Well Recorded Classical Albums – The Core Collection

Finlandia – The Music of Sibelius and Grieg / Mackerras

More of the music of Jean Sibelius (1865-1957)

More of the music of Edvard Grieg (1843-1907)

Decca and London Hot Stamper Pressings Available Now

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  • A KILLER copy of Finlandia with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • Both sides are big, rich, transparent, spacious and dynamic – no Heavy Vinyl pressing can do what this record is doing
  • Yet another wonderful example of what the much-lauded Decca recording engineers were able to capture on analog tape all those years ago
  • These spectacular works are played with feeling – we know of no better performance or better sound

Yet another wonderful example of what the much-lauded Decca recording engineers were able to capture on analog tape all those years ago. The 1961 master has been transferred brilliantly using “modern” cutting equipment (from the early-’70s, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer.

The brass is HUGE and POWERFUL. Not many recordings capture the brass this well. (Ansermet on London comes to mind of course but many of his performances leave much to be desired. Here Mackerras is on top of his game with performances that are definitive.)

The opening track on side two, Wedding Day at Troldhaugen, is one of my favorite pieces of orchestral music. Mackerras and the London Proms make it magical.

You can be pretty sure of two things when you hear a record of this quality: one, the original won’t sound as good, having been cut on cruder equipment.

And two, no modern recutting of the tapes (by the likes of Speakers Corner for example, but you can substitute any company you fancy) could begin to capture this kind of naturalistic orchestral sound. (more…)

Tchaikovsky – Concerto for Violin & Orchestra / Oistrakh

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Hot Stamper Pressings Featuring the Violin

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  • Presenting THE sleeper Tchaikovsky Violin Concerto recording of the (previous) century
  • One of the better sounding copies we played with outstanding Double Plus (A++) sound throughout
  • The orchestra is big, rich and tubey, yet the dynamics and transparency are first rate
  • One of the most shockingly REAL and full-bodied violins we have yet to hear on record

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Tchaikovsky – 1812 Overture / Marche Slave and More / Alwyn

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Orchestral Spectaculars

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  • Outstanding Double Plus (A++) sound from start to finish – this Decca recording of the 1812 from 1958 is the only one we know of that can show you the power of Live Music for this important work
  • This UK pressing is BIG, lively, clear, open and resolving of musical information like no copy of the 1812 you’ve heard
  • The two coupling pieces, Marche Slave and the Capriccio Italien, also have rich, powerful, weighty brass and lower strings
  • The most exciting and beautifully played 1812 we know of – we encourage you to compare this to the best orchestral recording in your collection and let the chips fall where they may

There is some noticeable low frequency rumble under the quietest passages of the music for those of you with the big woofers to hear it!

The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can help make that sound clear to you.

The string sections from top to bottom are shockingly rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on analog tape all those years ago.

The 1958 master has been transferred brilliantly using “modern” cutting equipment (from 1970, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer. (more…)

The Said and the Unsaid – The Firebird on Mercury

More on The Firebird

More of the music of Igor Stravinsky (1882-1971)

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For our recent shootout of The Firebird we had three minty, potentially hot copies of the Mercury with Dorati, as well as our noisy ref. (We have a noisy reference copy for just about every major title by now. We have been doing these shootouts for a very long time. After thirty years in the record business we have accumulated a World Class collection of great sounding records that just too noisy to sell.)

We had one FR pressing and two of the later pressings with the lighter label, the ones that most often come with Philips M2 stampers.
This is how we described the winner:

So clear and ALIVE. Transparent, with huge hall space extending wall to wall and floor to ceiling. Zero compression.

Lifelike, immediate, front row center sound like few records you have ever heard.

Rich, sweet strings, especially for a Mercury. This side really gets quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy.

What we didn’t say — and what we never say in the listings — is what the second tier copies didn’t do as well as the shootout winner. (more…)

Rimsky-Korsakov / Capriccio Espagnol & Enesco, Smetana, et al.

More of the music of Rimsky-Korsakov (1844-1908)

We just did a new shootout for this title, so expect to see killer copies of record number 8 from the set on the site soon!

Credit must go to my good audiophile friend Robert Pincus for turning me on to the Readers Digest sets in general and this set in particular. Most of it is no better than decent, but the best records in the set are superb, as you can read in our older review below.

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

More Classical ‘Sleeper” Recordings We’ve Discovered with Demo Disc Sound


A SUPERB White Hot side one coupled with a better than Super Hot (A++ to A+++) side two, back to back on one disc, is a surprise indeed.This is only the second time a disc from a Reader’s Digest box set has made it to the site, and we’re continuing with more exciting orchestral music — Capriccio Espagnol (side two) and the Romanian Rhapsody No. 1 (side one) are the two longest pieces on record 8 of the set, and both of them are knockouts on this pressing.

This is truly DEMONSTRATION QUALITY SOUND! Records do not get much more spacious, open, transparent, rich and sweet. Kenneth Wilkinson was the man behind the board for many of these RDG recordings, this very one in fact, and as you will hear, he was pretty much in a league of his own as a recording engineer in the early days of stereo. This record should provide you with all the proof you need.

Play it up against the best of the RCAs, Londons and Mercs from the period and you will see what I mean. And of course it will completely DESTROY any pressing you may have on Heavy Vinyl, from any label, at any playback speed, of any music. (more…)

Rachmaninoff – Piano Concerto No. 3 / Janis / Dorati

The music of Sergei Rachmaninoff (1873-1943)

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  • Stunning sound for this classic Byron Janis Mercury album with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one – exceptionally quiet vinyl too
  • The piano is huge and weighty, the strings rich and highly resolving, and the overall presentation is powerful, balanced, dynamic and exciting like few other piano concerto recordings we have ever had the pleasure to audition
  • Not only is this the consistently best sounding copy we have had to offer in years, but we are happy to report that the vinyl is especially quiet for a vintage Plum Label Mercury stereo pressing

Fine and Cozart

The piano is huge and powerful, yet the percussive and lighter qualities of the instrument are heard clearly and in proper relation to the orchestra as a whole.

