More of the Music of Jethro Tull

• An early Reprise pressing that was doing just about everything right, earning solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
• One of the few copies we’ve found lately with audiophile sound and surfaces – most of the copies we find are just too noisy for the first few minutes, but this one’s intro held up nicely
• A Top 100 title and the best sounding album Jethro Tull ever recorded – allow us to make the case
• A stunning Demo Disc to rule them all – sure to be the best you’ve ever heard this band sound, assuming you have the kind of system it takes and a room big enough to hold it
• Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
• 4 1/2 stars: “A masterpiece in the annals of progressive rock – a dazzling tour de force, at once playful, profound, and challenging, without overwhelming the listener.”
• “Whether or not Thick As A Brick is an isolated experiment, it is nice to know that someone in rock has ambitions beyond the four or five minute conventional track, and has the intelligence to carry out his intentions, in all their intricacy, with considerable grace.”
• TAAB is also one of those albums that helped us dramatically improve our playback quality

The kind of tonal accuracy you hear on the better copies of this album practically disappeared from records over forty years ago, which explains why so many of the LPs we offer as Hot Stampers were produced in the 70s and before. That’s when many of the highest fidelity recordings were made. In truth this very record is a superlative example of the sound the best producers, engineers, and studios were able to capture on analog tape during that very decade.

Which is a long way of saying that the better copies of Thick As A Brick have pretty much everything that we love about vinyl records here at Better Records.

Furthermore, I can guarantee you there is no CD on the planet that will ever be able to do this recording justice. Our Hot Stamper pressings — even the lowest-graded ones — have a kind of Analog Magic that just can’t be captured on one of them there silvery discs.

The Best Sounding Jethro Tull Album Ever Recorded

• The better copies are shockingly dynamic. At about the three-minute mark the band joins in the fun and really starts rocking. Set your volume for as loud as your system can play that section. The rest of the music, including the very quietest parts, will then play correctly for all of side one. For side two the same volume setting should be fine.
• The recording can have exceptionally solid, deep punchy bass (just check out Barrie “Barriemore” Barlow’s drumming, especially his kick and floor toms. The guy is on fire).
• The midrange is usually transparent and the top end sweet and extended on the better pressings.
• The recording was made in 1972, so there’s still plenty of Tubey Magic to be heard on the acoustic guitars and flutes.
• Tubey Magical acoustic guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).
• The better copies can be as huge, wide and tall as any rock record you’ve ever heard, with sound that comes jumping out of your speakers right into your listening room.
• Unlike practically any album recorded during the 80s or later, the overall tonal balance, as well as the timbre of virtually every instrument in the soundfield, is correct.

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