three-dimension

Here you will find some pressings we found to have exceptionally three-dimensional, spacious sound.

Beethoven / Symphony No. 9 / Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

Decca and London Hot Stamper Pressings Available Now

  • An early London pressing of this definitive performance by Ansermet and the Suisse Romande that was doing just about everything right
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • The sound here is rich, lively and musical yet still clear and spacious (particularly on side two)
  • True, side one earned a minimal Hot Stamper grade of 1.5+, but we still guarantee that it will beat the pants off any Heavy Vinyl reissue, because every one of those that we played was opaque, muddy and thick enough to have us crying “uncle” after five minutes
  • “…the Orchestre de la Suisse Romande play very well, facing every challenge with musical integrity that reveals to the listener that emotional engagement with the score is far more meaningful than virtuosity for its own sake.”
  • There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.
  • More entries in our core collection of well recorded classical albums.

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Beethoven / Haydn / The Heifetz-Piatigorsky Concerts

Hot Stamper Pressings Featuring the Violin

Reviews and Commentaries for Recordings Featuring Jascha Heifetz

This is a lovely sounding pressing of cello and violin, with smooth, natural, tonally-correct sound and correctly-sized instruments, something you don’t hear often on recordings with Heifetz. They tend to have huge violins and small orchestras.

In these chamber works perhaps the engineers had an easier time of getting it right.

The sound is transparent, spacious and three-dimensional in the best Living Stereo tradition.

If you love the sound of violin and cello, played by virtuosi of the highest order, this is the record for you.

Side One

Beethoven: Piano Trio, Op. 1, No. 1

Side Two

Haydn: Divertimento for Cello and Orchestra 
Rozsa: Tema con Variazioni

This is an older classical/orchestral review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

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Enoch Light and the Light Brigade – Provocative Percussion, Vol. 2

More Exotica Recordings

More Amazing Sounding Percussion Records

  • Provocative Percussion, Vol. 2 debuts on the site with solid Double Plus (A++) sound on both sides of this original Stereo Command pressing – fairly quiet vinyl too
  • Simply remarkable space, ambience and depth – if you have never heard one of these kinds of records, you are really in for a treat with this one
  • Provocative Percussion, Vol. 2 is yet another record we’ve discovered with potentially excellent sound
  • 1959 was a phenomenal year for audiophile quality recordings – we’ve auditioned and reviewed more than a hundred and thirty to date, and there are undoubtedly a great many more that we’ve yet to discover

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John Klemmer – Touch

More John Klemmer

Audiophile Recordings with Excellent Sound

  • With solid Double Plus (A++) grades on both sides, this copy of the best MoFi title to ever hit the site will be very hard to beat – exceptionally quiet vinyl too
  • Musically and sonically this is the pinnacle of Klemmer’s smooth jazz – we know of none better
  • The best sounding Smooth – But Real – Jazz Album ever made, and the only vintage MoFi we know of that deserves a place in your collection
  • “This is music straight from the heart, smooth but with a few twists and turns to make it interesting. But there are no cliche blues licks, none of the crap that players in this genre try to foist upon as ‘hip.’ Indeed, Klemmer has more in common with the late 60’s mantra playing of Coltrane or Sanders than those other guys (whose names will not be mentioned.)”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with the accent on the joy amazing audiophile-quality recordings like this one can bring to your life.
  • Touch is a good example of a record many audiophiles may not know well but might benefit from getting to know better
  • If you’re looking for the best sounding jazz from the 70s and 80s, you might want to check out these titles

Touch is probably the best sounding record Mobile Fidelity ever made, and the only record of theirs I know of that can’t be beaten by a standard real-time mastered pressing.

We’re talking Demo Disc quality sound here. The spaciousness of the studio and the three-dimensional placement of the myriad percussion instruments and bells within its walls make this something of an audiophile spectacular of a different kind — dreamy and intensely emotional.

Shocking as it may be, Mobile Fidelity, maker of some of the worst sounding records in the history of audio, is truly the king on this title.

