Brilliant Corners – This Pig Sure Wears Pretty Lipstick

Hot Stamper Pressings of the Music of Thelonious Monk Available Now

During our most recent shootout of Brilliant Corners, we took the opportunity to play the Craft pressing cut by Bernie Grundman and released in 2023.

We thought it was godawful, the worst sounding version of the album we’ve ever played.

But how is that possible? Read all about the best practices being followed and look at the description of the fancy packaging below. Why would they go to all that trouble just to produce a bad souding record?

For the answer to that question, you will have to ask them. We’re stumped.

  • Pressed using a one-step lacquer process at RTI utilizing Neotech’s VR900 compound
  • All-analog mastering by Bernie Grundman from the original master tapes
  • Housed in a foil-stamped, linen-wrapped slipcase
  • Numbered and limited to 4,000

They used Neotech’s VR900 compound! Really?! That must be one awesome compound!

Apparently even the VR900 compound was not enough to save this pathetic excuse for a record.

For those of you who might be new to this blog, we should point out that we have been dumbfounded by Bernie Grundman’s work for more than twenty five years. The first RCA he remastered for Classic Records, LSC 1806, was so bright and the strings were so shrill that it probably lasted on our turntable maybe all of three minutes. My ears just couldn’t take it, even on a system that was dramatically darker and less revealing than the one we have now.

Equally bad sounding Classic Records were to follow by the hundreds.

Our quickie notes for side one are shown on the left. After hearing side one fall so short of the mark, we dropped it from the shootout and put the Craft pressing on the shelf to go back to whoever loaned it to us. Who cares what side two sounds like if side one is that bad? Time is money. We are in the business of finding good records to sell to our customers, not playing crap Heavy Vinyl that only the most hard-of-hearing collector types would consider owning.

Before long we had a change of heart. We thought we owed it to Bernie’s fans to be more thorough, so we took our best side two and played it against the Craft pressing.

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ZZ Top – Fandango

More ZZ Top

More Rock Classics

  • An original pressing with superb Double Plus (A++) grades or close to them from top to bottom – exceptionally quiet vinyl too
  • From first note to last, the sound works for this music — tonally right, lively and plenty of top end extension (particularly on side two)
  • This is some of the grungiest guitar rock we’ve heard in a while and we were lovin’ every minute of it
  • “… they were a kick-ass live band… these are really good live cuts — and ‘Backdoor Medley’ and ‘Jailhouse Rock’ were fine interpretations, making familiar songs sound utterly comfortable in their signature sound — and Fandango! remains one of their better albums…”

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Manassas – A Classic Records Disaster

Hot Stamper Pressings of the Music of Stephen Stills Available Now

The Classic pressing was a disaster. Can you imagine adding the kind of grungy, gritty sound that Bernie’s mastering chain is known for (around these parts, anyway) to a recording with those problems already?

It was a match made in hell.

Back in the day when I was selling lots of Classic Heavy Vinyl, this was one of the titles I refused to have anything to do with. This and Stephen Stills’ first album — both were personal favorites of mine and both were awful on Classic Records.

Is it the worst version of the album ever made? Hard to imagine it would have much competition.

Lots of rave reviews for the two of them in the audiophile press at the time though. I guess nothing ever really changes, does it? Played a Sundazed record lately? Well, there you go. How are these people impressed with such bad sound?

Of course I know exactly how it is possible to be impressed by bad sound. I spent my first twenty years in audio being clueless. Why should I expect the audiophile of today to have figured things out in less time than it took me?

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Paraphrasing Hayek – Our Curious Task

F. A. Hayek summarized his views well when he noted that:

“The curious task of economics is to demonstrate to men how little they really know about what they imagine they can design.”

Our curious task has been to demonstrate to audiophiles and the reviewers who write for them how mistaken they are to think that they can understand the sound of a recording by playing a small number of pressings of it.

Similarly, the modern mastering engineer operates with the understanding that he can design and operate a cutting system that produces sound superior to that which was produced by the engineers of the past.

Based on the hundreds of remastered records we have auditioned, this is clearly a case of overpromising and underdelivering.

