Top Artists – Bob Dylan

Who Knew that Dylan Could Sound This Good in 1983?

Hot Stamper Pressings of the Music of Bob Dylan Available Now

This vintage copy of Infidels could not be beat. Big and rich, with correct tonality from top to bottom, strong bass and plenty of space, this copy sounded just right to us.

Our post-it notes tell the album’s story. (By the way, if you like reading our post-it notes, we’re putting more and more of them on the blog these days. We talk about the importance of taking notes  as part of the shootout advice we share. This post will help you with the basics.)

Side One

Track Three

    • Big and full
    • Not too nasal

Track One

    • Big bass
    • Weighty and rich
    • Has some breath

Side Two

Track One

    • Rich bass and drums
    • Spacious breathy vocals
    • No hardness

What We Learned

What do these notes have to tell us, other than this is a much better recording than it’s given credit for?

On side one, the vocals have a tendency to get nasally, sounding like Dylan is singing through his nose, not his mouth, a common problem with Dylan records from every era.

Also. when we say “has some breath, ” that basically means that most pressings on side one are not especially breathy in the mids, but this one is better in that department.

Not that the original grade was “at least 2,” and after going through all the copies, it turned out nothing could be beat this one. Some breath was probably more breath than any other side one we played.

On side two, the sound had “no hardness, ” and again, that simply means plenty of copies, maybe all the other copies, suffered from hardness in the vocals. “At least 2” turned into our Shootout Winner when no other copy could beat it.

Who Knew?

Has any other audiohile reviewer ever said a kind word about this album, other than us of course?

Not that I know of.

And we’re as guilty as any of them in assuming that 1983 was not a good year to be recording Dylan and expecting audiophile quality sound.

But we were proven wrong once again, by the only method that can possibly be relied upon to supply the truth: experimentation.

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Bob Dylan – Infidels

More Bob Dylan

  • With STUNNING Shootout Winning Triple Plus (A+++) grades from start to finish, this vintage copy could not be beat
  • Big and rich, with correct tonality from top to bottom, strong bass and plenty of space, this copy sounded just right to us
  • 4 stars: “… its writing is closer to Dylan’s peak of the mid-70s, and some of the songs here… are minor classics, capturing him reviving his sense of social consciousness and his gift for poetic, elegant love songs.”

This is one of the better sounding Dylan records from the 80s. It’s not exactly Blood on the Tracks, the only Dylan album we think is qualified to be on our top 100 rock and pop list, but it sounds good for a record from this era.
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Various Artists – The Concert for Bangla Desh

More George Harrison

More Beatles

    • The Concert for Bangla Desh debuts on the site with STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on all SIX sides of these early British Apple pressings – exceptionally quiet vinyl too
    • Big and rich, with great space and energy, this copy has exactly the right sound for this epic live album from 1971
    • Our notes for our Shootout Winner again and again mention the Tubey Magic, wieght, body, spaciousness, the silky and breathy vocals, the lack of hardness, the solid kick drum – all the stuff we look for in a great sounding album seem to be here
    • “The…band was loaded with rock luminaries — including Beatles alumnus Ringo Starr, Eric Clapton, Badfinger, and two who became stars as a result of their electric performances here, Leon Russell (“Jumpin’ Jack Flash”/”Youngblood”) and Billy Preston (“That’s the Way God Planned It”).” – All Music
    • “The high point of the concert is the surprise appearance of Bob Dylan — at this reclusive time in his life, every Dylan sighting made headlines — and he read the tea leaves perfectly by performing five of his most powerful, meaningful songs from the 60s.”
    • 4 1/2 stars: “Hands down, this epochal concert at New York’s Madison Square Garden…was the crowning event of George Harrison’s public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy.”

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This Side Two of Highway 61 Revisited Was a Little Dry

Hot Stamper Pressings of the Music of Bob Dylan Available Now

This commentary was written about ten years ago.

This 360 Label pressing has a SUPERB A+++ SIDE ONE backed with a strong A++ side two. We had a big stack of 360s and Red Labels with good stampers to compare, and this copy had a side one that could not be beat. 

Side two has amazing clarity and transparency as well. Compared to side one it’s just a bit dry.

Those of you with tubey systems — vintage and otherwise — will probably go crazy for this sound. This was the best side two we heard this time around, but since side one was clearly more impressive we topped off the grade for the second side at A++.

The 360 label pressings are a mixed bag, running from mediocre to mindblowing; most of the time they are too trashed to even consider playing on an audiophile turntable.

Most of the later pressings are sterile, congested, and lean. [We no longer buy them or put them in shootouts.]

What separates the best copies from the also-rans is more than just rich, sweet, full-bodied sound. The best copies like this one make Dylan’s voice more palpable — he’s simply more of a solid, three-dimensional real presence between the speakers. You can hear the nuances of his delivery more clearly on a copy like this.

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Bob Dylan – New Morning

  • New Morning is back on the site for only the second time in three years, here with a Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • “If Not For You” was the big hit on this one, and we guarantee you have never heard it sound better than it does on this very copy
  • During our shootout we were reminded how surprisingly enjoyable this album is – it fits in nicely between Dylan’s country era and his later 70s works such as Blood On The Tracks
  • He’s also singing in his familiar Bob Dylan “nasally” voice, not the country croon he developed for Nashville Skyline
  • 4 1/2 stars: “… the overall quality is quite high, and many of the songs explore idiosyncratic routes Dylan had previously left untouched… Such offbeat songs make New Morning a charming, endearing record.”

There are some great songs here like “If Not For You” and “The Man In Me,” and when you find a copy that cuts through the murk and veil of the typical pressing it’s a lot of fun. Big Lebowski fans will be happy to hear “The Man In Me” on side two, one of Dylan’s under-appreciated gems.