I simply cannot criticize the work that Fine and Cozart have achieved with this recording, and believe me, there are very few records in this world about which I could not find something to criiticize. It is, after all, our job, and we like to set VERY high standards for the work we do. (more…)

Chabrier – Orchestral Music / Ansermet

More of the music of Emmanual Chabrier (1841-1894)

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  • This superb Chabrier album contains our favorite Espana Rhapsody, and this copy lets you hear it with outstanding Double Plus (A++) sound or BETTER and exceptionally quiet vinyl on both sides
  • The “Espana” rhapsody for orchestra in Nearly White Hot stamper sound here is guaranteed to blow your mind
  • This spectacular Demo Disc recording is big, clear, rich, dynamic, transparent and energetic – HERE is the sound we love
  • All the energy and power of Chabrier’s remarkable orchestration, thanks to the brilliant engineering of Roy Wallace
  • Ansermet’s Chabrier disc has long been a favorite of ours here at Better Records – this copy will show you why

If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.

Who can resist these sublime orchestral works? To quote an infamous (around here) label, they are an audiophile’s dream come true. The Track Listing tab has extensive background information on most of these works.

So clear and clean, and spread out on such a huge stage, either one or both of these sides will serve you well as your go-to reference disc for Orchestral Reproduction.

Listen for the waves of sound in Espana — only the best copies bring out the energy and power of Chabrier’s remarkable orchestration. (more…)

Gustav Holst – The Planets / Previn

More of the music of Gustav Holst (1874-1934)

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  • With outstanding Double Plus (A++) sonic grades or BETTER on both sides, this early EMI pressing is guaranteed to be the best copy of Holst’s Magnum Opus, The Planets, you have ever played
  • Orchestral power like practically no other music on vinyl you may have heard, and Previn’s and the LSO’s performances are without peer in our estimation
  • These sides are rich, clear and dynamic, with weighty brass, and the kind of dynamic power that lefts the energy level right into space
  • A TAS List Super Disc, with a performance that’s as spectacular as the recording by the two Christophers

These sides have some of the best sound we have ever heard for the work, and that’s saying something considering the scores of recordings we have played of this famous and famously well-loved piece.

Fortunately for audiophiles who love The Planets but are disappointed by most performances, a group that includes us to be sure, the amazing sound found on this copy is coupled with a superb performance.

As you might imagine, on a big system this would make for a powerful listening experience, which is exactly the experience we ourselves had during our recent shootout. This copy actually deserves its place on the TAS List.

Both sides earned strong grades for their powerful energy and orchestral excitement, especially from the brass section, a subject we discuss at length below. (more…)

The Tale of Tsar Saltan and Our Rare Four Plus Grade

See all of our Rimsky-Korsakov albums in stock

More entries in our Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection available on our site

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  • This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare 4+ grade
  • We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
  • It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
  • We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that

James Walker was the producer, Roy Wallace the engineer for these sessions from April of 1959 in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time. More amazing sounding recordings were made there than in any other hall we know of. There is a solidity and richness to the sound beyond all others, yet clarity and transparency are not sacrificed in the least.

(more…)

Tchaikovsky / Piano Concerto #1 / Richter/ Karajan

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  • Incredible Shootout Winning Triple Plus (A+++) sound or close to it on both sides and reasonably quiet DG vinyl make this one powerful Demo Disc set
  • Without a doubt some of THE BEST SOUND we have ever heard for this recording!
  • The huge space of a real concert hall seemingly transported right into your listening room
  • Richter is magnificent – our favorite performance of the Tchaikovsky First bar none

This reasonably quiet White Hot Stamper DG pressing has without a doubt some of THE BEST SOUND we have ever heard for this recording! Dynamically, Powerfully Hot, with the huge space of a real concert hall seemingly transported right into your listening room. With this copy, all you need do is close your eyes and your speakers will disappear, replaced by Karajan and the VSO at the height of their glorious powers.

On both sides the piano is weighty, solid and powerful. Once the needle has dropped you will quickly forget about the sound and simply find yourself in the presence of some of the greatest musicians of their generation.

Audio Myths Exploded

Yes, both the originals and the reissues can be good on this record. Don’t buy into that audiophile canard that “original equals better.”

Two Stunning Sides

Really, really BIG and really, really CLEAR like no other copy we played. It’s nothing less than phenomenal! Lively, present and real, with sweet strings and a big bottom end.

The piano is clearly present and solid. The heavy compression of most copies is much less of a problem here; the levels stay correct right through to the big finish (which is really really big).

If you have the transparency in your system to be able to hear it (we didn’t even three years ago), listen for how clearly both the left and right hand can be heard at the piano. It’s shocking how big and clear these sides are, yet still as rich and as solid as any we played. That’s what we call White Hot Stamper sound.

What to Listen For (WTLF)

The pizzicato playing of the strings early in the piece are a great test. Transients, transparency and spaciousness will vary dramatically in these three areas on every pressing you play. This one excelled in every one of these areas. A true Demo Disc.

THE Tchaicovsky First Piano Concerto Recording

Since this is our favorite performance of the Tchaikovsky First Piano Concerto of all time. Even the copies with minor shortcomings in the sound are so good that we quickly find ourselves ignoring them and being lost instead in the performance. (more…)