Half-Speed Masters – The List

Ry Cooder – Jazz – MoFi Debunked

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Sonic Grade: D

As you probably know, the MoFi of Jazz goes for big bucks nowadays — $500 and up. Is it worth it? 

Are you kidding? It’s a nice record as far as it goes, but it suffers from the same shortcomings as just about every Mobile Fidelity pressing we take the time to play these days (with some obvious exceptions of course). We have a test pressing, and knowing that the MoFi is the standard against which many audiophiles would prefer to judge our Hot Stampers, we listened to it first before going about our comparison test.

Our MoFi copy is actually tonally correct, which was a bit of a surprise. (Yours of course could very well be otherwise.) Right away we could hear exactly what people like about it, the same thing that audiophiles have always liked about half-speeds: their amazing transparency. Jazz on MoFi has zero-distortion, utterly clear, spacious, see-through sound.

But listen past that and what do you hear. Don’t those guitars seem to have that MoFi Tea-for-the-Tillerman-like quality you hate: all pluck and no body, all detail and no substance? Nothing has any weight. Nothing has any solidity. Nothing has any real life. It’s pretty, but it ain’t right. It’s the kind of sound that shouts out to the world “Hey, look at me, I’m an audiophile record! See how I sound? Clear and sparkling clean.” (more…)

Sergio Mendes – Sergio Mendes & Brasil ’66 – MoFi Debunked

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Sonic Grade: D

Hall of Shame pressing and another MoFi LP debunked. 

So spitty and thin! Why, in God’s name, why? (more…)

Bob Seger – Night Moves – MoFi Debunked

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

The last time I played a copy of the MoFi I could not believe how ridiculously bright it was.  

Romantic Russia – Who on Earth Could Possibly Take This Kind of Sound Seriously?

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Borodin, Glinka & Mussorgsky / Romantic Russia / Solti

 

Sonic Grade: F

Another MoFi LP debunked.

A well-known reviewer has many kind things to say about this pressing, but we think it sounds like a hi-fi-ish version of a ’70s London, which means it’s opaque and the strings are badly lacking in Tubey Magic.

The bass is like jello on the MoFi, unlike the real London which has fairly decent bass.

More orchestral music conducted by Georg Solti

MoFi had a bad habit of making bright classical records. I suppose you could say they had a bad habit of making bright records in general. A few are dull, some are just right, but most of them are bright in one way or another. Dull playback equipment? An attempt to confuse detail with resolution? Whatever the reasons, the better and more accurate your equipment becomes, the most obvious this shortcoming will be. My tolerance for their phony EQ is at an all time low. But hey, that’s me. (more…)

Bloomfield / Kooper / Stills – Super Session – A MoFi Winner

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Sonic Grade: B

Another MoFi LP reviewed.

Super Session is one of the best-sounding MoFi pressings. The midrange sounds wonderful — silky sweet and transparent. Not having been cut by Stan Ricker, the top end doesn’t have that SR/2 boost. Overall it’s a very nice sounding record, and the music just can’t be beat. 

Heart – Dreamboat Annie – Nautilus Hot Stamper (from Long, Long Ago)

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This is a Minty looking Nautilus Half-Speed Mastered LP with SURPRISINGLY GOOD SOUND on side two. I think I finally figured out why people like these half-speed mastered records so much. If you get one like this, it’s great! The mids and highs are transparent, sweet, open, and tonally correct. There’s none of that MOFI 10k top end boost here! Listen critically to the vocals — there’s almost no phony hi-fi-ish quality to the midrange, the kind you hear on so many half-speed mastered records.  

Flip the record over to side one and there they are, plain as day: audiophle BS vocals. That makes this a Hot Stamper on side two and a pretty much run-of-the-mill stamper for side one.

Both sides actually have pretty good bass (for a half-speed), so maybe that’s being a bit too harsh. More accurately one could say both sides are better than average, with side two actually being pretty much right on the money. (more…)

Letter of the Week – Beatles Vinyl

The Beatles

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One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom,   

Just wanted to say I was blown away by this copy. Having lived with the MoFi pressing since the box set first came out in the 80’s I was dumbfounded when the horn blast opening the title track practically leapt out of my speakers. I am so impressed that I just placed an order for 3 more Hot Stamper Beatles vinyl. It’s time to replace the MoFi. (more…)

Fleetwood Mac – Fleetwood Mac – A MoFi Winner

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Sonic Grade: B

Another MoFi LP reviewed, and this one is actually pretty good

The Mobile Fidelity pressing of this album can actually sound quite good (if you get hold of a decent copy that is). Audio perfection it ain’t, but all in all it’s a very enjoyable record. Its strengths are many and its faults are few. Let’s give credit where credit is due; the MoFi is rich, transparent, sweet, and natural, and you won’t hear us saying that about very many MoFi pressings.

It belongs in their Top Ten, toward the bottom I would guess, due to its own sloppy bottom, but that’s half-speed mastering for you. Like most new audio technologies it was a giant step in the wrong direction: backwards. (more…)

Beethoven – Symphony #9 – Solti – MoFi Debunked

More of the music of Ludwig van Beethoven

Symphony #9 – Solti

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Sonic Grade: F

Hall of Shame pressing and another MoFi LP debunked.

Bright phony string tone, MoFi’s trademark sound for classical recordings. Anyone who has ever attended a concert knows that strings in real life simply do not sound anything like they do on these MoFi records.

The London pressing of this recording is no great shakes either; any pressing should be avoided. (more…)