRATION QUALITY SOUND for this incredibly rare Living Stereo violin record.

This is the first Shaded Dog pressing of LSC 2414 I’ve ever seen. Side one, the Brahms Sonata, has very good sound and is played beautifully. When I dropped the needle on side two I went “Wow!”

The Bach partita for solo violin is incredible sounding. The violin is close-miked and every nuance of the instrument is right there before you. The immediacy of the recording is nothing short of stunning.

To quote from the liner notes, “Jaime calls the Sonatas and Partitas THE most demanding works in the literature. The works lightness and high spirits — the spirit of 17th century dance music — belie its complexity and the enormous technical and interpretive demands it makes of the performer.”

Having this intimate a window onto the piece, I completely agree. It’s a spell-binding work.

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Tchaikovsky / Nutcracker Suite / Karajan

Hot Stamper Pressings of the Music of Tchaikovsky Available Now

UPDATE 2026

This review is from way back in the olden days (2005) before we were doing regular shootouts for all the albums we sell, so take it for what it’s worth.

In 2005 we had been seriously into collecting the highest quality record pressings for more than thirty years, yet it was obvious that we still had a lot to learn. In 2004 we started selling vintage vinyl with Hot Stampers, and practically every shootout we did taught us something new and interesting about records.

Much of that information ended up here, on a blog dedicated to teaching audiophiles how they can find better sounding pressings using the methods we pioneered.

We wanted to share with other like-minded audiophiles what we’ve discovered about higher quality vinyl and, even more importantly, we wanted to stress that experimenting with records under rigorously controlled conditions is the best way to learn about their sound quality.

Our Old Review

This import pressing has some astonishing qualities, qualities we are not used to hearing on vintage Golden Age recordings such as this (or or any other recordings, truth be told).

This 1964 release — our pressing is the whiteback reissue, which we tend to prefer — has 3-D-like clarity and spaciousness that we could hardly believe.

The stage is DEEP and you can hear all the way to the back of it.

The width of the stage is dramatically wider than practically any record I can remember playing in the last year or two. I felt as though my listening room got bigger when playing this record.

And the dynamics are explosive. This pressing can really get LOUD when it wants to.

In some respects it’s hard to beat. But not, alas, hard to fault.

It lacks weight down low, whomp as we like to call it.

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Shootout Winning Stampers for La Boutique Fantasque Revealed

Hot Stamper Pressings of the Music of Rossini Available Now

UPDATE 2026

Our current favorite recording of La Boutique Fantasque is the one Solti recorded for Decca in 1957.

It belongs to that very special group of roughly 150 orchestral recordings which have the potential to offer the discriminating (and well-heeled) audiophile the best performances of major works with by far the highest quality sound.

It has been our experience that modern remastered pressings simply cannot compete with the best pressings of these landmark recordings.

The Fiedler (LSC 2084) is still a very good record, but we no longer see much reason to carry it when the Solti is better in almost every way (and quieter as a rule to boot).

Below we have reproduced our full stamper sheet, including the Shootout Winning stampers, which happen to be 3S/4S for this album.

The early pressings for this album tend to be too bright in our experience as seen from one of the stampers sheets below.

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Crazy Horse – Loose

More Country and Country Rock

  • The band’s sophomore LP debuts on the site with seriously good Double Plus (A++) grades or BETTER on both sides of this vintage Reprise pressing – fairly quiet vinyl too
  • The sound here is rich and full-bodied with much less grain and much more Tubey Magic than most of the other copies we played
  • We guarantee there is dramatically more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that

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Earl Klugh – Finger Paintings

More Jazz Recordings Featuring the Guitar

  • Finger Paintings appears on the site for the first time ever, here with an INCREDIBLE Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • Both of these sides are clean, clear and lively with an abundance of detail and a solid bottom end
  • Some of the tubiest, biggest and richest guitar sonics you could ask for from a “modern” record – this is the sound of analog done right

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Otis Redding – Good To Me / Live at the Whisky A Go Go Volume 2

Hot Stamper Pressings of Soul, Blues, R&B, etc. Available Now

This Stax British Import is a Better Records highly recommended recording. If I had to choose one Otis Redding record to keep, this would be the one! As good as his studio albums are, the guy was MAGICAL live.

If you’re an Otis Redding fan, this live album released in 1992 surely belongs in your collection.

The complete list of titles from 1992 that we’ve reviewed to date can be found here.

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The Rolling Stones / Rolled Gold from 2011

More of the Music of The Rolling Stones

UPDATE 2025

We will likely never do this shootout again.

We understand now that the album releases are capable of much better sound than we had previously thought.

We know that because we’ve done scores of shootouts for them. Add to that the fact that our system is much more revealing and we would be very surprised if any side of this album scored better than 1.5+ on any side, although it is certainly possible.

We don’t do shootouts for pressings with very little hope of top quality sound.

Some compilations have the potential for great sound, these for example, but not many do.

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Carly Simon – Boys In The Trees

More of the Music of Carly Simon

  • With an INCREDIBLE Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one, we guarantee you’ve never heard Boys in the Trees sound this good
  • Both of these sides have the sound we were looking: rich and sweet, with the kind of transparency that lets you hear every breath Carly takes
  • This pressing is just doing its job — showing you what’s really on the master tape — and not too many of the copies we played were able to do that
  • “… what really made the album a winner was that Simon had had a couple of years to write some strong songs in her unflinching, reflective style, and she continued to explore the loves and mores of her age and class movingly.”

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Bob James – Three

More Jazz Recordings Engineered by Rudy Van Gelder

  • A vintage CTI pressing with very good Hot Stamper sound from first note to last
  • It’s richer, fuller and with more presence than the average copy, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
  • This is true of even our lowest-priced, lowest-graded copies – they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
  • “The five tracks here reflect [James’s] obsession with hard, danceable grooves that take as much from the soul-jazz book as they do his years with CTI. Using many of the same session players he bonded with at his former label…and a large host of stellar horn players, James offers five selections of simple but fun jazz-pop.”

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Edmundo Ros – Rhythms of the South

More Exotica Recordings of Interest 

  • An original London Stereo pressing with solid Double Plus (A++) sound or BETTER from start to finish – fairly quiet vinyl too
  • Side two was very close in sound to our Shootout Winner – you will be amazed at how big and lively and tubey the sound is
  • This copy is super spacious, sweet and positively dripping with ambience — talk about Tubey Magic, the liquidity of the sound here is positively uncanny
  • These sides are simply bigger, clearer, richer, more dynamic, transparent and energetic than most of what we played

It’s unfortunate that Edmundo Ros and his orchestra command so little respect these days from the record buying public. As for audiophiles, it’s doubtful that many even know who he or they is/are. We at Better Records are doing our best to change all that.

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