Top Artists – Bob Dylan

Blonde On Blonde and Some Bad Side Fours

Hot Stamper Pressings of the Music of Bob Dylan Available Now

Here’s a little something that you may have come across on your own, but since we’ve never seen it mentioned anywhere else, perhaps this will come as news to you the way it came as news to us about ten years ago.

There is a stamper used on some Blonde on Blonde side fours that is so ridiculously bad, you might as well be listening to a cassette playing underwater.

To be sure, we pick up plenty of mediocre copies all the time, but these side fours are so beyond terrible it’s clear someone was asleep at the wheel.

They’re fascinating to hear in their own way, because it’s simply shocking that a good recording could sound that bad. Like the best pressings of our favorites (but in a very different way), words don’t do it justice.

Its awfulness has to be heard to be believed.

If you’ve been reading this blog much, you may have noticed that we’ve been saying that more and more lately.

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Letter of the Week – “I almost cried when I heard Girl From North Country.”

Hot Stamper Pressings of the Music of Bob Dylan Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I just got my Freewheelin’ Super Hot Stamper. This may be the best record I have bought from you. Magical. I almost cried when I heard Girl From North Country.

How you could give Side 1 only an A+ is shocking and a real testament to how hard you judge, but I think it was a Double Plus for sure. Side two blew me away. You guys are the best, I love this record.

I have to say I have totally changed my record collecting since I discovered your site. It’s not about quantity, it’s about quality. Otherwise it might as well be streamed.

I think you’re the only people that really understand.

Jamie

Jamie,

Thanks for your letter. We are indeed very tough graders. At these prices we have to be.

Once you’ve heard an early Dylan records sound as good as this one, all your old standards go right out the window!

Best, TP

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Bob Dylan and The Band – The Basement Tapes

More Bob Dylan

More of The Band

  • Boasting excellent Double Plus (A++) grades or BETTER on all FOUR sides, this vintage copy will be very hard to beat
  • Side three was sonically very close to our Shootout Winner – you will be shocked at how big and powerful the sound is
  • The recording may not be an audiophile dream come true, but these pressings are far better than most others we can ever recall playing, and lets the music come through in a way that we guarantee you have never heard before
  • 5 stars: “… the music here (including the Band’s) is astonishingly good. The party line on The Basement Tapes is that it is Americana, as Dylan and the Band pick up the weirdness inherent in old folk, country, and blues tunes, but it transcends mere historical arcana through its lively, humorous, full-bodied performances. Dylan never sounded as loose, nor was he ever as funny as he is here, and this positively revels in its weird, wild character… among the greatest American music ever made.”

This vintage Columbia Double LP pressing has some of the very best sound we’ve ever heard for this album.

Of course, given the nature of these recordings, you don’t get stunning sonics along the line of, say, Magical Mystery Tour or Dark Side Of The Moon, but at least you get to hear these great songs sound the way they were intended to, without the complications of bad mastering and pressing getting in the way.

Most of the copies we’ve heard wouldn’t be fit to list on the site at any price, but we felt strongly that this copy did justice to the music in a way that the typical pressing does not. While this may not be a Demo Disc, it’s MUCH better sounding than most copies we’ve come across. We’ve played a bunch of these over the years and most of them paled in comparison to this one.

This is of course a famous album, with The Band backing up Dylan (and adding some of their own material) in the famous Big Pink House which would later be the place where The Band’s 1st album was born. (more…)

Letter of the Week – “Never had any idea Blonde on Blonde could sound so 3D and live…”

Hot Stamper Pressings of the Music of Bob Dylan Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Dear Tom,

Four 3+ sides that sound unlike any other version of this available, of arguably one of the most important rock records of the century from its top artist… It may be a niche taste compared to Zep etc., but you could probably have charged $2k for this.

Never had any idea Blonde on Blonde could sound so 3D and live… it’s really well recorded.

Reinvigorated my passion for this music which I’ve heard a million times over the decades.

Wow… at $1.3k you definitely underpriced this one!

Dear Conrad,

Awesome to hear. It is a really well recorded album, but how would anyone know that who hasn’t heard it sound like the copy we sent you?

We’d love to charge $2k. It is indeed worth every penny of what you paid. (Some folks think some of our records are worth $15,000, but that may be a bit of a stretch.)

It takes many years to find a copy that sounds like that one. When we get hold of such a copy, we really have no idea whether it’s a diamond in the rough — since all the early 360 pressings we prefer look pretty much the same — or just another run-of-the-mill Columbia pressing with good, not great, sound. Fortunately, once the needle had dropped that copy showed us that it had the right stuff in its grooves.

Thanks for your letter.

Best, TP

P.S.

