Important Lessons We Learned from Record Experiments
Basic Concepts and Realities Explained
We have a section on the website you may have seen called We Was Wrong. This section is devoted to discussing the records we think we got, uh, wrong.
Oh yes, it’s true. But it’s not really a problem for us here at Better Records. We see no need to cover up our mistakes. The process of learning involves recognizing and correcting previous errors. Approached scientifically, all knowledge — in any field, not just record collecting or music reproduction — is incomplete, imperfect, and must be considered provisional.
What seems true today might easily be proven false tomorrow. If you haven’t found that out for yourself firsthand yet, one thing’s for sure, you haven’t been in this hobby for very long.
We’re so used to the conventional wisdom being wrong, and having our own previous findings overturned by new ones, that we gladly go out of our way in listing after listing to point out just how wrong we were. (And of course why we think we are correct now.)
A common misperception among those visiting the site is that we think we know it all. Nothing could be further from the truth.
We learn something new about records with practically every shootout.
Each time we go back and play a 180 gram or half-speed mastered LP we used to like (or dislike), we gain a better understanding of its true nature. (The bulk of those “audiophile” pressings seem to get worse and worse over time, a subject that has been thoroughly discussed elsewhere on the blog.)
Record cleaning gets better, front ends get better, electronics get better, tweaks get better — everything in your audio system should be improving on a regular basis, allowing you to more correctly identify the strengths and weaknesses of every record you play.
I almost forgot: your ears get better too, whether you like it or not. If that’s not happening, you’re probably not doing it right.
What follows is a typical excerpt from a recent listing.
Well, folks, we couldn’t have been more WRONG. It’s not the first time and it sure won’t be the last. We happily admit to our mistakes because we know that all this audio stuff and especially the search for Hot Stampers is a matter of trial and error. We do the trials; that’s how we avoid the kinds of errors most audiophiles and audiophile record reviewers make when it comes to finding the best sounding records.
Of course, being human we can’t help but make our share of mistakes. The difference is that we learn from them. We report the facts to the best of our ability every time out. Every record gets a chance to show us what it’s made of, regardless of where it was made, who made it or why they made it. (Like anybody cares.)
If we used to like it and now we don’t, that’s what you will read in our commentary. Our obligation is to only one person: you, the listener.