These assumptions, and the mistaken approach to record collecting that flows from them, are clearly unsupportable.

The scores of commentaries we have written on both subjects provide all the evidence required to falsify them, and — with a fair amount of effort, sorry for the trouble — can be found among the 5000+ postings on this blog.

The Hot Stamper pressings we offer, so much bigger, livelier, and more engaging than anything produced by these so-called audiophile mastering houses, are simply the physical evidence of our deeper and more correct understanding of the true nature of records and their mysterious and confounding properties.

Digging Deep

Everything we think we know about records is based on strictly empirical findings, findings that resulted from critically auditioning thousands and thousands of albums. Many of these albums we have played by the score. For some titles, such as the more popular Beatles’ albums, we have played more than a hundred copies.

No one else has ever dug as deep as we have into the mysteries of pressing variations, for the simple reasons that no individual or group would be motivated to do so and have the resources required to accomplish such a feat.

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Richard & Linda Thompson / Pour Down Like Silver

More of the Music of Richard Thompson

  • An original UK Island pressing with a STUNNING Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • There’s real Tubey Magic on this album, along with breathy vocals and in-your-listening-room midrange presence
  • Exceptionally present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone – past, present and future
  • 4 1/2 stars: “…those brave enough to look past its dark surface will find a startlingly beautiful album; it’s not an easy album to listen to, but it greatly rewards the effort.”

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Willie Nelson / Pretty Paper

More of the Music of Willie Nelson

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • With KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides, this copy (only the second to hit the site in three years) is one of the BEST we have ever heard
  • This is an exceptionally well recorded album – if you want a Demo Disc quality Christmas record, we don’t know of one that fits the bill better than this one
  • Christmas songs performed at the level of Willie’s All Time Classic, Stardust – it was recorded just one year later when Willie was clearly on a roll
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “One of the finest country holiday records ever released. It’s not just because the title track became a classic, or that his choice of material is terrific (all familiar tunes, but all great) — it’s because Nelson is a great interpreter, capable of making standards like ‘White Christmas’ and ‘Silent Night’ fresh and unpredictable.”

Imagine the sound of a Hot Stamper Stardust, but instead of Pop Standards you hear the Red Headed Stranger himself, Willie Nelson, his voice still in its prime, singing Christmas songs, backed by similarly tasteful and understated arrangements. That, in a nutshell, is what you get on Pretty Paper.

Released just a year after Stardust in 1979, many of the same musicians are featured, as well as the same producer, the amazing Booker T.

And the most shocking thing of all is just how good the sound is. Next to Stardust I’d have to say this is the best sound Willie has ever had. It’s so rich, smooth and natural — in other words, analog sounding — that it puts to shame what has come to be expected from pop recordings over the course of the last thirty years.

Yes, records used to actually sound like this, as hard as that may be to believe after playing so many dismal sounding modern recordings, modern reissues and audiophile “product”. A good pressing of this album is one of the best reasons I can think of to own a high quality turntable these days. I find it hard to imagine that the CD would sound remotely as good.

Note that this record sounds even better when played loud, no doubt the result of having no trace of phony top end boost and very little processing throughout, unlike — you guessed it — much of the vinyl product being produced today. (And of course all digital releases, which should go without saying to anyone reading this commentary I hope.)

Many if not most pressings of the legendary Stardust album have some phony top added to the sound. The good ones — meaning the Hot Stamper copies — are the ones that sound more like this: natural up top and and throughout the midrange.

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Prince – Purple Rain

More Prince

More 5 Star Albums

  • A stunning 2-pack of one of Prince’s True Classics, with Shootout Winning Triple Plus (A+++) sound on side two of disc two and Double Plus (A++) sound on side one of disc one
  • These copies of Prince’s legendary 1984 release are big and rich, with rock solid energy to beat the pants off of any pressings you have ever heard
  • Clean and clear and open are nice qualities to have, but rich and smooth are a lot harder to come by on this record – and here they are!
  • 5 stars: “Purple Rain finds Prince consolidating his funk and R&B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs… a stunning statement of purpose that remains one of the most exciting rock & roll albums ever recorded.”

