Month: November 2025

Aretha Franklin – Live at Fillmore West

More of the Music of Aretha Franklin

  • A vintage pressing of this classic live album with an INCREDIBLE Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two – exceptionally quiet vinyl too
  • Aretha’s cover of “Bridge Over Troubled Water” is truly amazing, but really, there’s not a weak track here – her covers of current material take those songs to another level entirely
  • 4 1/2 stars: “The music here sparkles and crackles with the energy of a top-flight rhythm section — Cornell Dupree on guitar, Bernard Purdie on drums, and Jerry Jemmott on bass, with Billy Preston on organ, Curtis on saxophone, and the Memphis Horns… the most dramatic and deeply satisfying of Aretha Franklin’s live recordings, and is a historical document that every soul fan should own…”

Aretha’s cover of Bridge Over Troubled Water has STUNNINGLY GOOD SOUND and check out how good Ray Charles’s voice sounds when he guests on Spirit In The Dark!

Please note that there is some low-level stage buzz behind the music at times. It’s noted in the liner notes, so it’s obviously not a problem with this copy. It’s mildly annoying, but it’s certainly not a dealbreaker. The music and sound are still very enjoyable. One other note — side two seems to be cut a little lower than side one, so give side two a little extra volume for best results.

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Steve Winwood – Arc of a Diver

More Records We Only Sell on Import Vinyl

  • Arc of a Diver appears on the site for only the second time ever, here with a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one on this early UK Island pressing
  • Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, punchy, and full-bodied – Winwood’s leads really soar
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Arc of a Diver
  • 4 1/2 stars: “Utterly unencumbered by the baggage of his long years in the music business, Winwood reinvents himself as a completely contemporary artist on this outstanding album, leading off with his best solo song, ‘While You See a Chance.'”

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Heart – Dreamboat Annie

More of the Music of Heart

  • A vintage copy of Heart’s debut LP with very good Hot Stamper grades from first note to last
  • It’s richer, fuller and with more presence than the average copy, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
  • This is true of even our lowest-priced, lowest-graded copies – they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • A Better Records Top 100 album, 4 1/2 stars on AllMusic: “Aggressive yet melodic rockers like ‘Sing Child,’ ‘White Lightning & Wine,’ and the rock radio staples ‘Magic Man’ and ‘Crazy on You’ led to the tag ‘the female Led Zeppelin.'”

Not many records have this kind of big, rockin’ sound, that’s for sure! Punchy and present, open and transparent, with real weight and power to the low end. If you’re an audiophile who loves classic rock, you just haven’t lived until you’ve heard side one of this album on a Hot Stamper pressing.

We’re pretty fond of these ladies here at Better Records. Their second album, Little Queen, has been a favorite test disc around here for years. When Heart is at their best, the music is wonderful. If you’re lucky enough to own the right pressing, this band can ROCK with the best of them.

Live Rock and Roll Sound

This is a true Demo Disc in the world of rock records. It’s also one of those recordings that demands to be played LOUD. If you’ve got the big room, big speakers, and the power to drive them, you can have a live rock and roll concert in your very own house. When the boys behind Heart (superb musicians all) let loose with some of those Zep-like monster power chords — which incidentally do get good and loud in the mix, unlike most rock records which suffer from compression and “safe” mixes — I like to say that there is no stereo system on the planet that can play loud enough for me. (Horns maybe, but I don’t like the sound of horns, so there you go.)

What A Hot Copy Gets You

For one thing, the music just JUMPS out of the speakers. There is so much more LIFE to this recording than I ever thought possible, and only the best pressings let that energy come through. In a nutshell, those are the ones that earn the name Hot Stamper. (more…)

Helpful Stamper Information You Can Use – Episode 108

Hot Stamper Pressings of the Music of Genesis Available Now

British Pressing? Check.

Pink Label? Check.

Sound Quality?  Side One:: 1+ (dubby). Side One of another copy: NFG (no good).

Apparently something went wrong, but exactly what, nobody really knows.

And if for some reason somebody actually believes they know what went wrong, we tell them that that kind of thinking is detrimental to whatever success they hope to achieve in finding better sounding records, if our experience over the last fifty years has any bearing.