We talked about this very issue in a commentary describing bell curve distributions (which, as I’m sure you can imagine, makes for some fun reading!)

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An Amazingly Good Nashville Skyline, But Side Two Fell Short in One Area

Hot Stamper Pressings of the Music of Bob Dylan Available Now

You just can’t beat a well-produced, well-engineered Columbia from this era. There’s a richness and a naturalness to the sound that’s almost completely disappeared from the modern world of music, and by “modern world” we mean both modern recordings and modern remasterings of vintage recordings.

Practically none of them ever have the qualities of this wonderful record from 1969.

You really do have to go back to these old originals to find it. And then you have to find just the right old originals for it to be there. Here are the notes for one we played not long ago.

As you can see from the notes, side one of our most recent White Hot stamper shootout winning copy was doing everything right. We marvelled at these specific qualities in the sound:

Track three

  • Big and spacious and lively
  • The vocals and guitars are big and weighty and jumping

Track one

  • Spacious and great size and detail
  • Vocals jump out
  • Realistic acoustics

However, we had a side two that was slightly better than the side two you see here.

When we played the two best copies back to back, side one of this copy came out on top, earning a grade of 3+, but the side two of another copy showed us there was potentially even more presence to Dylan’s vocals in the recording than we had assumed. As a consequence, we felt it best to drop side two’s grade a half plus to 2.5+.

Track one

  • Tubey bass
  • Weighty
  • Very full vocals
  • A bit veiled but better than most

Track one on side two was doing practically everything right, but it slightly lacked presence, and for that we dropped the grade one half plus to 2.5+.

Midrange presence is one of the most important qualities of any rock or pop recording we might evaluate, and for a Bob Dylan album it is absolutely essential.

You want Dylan to be front and center, neither recessed nor behind a veil.

To aid you in doing your own evaluations, here is a list of records that we’ve found to be good for testing midrange presence.

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The Traveling Wilburys – Volume One

More of The Traveling Wilburys

More Rock and Pop

  • This original copy of the Wilburys’ debut album boasts two INCREDIBLE Shootout Winning Triple Plus (A+++) sides or close to them – exceptionally quiet vinyl too
  • Proof that, when you put Roy Orbison, Tom Petty, George Harrison, Bob Dylan and Jeff Lynne in a recording studio together, something good is bound to happen
  • Certified triple platinum by the Recording Industry Association of America, this album was Grammy nominated Album of the Year in 1989
  • 4 1/2 stars: “There never was a supergroup more super than the Traveling Wilburys… It’s impossible to picture a supergroup with a stronger pedigree.”

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How Can Sound This Bad Possibly Earn a 10?

Hot Stamper Pressings of the Music of Bob Dylan Available Now

Maybe if the scale goes from 1 to 100, sure, I could see it. Yeah, 10 out of 100 sounds about right.

But the scale goes to 11, which makes a grade of 10 risible to anyone who has played this seriously flawed pressing. Here is how we described its sound many years ago:

We found this mono reissue to be flat as a pancake and dead as a doornail, like most of the Sundazed records we’ve played, starting way back in the early 2000s. No, they never got any better.

In our experience, Sundazed is one of the worst record labels of all time. This pressing is just more evidence to back up our low opinion of them.

Obviously we may have a low opinion of them, but a famous audiophile reviewer seemed to find the sound to his liking. He wrote:

Sundazed’s reissue gives the original a run for the money and remains true to the original, though it suffers in the bass, which while deep and reasonably well defined, is not as tightly drawn or focused. The upper mids on the original also bloom in a way that the reissue’s don’t, giving the reissue a slightly darker, recessed sound, but there’s still sufficient energy up there since Dylan’s close-miked vocals pack an upper midrange punch. If the vocals or harmonica sound spitty and unpleasantly harsh, it’s your system, not the record [!] – though there’s plenty of grit up there. On the plus side, the overall clarity and transparency of the reissue beats the original. [!] A really fine remastering job.

Of course we find every word of this review arrant nonsense, except the discussion of the qualities he praises in the original relative to the reissue. It’s been twenty years since this remastered pressing came out, does anybody still like the sound of it? Anybody? Let’s hope not.

The intro to his review boldly declares a respect for Sundazed (and Classic Records and Analogue Productions) that we find puzzling after playing so many of their rarely-better-than-awful-sounding records. (Here is a commentary from 2007 that puts our antipathy in perspective. And no, modern records have no improved since then, if the releases from 2024 are any indication.)