The better copies, like these two, sound pretty much the way the better copies of most Classic Rock records sound: tonally correct, rich, clear, sweet, smooth, open, present, lively, big, spacious, Tubey Magical, with breathy vocals and little to no spit, grit, grain or grunge.

That’s the sound of ANALOG, and the better copies of Purple Rain have that sound.

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Queen – A Night at the Opera

More Queen

Hot Stamper Albums with Huge Choruses

  • A vintage copy of Queen’s Masterpiece with a KILLER Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • We shot out a number of other imports and the presence, bass, and dynamics on this outstanding copy placed it head and shoulders above the competition
  • Huge with WHOMP like nothing you have ever heard – finally, the code has been cracked (but the right British pressings are sure hard to find)
  • 5 stars: “…the appeal of A Night at the Opera is in its detailed, meticulous productions. It’s prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else.”
  • These are the stampers that always win our shootouts, and when you hear them you will know why – the sound is big, rich and clear like no other
  • We’ve discovered a number of titles in which one stamper always wins, and here are some others
  • This is a Must Own Title from 1975, a great year for Rock and Pop music

Although we wish it were not the case, for some reason it’s unusually difficult to find good-sounding Queen albums, which is why you rarely see most of their better titles on the site. (News of the World and The Game are exceptions to that rule; they’re much easier to find with good sound, especially The Game.)

Not to worry. We’ve done our homework (which simply involves finding, cleaning and playing a big stack of British pressings from different eras) and found you the copy that has all of the Queen Magic you heard in your head (and only in your head) while Bohemian Rhapsody was playing on the radio.

Here’s the pressing that finally can let you hear that BIG, BOLD sound in your very own listening room. You can even play it for your audiophile friends now. (more…)

Our Search for Shootout Winning Sound on Modern Vinyl Finally Pays Off

Our (Incomplete) List of Potentially Very Good Sounding OJC Pressings

It has finally come to pass. A modern pressing has won a shootout.

Having auditioned more than a dozen modern (post-2000) OJC pressings and having had them fall far short of the mark again and again — when they weren’t just plain awful — we have now discovered one that can win a shootout.

As you imagine, this came as quite a shock.

We weren’t sure precisely which of the many OJC pressings our shootout winner was until we looked up the stamper numbers on Discogs. To our surprise, it had clearly been made sometime in the the 21st century.

That Never Happens

This has never happened before. No record made since 2000 has ever won a shootout against a vintage pressing of the same title.

Modern records range from awful to very good, but one quality they have never had is the ability to be the best of the best.

Now one has.

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The Beatles / A Collection of Beatles Oldies (Two Box Label)

More of the Music of The Beatles

  • You’ll find superb Double Plus (A++) sound or close to it on both sides of this vintage British pressing
  • An excellent source for many of the Beatles’ greatest hits up to 1966 – with 8 songs per side you are geting a lot for your money with this one
  • Several tracks, including “I Want to Hold Your Hand,” “Day Tripper,” “We Can Work It Out,” and “Paperback Writer” were given their first stereo mixes for this very album
  • Outstanding sound for “From Me to You,” “We Can Work It Out,” “Yesterday,” “I Feel Fine,” and the list goes on
  • Although the hard-to-find UK first label originals will always win our shootouts, the early UK reissues on the Parlophone Two Box label can sound quite good on the right pressing.
  • Whatever you do, don’t buy this awful compilation on vinyl – the album suffers from digital remastering at its worst

As is usually the case with compilations like this, there is some variation between tracks — what works well for a track from 1963 may not quite suit a song from 1966 — but from start to finish on both sides this record strikes a MUCH better balance than others.

And the the choice of songs is outstanding, with just the right mix — almost as if you had compiled the thing yourself from all the best tunes from that era of The Beatles. They’re almost all favorites of mine, and I hope yours too.

This collection has a number of songs that are not on the original British LPs: the first three on side one for starters; also Can’t Buy Me Love, I Feel Fine; Bad Boy; Paperback Writer and I Want To Hold Your Hand. (more…)