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Letter of the Week – “I love Blood On The Tracks, I have 6 copies of it and none of them come near yours”

Hot Stamper Pressings of the Music of Bob Dylan Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Received the LP a few days ago, and thank you. I love Blood On The Tracks. I have 6 copies of it and none of them come near yours. I can stop looking now. Thank you.

Arun,

We love it when our customers take the time and make the effort to do their own shootouts, especially when we win, which is what happens about 98-99% of the time.

It is not the least bit unusual for our customers to take another listen and thereby become convinced of the superior sound of the Hot Stamper pressing we sent them.

Seems our copy of Blood on the Tracks was clearly so much better there was no need to listen further.

When a customer says we lost the shootout he conducted, we promptly refund the buyer’s money and wish him or her a nice day.

What do we do with the record, assuming the customer had no problem with its playing condition?

We put it right back up on the site to sell to the next person who wants it. In only two or three cases that I can recall did it ever come back to us again. Two or three out of thousands and thousands of Hot Stampers sold. Not bad.

Further Reading

The Up-Front Vocals on Bringing It All Back Home Can Be a Bit Much

Hot Stamper Pressings of the Music of Bob Dylan Available Now

It’s hard to find copies of this album that give you the tubey richness and warmth that this music needs to sound its best. We’ve done this shootout a number of times over the years, but I can count the number of Hot Stamper copies that have hit the site on one hand.

A lot of copies seem to be EQ’d to put the vocals way up front, an approach that makes the voice hard and edgy. Copies like that sound impressive at first blush (“Wow, he’s really IN THE ROOM!”) but get fatiguing after a few minutes. When you get a copy that’s smooth, relaxed and natural, the music sounds so good that you may never want it to stop.

Our Hot Stamper Pressings from Years Ago

Side one is lively and present with a punchy bottom end and real depth to the soundfield. It’s also open and transparent with lots of natural ambience. Compared to the A+++ side two here, there’s a touch of grit and grain at times, but dramatically less than you get on most copies. We rated side one A++, which means you get excellent sound for Subterranean Homesick Blues, Maggie’s Farm, She Belongs To Me and a few more classic Dylan tracks.

Side two was UNSTOPPABLE — it was clearly As Good As It Gets based on years of listening and scores of copies auditioned over the years. Everything sounds right — the vocals and guitar sound wonderfully natural and correct with superb clarity and lots of richness and warmth. 

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Bob Dylan – Bringing It All Back Home

More Bob Dylan

More Vintage Columbia Pressings

  • This vintage 360 Stereo copy was doing pretty much everything right, earning superb Double Plus (A++) grades or BETTER from start to finish – exceptionally quiet vinyl too
  • If this price seems high, keep in mind that the top copy from our most recent shootout went for $1200, and the vinyl was just as quiet
  • These early pressings can be killer when you find one like this – they’re clearly more lively, more transparent, and richer, with dramatically more immediacy in the midrange so that Dylan’s voice is front and center and in the room with you
  • You would be hard pressed to find a copy that sounds this good and plays this quietly – we should know, this was one of the better copies from our most recent shootout
  • 5 stars: “With Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it’s not just that he went electric, either, rocking hard on “Subterranean Homesick Blues,” “Maggie’s Farm,” and “Outlaw Blues”; it’s that he’s exploding with imagination throughout the record.”
  • For those of you who are fans of the pop, folk and jazz music of the mid-sixties, Bringing It All Back Home (along with Highway 61 Revisited from later the same year) has to be seen as a Must Own Album from 1965.

It’s tough to find copies of this album that give you all the tubey richness and warmth that this music needs to sound its best. Too many copies seem to be EQ’d to put the vocals way up front, an approach that renders Dylan’s voice hard and edgy. Copies like that sound impressive at first blush (“Wow, he’s really in the room!”) but become fatiguing in short order. When you get a copy like this one that’s smooth, relaxed and natural, the music sounds so good that you forget about the sound and just get lost in the music.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Bob Dylan singing live in your listening room. The better copies have an uncanny way of doing just that.

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Learning the Record, Any Record

More of the Music of the Traveling Wilburys

Many of the pressings we played of Volume One suffered from too much compression and a phony hi-fi-ish quality on the vocals. We knew there had to be better sounding copies out there somewhere, so we kept dropping the needle on every pressing we could get our hands on until we found one. Here is how we described a killer copy we ran into during that process.

We heard a lot of copies with a spitty, gritty top end, but this one is smooth like butter.

Side two is nearly as good but doesn’t have quiet the same energy factor. It’s still dramatically better than most copies out there.

Now that we’ve discovered these Hot Stampers, the sound is finally where we want it to be. Until this week, we were convinced that these songs sounded better on the radio. (That’s what tons of compression and FM bass boost will do for you.)

Learning the Record

For our recent shootout we had at our disposal a variety of pressings we thought would have the potential for Hot Stamper sound. We cleaned them carefully, then unplugged everything in the house we could, warmed up the system, Talisman’d it, found the right VTA for our Triplanar arm (by ear of course) and proceeded to spend the next hour or so playing copy after copy on side one, after which we repeated the process for side two.

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Bob Dylan – Empire Burlesque

More Bob Dylan

  • This vintage pressing was doing pretty much everything right, with both sides earning superb (A++) grades or close to them – exceptionally quiet vinyl too
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • 4 1/2 stars: “Say what you want about Empire Burlesque – at the very least, it’s the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn’t quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems… this is as good as Dylan gets in his latter days.”

This is one of the better-sounding Dylan records from the ’80s. It’s not exactly Blood on the Tracks, the only Dylan album we think is qualified to be on our Top 100 Rock and Pop List, but it sounds good for a record from this era. (more…)