Klemmer says pure emotion is what inspired the album’s creation. Whatever he tapped into to find the source of that inspiration, he really hit paydirt with Touch. It’s the heaviest smooth jazz ever recorded. Musically and sonically, this is the pinnacle of Klemmer’s smooth jazz body of work. I know of none better. (If you want to hear him play more straight-ahead jazz, try Straight from the Heart on Nautilus Direct to Disc.) (more…)

The Paul Butterfield Blues Band – Keep On Moving

More Butterfield Blues Band

More Electric Blues

  • A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound from start to finish
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage Elektra stereo pressing is the only way to go
  • “People who liked Butter long ago usually don’t like what he’s become. I’ve only dug him over the past two years and I think he just gets better and better. This record, vocally oriented and produced by Jerry Ragavoy, is his best yet, hard-driving and very tight. ” – Robert Christgau (A)

I would have never guessed this band’s records could sound so good! We’ve been trying to find good sound for the Butterfield Blues Band for years, and we lucked into a very hot Red Label Elektra pressing here. There’s serious weight down low, nice extension up top, tons of Tubey Magic and surprising transparency to be found. Good luck finding better sound for this kind of bluesy rock and roll!

My favorite thing about the sound here is how three-dimensional it is. You get real depth to the soundfield and lots of separation between the various parts. With so many musicians doing their thing, it’s essential to be able to make sense of what each guy is going. It really added to my appreciation of the music.

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Donny Hathaway – Donny Hathaway Live

More Donny Hathaway

More Soul, Blues, and R&B

  • Amazing sound for this classic live album, with both sides earning KILLER Shootout Winning Triple Plus (A+++) grades or close to them – fairly quiet vinyl too
  • Hathaway and his band are on fire here playing for an enthusiastic small club audience – this is the best album the man ever made and a true Must Own
  • It takes us years to run across enough clean copies of this album to do a shootout, so don’t expect to see another one in audiophile playing condition on the site for a while
  • The relatively high price reflects the amount of work it takes us to find clean copies with the right stampers, as well as the frustration we feel when the records that come our way are just too noisy and groove damaged to be enjoyable
  • For those on a budget, buy the plain old Atlantic CD – it’s excellent
  • 4 1/2 stars: “Donny Hathaway’s 1972 Live album is one of the most glorious of his career… Live solidified Hathaway’s importance at the forefront of soul music.”
  • If you’re a Donny Hathaway fan, this is a Must Own Classic from 1972 that belongs in your collection.

This is an absolutely outstanding recording. The better copies capture the feeling of a live club like few recordings you’ve ever heard. The enthusiasm of the crowd, the honest, emotive performances, the superb musicianship — it’s all there on a Shootout Winning Hot Stamper copy like this.

I’ve been playing this record regularly since I first heard it back in the mid-90s. It never gets old. If I could take only one soul album to my desert island, it would be this one, no doubt about it.

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Everything But The Beer / Arthur Fiedler Conducts A Boston Pops Concert

More Classical and Orchestral Recordings

More Living Stereo Recordings

  • These original Shaded Dog pressings boast big, bold, and dynamic Nearly Triple Plus (A++ to A+++) Living Stereo sound from first note to last – just shy of our Shootout Winner (side four actually won the shootout)
  • Compared to practically every other copy we played — on all four sides mind you — these sides are richer, fuller, and livelier. They’re also more open and transparent, with notably improved clarity, less smear, and better bass
  • The rich, textured sheen of the strings that Living Stereo made possible in the 50s and early 60s is clearly evident throughout these pieces, something that the Heavy Vinyl crowd will never experience, because that sound just does not exist on modern records
  • We have been trying to do this title for at least ten years – clean originals are hard to find and that is a reality that will not be going away anytime soon

Much of what’s good about Golden Age recordings is here, with these sides having the sound of a huge hall and that Three-Dimensional quality that the best vintage recordings convey so well.

We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as these by the score every month and can hear what they do. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.

Such qualities allow this record to sound — in some ways, to be sure not all — like live music. 

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Sergio Mendes and Brasil ’66 – Stillness (with Correct Polarity)

More Sergio Mendes

More Bossa Nova

  • An excellent A&M pressing of this incredibly well-recorded and criminally-overlooked LP with Double Plus (A++) grades or close to them throughout
  • Both sides of this copy are in correct polarity, so no need to worry about switching the polarity, as we must do with many of the copies – just drop the needle and enjoy!
  • The soundfield has a three-dimensional quality that will absolutely blow you away (assuming you have big speakers and like to turn them up good and loud)
  • Wonderfully present and breathy vocals from the lovely ladies in Sergio’s band – they provide most of the audiophile  appeal (and all of the sex appeal), and we know of nothing else like them on record
  • A permanent member of our Top 100 and Demo Disc par excellence
  • 4 stars: “Stillness is a concept album — the title tune opens and closes it in moody stillness — and a transition piece all at once…. Overlooked in its day, Stillness is the great sleeper album of Sergio Mendes’ first A&M period.”
  • This is a Must Own album from 1970, which just happens to be a great year for Rock and Pop Music, maybe the greatest of them all

We figure we’re about due for a thank you note from Mr. Mendes, because we’ve turned a huge number of audiophiles into die-hard fans of this album. It’s easy to see why when you play a copy that sounds like this. All of the qualities we look for on this album are right here.

