bloodchild

After You’ve Played 100 Copies of the Album, What’s Left to Learn?

bloodchildMore of the Music of Blood, Sweat and Tears

Reviews and Commentaries for Child Is Father to the Man

A common misconception of many of those visiting the site for the first time is that we think we know it all.

Nothing could be further from the truth. We definitely do not know it all. We learn something new about records with practically every shootout.

Case in point: the record you do NOT see pictured above. (The record we recently learned something new about — this, after having played scores and scores of copies over the years — will remain a secret for the time being. At least until we find another one.)

In 2013 we played a red label Columbia reissue of a famous ’60s rock record (again, not shown) that had the best side two we have ever heard. Up to that point no copy other than the 360 original had ever won a shootout, and we’ve done plenty. Lo and behold here was a reissue that put them all to shame.

I’m still in shock from the experience to tell you the truth, but what a blast it was to hear it!

The recording, which I first played more than 40 years ago at the tender age of 16, was now bigger, less murky and more energetic than ever before. Had you asked me, I would have confidently told you not to waste your time with the second pressing, to stick to the 360’s on that title, and I would have been wrong wrong wrong.

How Wrong?

But wait a minute. The 360 original will probably beat 49 out of 50 red label reissue copies on side two, and the best 360 original could not be beaten on side one by any other pressing. When you stop to think about it, we weren’t very wrong at all.

Let’s just say our understanding was incomplete. This is why we prefer to offer actual physical records rather than just advice, although it’s clear for all to see that we happily do both, and, moreover, we certainly feel qualified — as qualified as anyone can be — to offer opinions since our opinions are virtually always backed up by experimental data.

Sometimes we guess about the sound quality of some titles, usually when we just can’t be bothered to order a copy up and take the time to audition it. So many labels today produce such consistently second- and third-rate pressings, can you blame us for not wanting to hear where the latest one went wrong? 

Ultimately what makes our case is the quality of the records we sell. And I’m glad to report that we don’t get many complaints, even at these prices. (Some of our customers seem to think they got their money’s worth, and who are we to argue?)

Avoiding Mistakes

Keep in mind that the only way you can never be wrong about your records is simply not to play them. If you have better equipment than you did, say, five years ago, try playing some of your MoFi’s, 180 gram LPs, Japanese pressings, 45 RPM remasters and the like. You might be in for quite a shock.

It’s all good — until the needle hits the groove. Then you might find yourself in need of actual Better Records, not the ones you thought were better.

How Do We Do It?

There are more than 2000 Hot Stamper reviews on this blog. Do you know how we learned so much about so many records?

Simple. We ran thousands and thousands of record experiments under carefully controlled conditions, and we continue to run scores of them week in and week out to this very day.

If you want to learn about records, we recommend you do the same. You won’t be able to do more than one or two a week, but one or two a week is better than none, which is how many the average audiophile manages to do.

When it comes to finding the best sounding records ever made, our advice is simple.

Play them the right way and pay attention to what they are trying to teach you. You will learn more this way than any other.


FURTHER READING

New to the Blog? Start Here

More Helpful Advice on Doing Your Own Shootouts

How Can I Recognize What I Should Be Listening For on a Given Album?

Letter of the Week – “It’s mind blowing!”

More of the Music of Blood, Sweat and Tears

Reviews and Commentaries for Child Is Father to the Man

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I just received my shipment and played Blood Sweat and Tears – it’s mind blowing! Exquisite and pristine with no surface noise.

Absolutely worth it. 

Sujay


FURTHER READING

New to the Blog? Start Here

More Hot Stamper Testimonial Letters

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Two Reviews of Child Is Father to the Man – Fremer Vs. Better Records

More of the Music of Blood, Sweat and Tears

Reviews and Commentaries for Blood, Sweat and Tears

Audiophile Reviewers – Who Needs ‘Em!

In 2010 MF reviewed both the Sundazed and Speakers Corner Heavy Vinyl pressings of the album.

I think his review is mistaken on a number of counts, and mostly unhelpful. The commentary below will discuss his errors in detail, in the hopes that you, dear reader, will not make the same mistakes yourself. 

