Hot Stamper Pressings of Classic Rock Albums Available Now

This title is yet another record that belongs in the audiophile hall of shame.

Like most Mobile Fidelity pressings, it’s better suited to the stone age stereos of decades past.

There is a Mobile Fidelity Half-Speed Mastered version of this album currently in print, and an older one from the days when their records were pressed in Japan (#052).

We haven’t played the latter in years; as I recall it was as lifeless and sucked-out in the midrange as many of the other famous MoFi’s of that period, notably The Doors (#051) and Trick of the Tail (#062), which is perhaps the most lifeless record this ridiculous label ever released.

Is there any doubt that the newer MoFi pressing of the album will be every bit as bad or worse?

If any of our Hot Stamper customers have purchased the current release, I would be interested in hearing how you think it stacks up against our Hot Stamper pressings. 

What’s key to the sound of Foreigner’s records? Obviously the big one would have to be ENERGY, a subject we have discussed at length here on the site. Next would be punchy ROCK BASS, followed by clear, present vocals. Those would be the big three.

But those are qualities rarely found on audiophile Half-Speeds.

The remastering of those records almost always leaves them lifeless and compressed, with sloppy bass and recessed vocals.

For some reason audiophiles — including the audiophiles who produce them — like that sound. We do not. In fact we can’t stand it. Which is why we will not be auditioning MoFi’s remastered pressing. If you are feeling adventurous (and have $30 to throw away) and want to do the shootout for yourself, please let us know how it goes.

The most serious fault of the typical Half-Speed Mastered LP is not incorrect tonality or poor bass definition, although you will have a hard time finding one that doesn’t suffer from both.

It’s dead as a doornail sound, plain and simple.

And most Heavy Vinyl pressings coming down the pike these days are as guilty of this sin as their audiophile forerunners from the ’70s and ’80s. The average Heavy Vinyl LP I throw on my turntable sounds like it’s playing in another room. What audiophile in his right mind could possibly find that quality appealing? But there are scores of companies turning out this crap; somebody must be buying it.

Side One

Hot Blooded
Blue Morning, Blue Day
You’re All I Am
Back Where You Belong
Love Has Taken Its Toll

Side Two

Double Vision
Tramontane (Instrumental)
I Have Waited So Long
Lonely Children
Spellbinder