Sundazed’s decision to issue Blonde on Blonde using the much sought after mono mix is indicative both of the company’s dedication to doing what’s musically correct, and of the vinyl marketplace’s newfound maturity. There was a time a few years ago when no “audiophile” vinyl label would dare issue a mono recording; audiophiles wouldn’t stand for it was the conventional wisdom. Perhaps back then it was even true. Today, with Sundazed, Classic, Analogue Productions and others issuing monophonic LPs on a regular basis (and one has to assume selling them as well) listeners are appreciating the music for music’s sake, and equally importantly, for the wonderful qualities of monophonic sound reproduction.

My grade might be 2 out of 11. No audiophile should be fooled by the crap sound of this pressing, and no audiophile should believe a word of this review.

Reviewer incompetence? We’ve been writing about it for more than 25 years. From the start we knew we could never begin to do much more than scratch the surface of preposterous record reviews in need of rebuttal. The audiophile world is drowning in this sh*t.

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This Pressing of Highway 61 Was Off the Charts

Hot Stamper Pressings of the Music of Bob Dylan Available Now

In 2024, Dylan’s landmark 1965 release returned to the site after a hiatus of almost two years.

In the same way Sgt. Pepper changed popular music less than two years later, Highway 61 Revisited left all of Dylan’s contemporaries behind, scrambling to keep up with the standard he set.

Our 3/3 copy was a knockout. It sold for an enormous amount of money directly to one of our best customers, never making it to the site, and was worth every penny in our estimation, and surely in the estimation of the fellow who now has it in his collection.

Dylan’s records are almost never awarded notes like these. It was an amazing find, the kind of record we live for here at Better Records. I hope you can read our writing.

Highway 61 Boilerplate

When looking for a top copy, in our shootouts we are paying special attention to the qualities listed below. We noted:

Here are some of the things we specifically listen for in an electric folk rock record from the sixties, even one as uniquely groundbreaking as Highway 61 Revisited.

This Hot Stamper copy is simply doing more of these things better than other copies we played in our shootout. The best copies have:

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Bob Dylan – Down in the Groove

More Bob Dylan

More Rock and Pop

  • Down in the Groove appears on the site for only the second time ever, here with KILLER Shootout Winning Triple Plus (A+++) sound or close to it throughout this original Columbia pressing – fairly quiet vinyl too
  • These are just a few of the things we had to say about this amazing copy in our notes: “big and weighty”…”jumping out [of the speakers]”…”fat kick and snare”…”vox breathy and present”
  • Both of these sides are big and rich, with remarkable clarity and three-dimensional space, the kind of sound that most other pressings only hint a
  • “It begins and ends with strong covers, opening with Wilbert Harrison’s ‘Let’s Stick Together’ (a good, raucous rocker with stuttering tremolo guitars and an aggressive Dylan vocal) and closing with the Stanley Brothers’ apocalyptic country hymn ‘Rank Strangers to Me’ (a simple, heartfelt guitar-vocal performance with fusionesque glissando bass). [And t]here is no mistaking the emotional vocal investment in his country-gospel treatment of the traditional folk song ‘Shenandoah’ or the eerie morbidity of his delivery in ‘Ninety Miles an Hour (Down a Dead End Street)'” – Rolling Stone

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Bob Dylan – Nashville Skyline

More Bob Dylan

More Country Rock Recordings

  • Here is a vintage Stereo 360 pressing of Nashville Skyline (the first copy to hit the site in thirteen months) with an INCREDIBLE Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • We guarantee this copy will blow your mind, and blow every other copy you have ever played out of the water, or your money back
  • “Lay Lady Lay,” “To Be Alone With You,” “I Threw It All Away,” “Tonight I’ll Be Staying Here With You” are true country-rock standards
  • 5 stars: “It’s a warm, friendly album, particularly since Bob Dylan is singing in a previously unheard gentle croon — the sound of his voice is so different it may be disarming upon first listen, but it suits the songs.”
  • This is a Must Own Dylan classic from 1969 that belongs in every right-thinking audiophile’s collection

Problems to Watch For

Some of the more common problems we ran into during our shootouts were slightly veiled, slightly smeary sound, with not all the top end extension that the best copies have.

You can easily hear that smear on the guitar transients; usually, they’re a tad blunted and the guitar harmonics don’t ring the way they should.

These problems are just as common to the 360 label original Columbia pressings as they are to the later red label LPs. Smeary, veiled, top-end-challenged pressings were regularly produced over the years. They are the rule, not the exception.

360 Issues

I’m fairly amazed at how bad most 360 pressings sound. Many of them are as dull as dishwater. The top end is rolled off and there is very little presence in the midrange. Often the first track of either side will sound good, but the following tracks are dullsville.

If you think that buying an original of this record guarantees you top quality sound I’m here to tell you it does not. Not unless you are lucky and actually end up with a record that was properly mastered and pressed. These I have found are not as common as most audiophiles and record collectors think.

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