Sonic Grade: B (or better)
[I think these are the labels for the copy we played, It came out around 2000-2005. It’s not Speakers Corner, Simply Vinyl or Back to Black. Those are labels best avoided in our experience.]
Hey, they really did a good job with this one. We are going to listen to it again at a later date to see if our initial impressions were correct [I guess by now it should be clear that we are never going to do that, sorry], but it sure sounded good to us when we played it recently during our big GYBR shootout.
I’m guessing no domestic copy can beat it, and certainly no audiophile half-speed mastered pressing can hold a candle to it. Those records are pretty awful.
Funeral for a Friend/Love Lies Bleeding
Candle in the Wind
Bennie and the Jets
Goodbye Yellow Brick Road
This Song Has No Title
Jamaica Jerk Off
I’ve Seen That Movie Too
Sweet Painted Lady
The Ballad of Danny Bailey (1909-34)
Dirty Little Girl
All the Girls Love Alice
Your Sister Can’t Twist (But She Can Rock ‘n’ Roll)
Saturday Night’s Alright for Fighting
AMG 4 1/2 Star Rave Review
Goodbye Yellow Brick Road was where Elton John’s personality began to gather more attention than his music, as it topped the American charts for eight straight weeks. In many ways, the double album was a recap of all the styles and sounds that made John a star. Goodbye Yellow Brick Road is all over the map, beginning with the prog rock epic “Funeral for a Friend (Love Lies Bleeding)” and immediately careening into the balladry of “Candle in the Wind.” For the rest of the album, John leaps between popcraft (“Bennie and the Jets”), ballads (“Goodbye Yellow Brick Road”), hard rock (“Saturday Night’s Alright for Fighting”), novelties (“Jamaica Jerk-Off”), Bernie Taupin’s literary pretensions (“The Ballad of Danny Bailey”), and everything in between… its individual moments are spectacular and the glitzy, crowd-pleasing showmanship that fuels the album pretty much defines what made Elton John a superstar in the early ’70s.