If you are looking for DEMO DISC QUALITY SOUND with music every bit as wonderful, look no further — this is the record for you.

If I had one song to play to show what my stereo can really do, “For What It’s Worth” on a Hot Stamper copy would probably be my choice. I can’t think of any material that sounds better. It’s amazingly spacious and open, yet punchy and full bodied the way only vintage analog recordings ever are. This one being from 1970 fits the bill nicely.

Side two of this album can be one of THE MOST MAGICAL sides of ANY record — when you’ve got a killer copy. I don’t know of any other record like it. It seems to be in a class of its own. It’s an excellent test disc as well. All tweaks and equipment changes and room treatments must pass the Stillness test.

To fail to make this record sound better is to fail completely. The production is so dense, and so difficult to reproduce properly, that only recently have I begun to hear just how good this record can sound. There is still plenty to discover locked in these grooves, and all of us here at Better Records enthusiastically accept the challenge to find all the sounds that Sergio created in the studio, locked away in the 50+ year old vinyl.

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Beethoven and Richter – Our Favorite Performance on Vinyl

More of the Music of Ludwig van Beethoven

  • A stunning copy of this wonderful concerto performance that boasts a Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one, and reasonably quiet vinyl for a Shaded Dog from 1961
  • This pressing has the real Living Stereo magic in spades, but unlike most of the RCA concerto recordings, Richter, the brilliant soloist featured here, is not overly spotlighted, hence the much more natural “concert hall” sound
  • The piano is part of the orchestra, and properly sized, allowing the contributions of the other musicians to be heard more clearly, laid out as they are so elegantly across a huge and deep Boston Symphony Hall stage

In orchestral music, when it comes to clarity there is nothing close to the sound of the live performance, but some records, this one especially, give you the sense that you are hearing it all. Audio may be an illusion but it can be a very convincing one.

The spaciousness and three-dimensionality of the recording are also exceptional. Through the efforts and skill of the RCA engineers, that striking openness in the recording is somehow combined with an electrifying immediacy in the sound of the piano, no mean feat. One rarely hears both, except of course live (and not always even then).

There may be other performances of merit, but I know of no recording of this music with better sound. If you are demonstrating naturalistic sound, not bombastic Hi-Fi spectacularity, this pressing more than qualifies as a Demo Disc.

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Marty Robbins – Gunfighter Ballads and Trail Songs on 360 Stereo

More Country and Country Rock

  • You’ll find excellent Double Plus (A++) sound on both sides of this 360 Stereo pressing – fairly quiet vinyl too
  • This copy is remarkably clear and open, superior to most others in that regard, with smooth and rich vocals to boot
  • Transparency and Tubey Magic are critical to the sound of the arrangements, and you will find both in abundance on these sides
  • Is the original 6-Eye stereo or early 360 stereo the only way to go on this record? Based upon what we learned in our recent shootout, the first one we’ve done since 2018, the answer is yes
  • UPDATE: In our latest shootout (2025) we could not find a single 360 label pressing that earned even 2+ on either side. Although it’s possible better 360s are out there to be found, our advice at this point would be to stick to the 6-Eye originals
  • We have two new lists for those who would like to know which Columbia labels win shootouts — one for 6-Eye winners and one for 360 Label winners.
  • 4 1/2 stars: “The single most influential album of Western songs in post-World War II American music. The longevity of the album’s appeal is a result of Marty Robbins’ love of the repertory at hand and the mix of his youthful dynamism and prodigious talent…”

Two excellent sides, with the kind of ’50’s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades, I tell you! Nobody can manage to get a recording to sound like this anymore and it seems clear to us that no one can remaster a recording like this nowadays, if our direct experience with hundreds of such albums counts as evidence.

Albums such as this live and die by the quality of their vocal reproduction. On this record, Mr. Marty Robbins himself will appear to be standing right in your listening room, along with the other other musicians on the sessions of course.

Each of the huge studios the music was recorded in are captured faithfully here. The height, width and depth of the staging are extraordinary. We are not big soundstage guys here at Better Records, but we can’t deny the appeal of the three-dimensional space to be found on a recording as good as this.

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