He talks about his history with the album for a while, and then notes:

Anyway, the original “360 Sound” edition of this record sounds fantastic. It’s a high quality Columbia studio recording, with vivid harmonics, impressive transparency and dynamics, shimmering highs and tight extended bass. The soundstage is expansive and the images tightly presented. I’m not sure it can get much better than the original given how well-pressed Columbia records were in those days, especially if you have a clean original.

We, however, seem to hold precisely the opposite view. I quote from our review:

Why did it take us so long [to do a Hot Stamper shootout]? Let me ask you this: have you ever played this album? The average copy of this record is a sonic MESS. Even the best copies have problems.

We then go on to discuss in detail what most copies do wrong and what to listen for in order to find a copy that gets it right. (More on that later.)

Shortcomings? What Shortcomings?

Fremer continues:

There are two reissues of this. One is from Sundazed and there’s a far more expensive one from Speakers Corner…

The Speakers Corner reissue, which uses the wrong label art is pressed at Pallas and consequently it’s quieter and better finished overall. However, the Sundazed copy I got was very well finished and reasonably quiet, but not as quiet.

On the other hand the Speakers Corner version was somewhat more hyped up at the frequency extremes and cut somewhat hotter, but not objectionably so. The Sundazed sounds somewhat closer to the original overall, so for half the price, you do the math!

“Somewhat hyped up”? We liked it a whole lot less than Mr. Fremer apparently did. Early last year I gave it a big fat F for FAILURE, writing at the time:

This is the worst sounding Heavy Vinyl Reissue LP I have heard in longer than I can remember. To make a record sound this bad you have to work at it.

What the hell were they thinking? Any audiophile record dealer that would sell you this record should be run out of town on a rail. Of course that won’t happen, because every last one of them (present company excluded) will be carrying it, of that you can be sure.

Just when you think it can’t get any worse, out comes a record like this to prove that it can. I look forward to Fremer’s rave review.

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Blood, Sweat & Tears – Child is Father to the Man

More Blood, Sweat and Tears

Reviews and Commentaries for Child Is Father to the Man

  • Absolutely amazing sound throughout, with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
  • This copy will show you just how big, full-bodied, lively and POWERFUL this music can be on the right pressing
  • Not many records on this site are harder to find with top quality sound and reasonably quiet surfaces
  • 5 stars: “Child Is Father to the Man is keyboard player/singer/arranger Al Kooper’s finest work, an album on which he moves the folk-blues-rock amalgamation of the Blues Project into even wider pastures… One of the great albums of the eclectic post-Sgt. Pepper era of the late ’60s.”

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Blood, Sweat and Tears / Child Is Father to the Man – What to Listen For

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More of the Music of Blood, Sweat and Tears

Reviews and Commentaries for Blood, Sweat and Tears

At the end of a long day of listening at loud levels to multiple copies of this album you may want to run yourself a nice hot bath and light some candles. If you have an isolation tank so much the better.

You could of course turn down the volume, but what fun is that?

This music wasn’t meant to be heard at moderate levels. Playing it that way is an insult to the musicians who worked so hard to make it.

The Right Balance

Every once in a while you hear a pressing in which the right balance has been struck, and this one clearly belongs to that group. It’s not perfect; you have to put up with a few rough patches to get the sound that serves most of the music properly. No copy will do it all; with this album the goal is to do the best you can.
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Child Is Father to the Man on Speakers Corner – What The Hell Were They Thinking?

More Blood, Sweat and Tears

Reviews and Commentaries for Blood, Sweat and Tears

Sonic Grade: F

A Hall of Shame pressing and a Heavy Vinyl Disaster if there ever was one (and oh yes, there are plenty).

Back in 2007 when this record came out, we auditioned one and were dumbfounded at the poor quality of the sound. We noted:

This is the worst sounding Heavy Vinyl Reissue LP I have heard in longer than I can remember.

To make a record sound this bad you have to work at it.

What the hell were they thinking? Any audiophile record dealer that would sell you this record should be run out of town on a rail. Of course that never happens, because every last one of them (present company excluded) will carry it, of that you can be sure.

Just when you think it can’t get any worse, out comes a record like this to prove that it can.

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