We don’t know it all and we’ve never pretended to. All our knowledge is provisional. We may not be the smartest guys in the room, but we’re sure as hell smart enough to know that much.

If somehow we did know it all, there would be no need for the two hundred entries in our live and learn section about all the mistakes we’ve made over the years trying to understand record pressings at the sonic level.

We take a different approach to searching out better sounding pressings. Instead of reading about them — who made them, how they were made, where they were made, all that sort of thing — we instead devoted our efforts to cleaning and playing them, so that we could make our own judgments about the sound and the music we heard.

Our experiments, conducted using the shootout process we’ve painstakingly developed over the course of the last twenty years, produce all the data we need: the winners, the losers, and the rankings for all the records in-between.

Free Stamper Info

By my count this is the 108th stamper sheet we have posted on The Skeptical Audiophile.

In the case of this title, these are what we would call bad stampers for Genesis’s 1973 prog album Selling England by the Pound (a record we rarely have in stock because the best stampers are just too hard to find, at least they are on copies in audiophile playing condition).

If you are looking for top quality sound — and seriously, what else would you be looking for if you are reading this blog? —  then make sure not to buy just any old early Pink Label UK pressing of the album. You may end up with one that sounds as bad as this one did.

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Please Please Me on MoFi – Another Disgracefully Spitty Half-Speed

Hot Stamper Pressings of the Music of The Beatles Available Now

Sonic Grade: C

If you own the Mobile Fidelity LP, do yourself a favor and buy one of our Hot Stamper pressings. (Actually any good British import pressing will do.)

What’s the first thing you will notice other than correct tonality, better bass and a lot more “life” overall?

No spit!

As we’ve commented elsewhere, because of the wacky cutting system they used, Mobile Fidelity pressings are full of sibilance. 

As I was playing a British pressing of this record many years ago, maybe by about the fifth or sixth song it occurred to me that I hadn’t been hearing the spit that I was used to from my MoFi LP. You don’t notice it when it’s not there.

But your MoFi sure has a bad case of spitty vocals. If you never noticed them before, you will now.

We discuss the sibilance problems of MoFi records all the time. Have you ever read Word One about this problem elsewhere? Of course not.

Audiophiles and audiophile reviewers just seem to put up with these problems, or ignore them, or — even worse — fail to recognize them at all.

Play around with your table setup for a few hours and you will no doubt be able to reduce the severity of the sibilance on your favorite test and demo discs. All your other records will thank you for it too.

Especially your Beatles records. Many Beatles pressings are spitty, and the MoFi Beatles pressings are REALLY spitty. Of course MoFi fans never seem to notice this fact. Critical listening skills and a collection of MoFi pressings are rarely if ever found together. For reasons that should be obvious to anyone spending time on this site, you either have one or the other.

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Why Does “Why” Matter in Analog Audio

Robert Brook runs a blog called The Broken Record, with a subtitle explaining that his blog is:

A GUIDE FOR THE DEDICATED ANALOG AUDIOPHILE

We know of none better, outside of our own humble attempt to enlighten that portion of the audiophile community who love hearing music reproduced with the highest fidelity — and are willing to go the extra mile and pay the extra dollar to make that happen.

Why Does “WHY” Matter in Analog AUDIO?

 

I wrote a piece about this subject years ago, exhorting audiophiles to forget their theories. An excerpt:

We don’t know what causes some copies to sound so good.

We know them when we hear them and that’s pretty much all we can say we really know. Everything else is speculation and guesswork.

We have data. What we don’t have is a theory that explains that data.

And it simply won’t do to ignore the data because we can’t explain it. Hot Stamper deniers are those members of the audiophile community who, when faced with something they don’t want to be true, simply manufacture reasons why it can’t be true or shouldn’t be true. That’s not science. It is in fact the very opposite of science.

Practicing science means following the data wherever it leads.

The truth can only be found in the record’s grooves and nowhere else.

If you don’t understand record collecting as a science, you won’t be able to do it well and you certainly won’t achieve the success that’s possible by using a scientific approach.

(For those who like to get into the weeds with data in the form of stamper numbers, we’ve got plenty on the blog to share with you.)

