Hot Stamper Pressings of the Music of Tchaikovsky Available Now
UPDATE 2026
This review is from way back in the olden days (2005) before we were doing regular shootouts for all the albums we sell, so take it for what it’s worth.
In 2005 we had been seriously into collecting the highest quality record pressings for more than thirty years, yet it was obvious that we still had a lot to learn. In 2004 we started selling vintage vinyl with Hot Stampers, and practically every shootout we did taught us something new and interesting about records.
Much of that information ended up here, on a blog dedicated to teaching audiophiles how they can find better sounding pressings using the methods we pioneered.
We wanted to share with other like-minded audiophiles what we’ve discovered about higher quality vinyl and, even more importantly, we wanted to stress that experimenting with records under rigorously controlled conditions is the best way to learn about their sound quality.
Our Old Review
This import pressing has some astonishing qualities, qualities we are not used to hearing on vintage Golden Age recordings such as this (or or any other recordings, truth be told).
This 1964 release — our pressing is the whiteback reissue, which we tend to prefer — has 3-D-like clarity and spaciousness that we could hardly believe.
The stage is DEEP and you can hear all the way to the back of it.
The width of the stage is dramatically wider than practically any record I can remember playing in the last year or two. I felt as though my listening room got bigger when playing this record.
And the dynamics are explosive. This pressing can really get LOUD when it wants to.
In some respects it’s hard to beat. But not, alas, hard to fault.
It lacks weight down low, whomp as we like to call it.
The details: (more…)
