Imagine the sound of a Hot Stamper Stardust, but instead of Pop Standards you hear Willie, his voice still in its prime, singing Christmas songs, backed by similarly tasteful and understated arrangements. That’s what you get on this copy of Pretty Paper in a nutshell.
Released just a year after Stardust in 1979, many of the same musicians are featured, as well as the same producer, the amazing Booker T.. And the most shocking thing of all is just how good the sound is.
Next to Stardust I’d have to say this is the best sound Willie has ever had. It’s so rich, smooth and natural — in other words, analog sounding — that it puts to shame what has come to be expected from pop recordings over the course of the last thirty years.
Yes, records used to actually sound like this, as hard as that may be to believe after playing so many dismal sounding modern recordings, modern reissues and what passes for audiophile “product.”
A good pressing of this album is one of the best reasons I can think of to own a high quality turntable these days. I find it hard to imagine that the CD would sound remotely as good.
Note that this record sounds even better when played loud, the result no doubt of having no trace of phony top end boost and very little processing throughout, unlike — you guessed it — much of the vinyl product being produced today.
And of course all digital releases, which should go without saying to anyone reading this commentary. Many if not most pressings of the legendary Stardust album have some phony top added to the sound.
The good ones — meaning the Hot Stamper copies — are the ones that sound more like this: natural up top and throughout the midrange.
This is an Older Review.
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.
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