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Pink Floyd – Meddle

  • Here is the Tubey Magic, presence, size and space we guarantee you have never heard on Meddle no matter what pressing you may own
  • Top 100 audiophile demonstration quality recording on a par with Dark Side of the Moon, which is really saying something
  • 4 1/2 stars: “Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era.”
  • This killer reissue puts to shame the originals we’ve auditioned, and the reissues we offer on the site are guaranteed to do the same
  • If you’re a Pink Floyd fan, and what audiophile wouldn’t be?, this title from 1971 is clearly one of their best

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All Truth Passes Through Three Stages

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More on the Importance of Critical Thinking Skills in Audio

All truth passes through three stages.

First, it is ridiculed, second it is violently opposed, and third, it is accepted as self-evident.

Arthur Schopenhauer


Here’s a blast from the past that may shed some light on the philosophical insight above.

I had an interesting conversation with one of our good customers a while back. He had recently been chatting with some of his audiophile buddies about Hot Stampers. Let’s just say they weren’t buying any of it. This is more or less how he related the conversation to me over the phone (which started out as an email, most of which is reproduced below).

First he told me how much he has been enjoying his Hot Stampers, then we talked about his audiophile buds.

The Hot Stampers have been phenomenal as always. No matter how many records I buy, none can hold a candle to anything in my Hot Stamper collection.

A couple of my friends happen to be longtime audiophiles. As still a relative beginner to the world of audiophiles, I had hoped that these audio vets would be fans of Better Records, if not regular customers.

Instead they seemed to be incredulous at the thought of Hot Stampers — even though they had never heard one!! Admittedly, they have more years of experience in this endeavor, but I thought, hey, at least I am willing to give a great sounding record a try, right? Perhaps over the course of many years, people believe they have it all figured out. [More on that subject here.]

Anyhow, even if they could ultimately be persuaded by playing a Hot Stamper from my collection, it just seemed like such a ridiculous attitude to dismiss something that you’ve never listened to. Don’t get me wrong — they’re nice people, but it certainly doesn’t inspire faith in their approach to audio. As such, I’m sticking with the Better Records advice, whether it’s a record or system upgrade. And so far the audio wisdom you guys have offered has never failed to impress me.

Equally important, I appreciate your approach to the whole process, which seems to be rooted in the apparently radical idea of objectivity. What a concept!

That’s the gist of the story. I told him that he had officially just had his first taste of those whose ears are plugged up with Audiophile Dogma. Welcome to my world.

Just to be safe, when I got off the phone I looked up the word “incredulous,” which is defined as “unwilling to admit or accept what is offered as true.” In this case, these guys not only don’t believe two identical looking records will often sound different, they cannot even accept the possibility that they would.

It’s fine to be skeptical; I’m as skeptical as they come, and proud of it. But pig-headed is something else. I wrote this bit of commentary on that very subject:

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Aretha Franklin – Aretha Now

More of the Music of Aretha Franklin

  • A killer sounding pressing of this early Atlantic label LP with Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • Here is the kind of Tubey Magical Midrange that modern pressings barely begin to reproduce – folks, that sound is gone and it sure isn’t showing any sign of coming back
  • Problems in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “… this still caught Aretha Franklin at the peak of her early form. ‘Think,’ ‘I Say a Little Prayer,’ ‘See Saw,’ and ‘I Can’t See Myself Leaving You’ were all big hits.”

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Elton John – Don’t Shoot Me I’m Only The Piano Player

More of the Music of Elton John

  • This vintage copy of Elton’s 1973 release (the first to hit the site in over three and a half years) boasts INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • Forget the dubby, closed-in and transistory domestic pressings – here is the relaxed, rich, spacious, musical, lifelike sound that only the best imports can show you
  • Thanks to Ken Scott‘s brilliant engineering and Gus Dudgeon‘s production savvy, every song here sounds better than you imagined, because finally you are hearing it right
  • 4 stars: “His most direct, pop-oriented album… a very enjoyable piece of well-crafted pop/rock.”

The amazing engineer Ken Scott (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century, Truth, Birds of Fire) is the man responsible for the stunning sound here.

The kind of Tubey Magical richness, smoothness and fullness he achieved at Trident in the early ’70s, as well as here at a certain French country estate, have never been equaled elsewhere in our opinion. (more…)