mannebells

Shelly Manne & His Friends – Bells Are Ringing

More of the Music of Shelly Manne

  • An early Contemporary pressing with solid Double Plus (A++) grades or BETTER on both sides – exceptionally quiet vinyl too
  • Side two was sonically very close to our Shootout Winner – you will be amazed at how big and rich and tubey the sound is
  • This copy makes it clear that this is a Demo Disc quality recording for Contemporary, and that’s saying a lot
  • It’s also our favorite jazz piano performance by Andre Previn on record
  • Only a handful of copies of this title have made it on the site in the last few years – finding them in audiophile condition is getting harder (and more expensive) than ever these days
  • “Previn’s piano is the lead voice and his virtuosity, good taste, melodic improvising, and solid sense of swing are chiefly responsible for the music’s success.”

I have a very long history with this album, going back decades. My friend Robert Pincus first turned me on to the CD, which, happily for all concerned, was mastered beautifully. We used it to test and tweak all the stereos in my friends’ systems.

Playing the original stereo record, which I assumed must never have been reissued due to its rarity (I have since learned otherwise), all I could hear on my ’90s all tube system was blurred mids, lack of transient attack, sloppy bass, lack of space and transparency, and other shortcomings too numerous to mention that I simply attributed at the time to vintage jazz vinyl.

Well, things have certainly changed. I have virtually none of the equipment I had back then, and I hear none of the problems with this copy that I heard back then on pressing I owned. This is clearly a different LP (I sold off the old one years ago) but I have to think that much of the change in the sound was a change in cleaning, equipment, tweaks and room treatments, all the stuff we prattle on about endlessly on the site.

In other words, if you have a highly-resolving modern system and a good room, you should be knocked out by the sound of this record. I sure was.

(more…)

You Simply Cannot Record a Piano Better than Roy DuNann

The piano sounds uncannily lifelike right from the start, a beautiful instrument in a natural space, tonally correct from top to bottom. I can’t think of any record off the top of my head that gets a better piano sound than this one.

Listen to the tambourine on the third track on side one. Shelly Manne messes about with lots of percussion instruments on this album and all of them are recorded to perfection.

Not to leave Red Mitchell out, check out the bass; it’s deep and note-like throughout the album.

Better Than a Dream, the second track on side two, has one of the best sounding jazz pianos I have ever heard. My notes say “you cannot record a piano any better” and I stand behind that statement one hundred percent.

There is not a modern reissue on the face of the earth that can hold a candle to the sound of this record.

For any of you out there who doubt my words please take this record home and play it against the best piano jazz recordings you own. If it doesn’t beat them all we are happy to pay the domestic shipping back.

Even our amazing sounding 45 RPM pressing of The Three does not present the listener with a piano that sounds as real as the one on this record.


(more…)

What I Couldn’t Hear on My 90s Tube System

Hot Stamper Pressings of Contemporary Jazz Albums Available Now

I have a very long history with Bells Are Ringing, dating back to the 90s. My friend Robert Pincus first turned me on to the CD, which, happily for all concerned, was mastered beautifully and comes highly recommended if you want to work on your digital playback or other non-analog aspects of your system such as your room, electricity, speaker placement and such like. (More recommended CDs here.)

Back in the day we often used it to test and tweak some of the stereos in my friends’ systems.

Playing the original stereo pressing, all I could hear on my 90s tube system was

  • blurred mids,
  • lack of transient attack,
  • sloppy bass,
  • lack of space and transparency,
  • and plenty of other shortcomings too numerous to mention.

All of which I simply attributed at the time to the limitations of the vintage jazz pressing I owned.

A classic case of me rather foolishly blaming the recording.

I know better now. The record was fine. I just couldn’t reproduce it.

Well, things have certainly changed. I have virtually none of the equipment I had back then, and I hear none of the problems with this copy that I heard back then. This is clearly a different LP, I sold the old one off years ago, but I have to think that much of the change in the sound was a change in cleaning, equipment, setup, tweaks and room treatments, all the stuff we prattle on about endlessly on this blog.

(more…)