Glyn Johns, Engineer

Led Zeppelin / Self-Titled on Domestic Vinyl

More Led Zeppelin

Reviews and Commentaries for Led Zeppelin I

  • In 2021 we came across a superb original domestic pressing of Zep’s debut with Double Plus (A++) sound on both sides – exceptionally quiet vinyl, especially considering that this is an early Atlantic pressing
  • Note that from our perspective in 2023, we would be very unlikely to try another domestic original — our guess is that it would be more likely that the next original would be worse sounding and noisier rather than better sounding and quieter, and the right imports are practically guaranteed to beat the pants off of any domestic LP
  • The story of how we came to possess this specific LP is told below
  • 5 stars: “Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme… But the key to the group’s attack was subtlety: it wasn’t just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos.”

There’s an interesting story behind this copy.

I bought it from an erstwhile customer who also had one of our Hot Stamper imports from years back, and he swore up and down that this original domestic pressing was a step up in class, a true White Hot Stamper pressing.

Well, that turned out not to be the case, and it’s the main reason shootouts on highly-tuned, properly-calibrated, extremely-resolving large audio systems are the only way to separate the winners from the also-rans.

(more…)

Eric Clapton – Slowhand

More Eric Clapton

  • Slowhand is finally back on the site, here with superb Double Plus (A++) grades on both sides of this vintage RSO pressing
  • One of our favorite Clapton albums, but one that is notoriously difficult to find with top quality sound and audiophile quality playing surfaces
  • With Glyn Johns behind the board, you can be sure the sound will be exceptionally rich, smooth, sweet and above all ANALOG
  • 4 1/2 stars: “This is laid-back virtuosity — although Clapton and his band are never flashy, their playing is masterful and assured. That assurance and the album’s eclectic material make Slowhand rank with 461 Ocean Boulevard as one of Eric Clapton’s best albums.”

(more…)

The Rolling Stones – Get Yer Ya-Ya’s Out!

More Rolling Stones

  • This boxed Decca UK pressing boasts superb Double Plus (A++) sound from start to finish
  • Remarkably quiet vinyl too – for those of you who prize audiophile quality surfaces, you are unlikely to see a quieter copy with grades this good hit the site again for a very long while
  • With rock and roll energy and you-are-there presence, turn this one up good and loud and you will find yourself at the Stones concert of a lifetime
  • The live performances of “Sympathy For The Devil,” “Midnight Rambler,” and “Honky Tonk Woman” are MAGICAL from these shows – the Stones in 1970 were taking their music to a whole new level
  • 4 1/2 stars: “Recorded during their American tour in late 1969, and centered around live versions of material from the Beggars Banquet-Let It Bleed era… Often acclaimed as one of the top live rock albums of all time…”

(more…)

Rod Stewart – Never A Dull Moment

More Rod Stewart

More British Blues Rock

  • You’ll find excellent Double Plus (A++) sound on both sides of this early Mercury pressing of Stewart’s fourth solo album
  • Extremely well-recorded, full of great songs – Rod Stewart was on top of the world when he followed up the brilliant Every Picture Tells A Story with this album in 1972
  • The music comes alive on this vintage domestic pressing (the only ones that have the potential for Hot Stampers in our experience), assuming you have your volume up good and loud
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars in AMG, and simply “… a masterful record … He never got quite this good ever again.”

Listen to the percussion on Angel — you can really hear all the transients and the sound of the drum skins. The meaty guitar in the left channel sounds mind-blowingly good. The bass is deep and well-defined, and the sound of the drums is awesome in every way. Who has a better drum sound than Rod Stewart on his two best albums?

Along with Every Picture Tells A Story this is one of the two Must Own Rod Stewart albums. Practically every song here is a classic, with not a dog in the bunch. Rod Stewart did what few artists have ever managed to do: release his two best albums back to back.

And this Hot Stamper, not to overstate the obvious, is clearly the way to hear it. (more…)

Joe Cocker – Mad Dogs And Englishmen

More of the Music of Joe Cocker

  • This vintage copy boasts KILLER Shootout Winning Triple Plus (A+++) sound on side four and seriously good Double Plus (A++) sound on the other THREE sides, and plays about as quietly as any early pressing ever will
  • The sound is rich and tubey, with driving energy and the top end and clarity that was simply missing from far too many of the copies we had to work through in order to find this one
  • 4 1/2 stars: “Unlike a lot of other ‘coffee table’-type rock releases of the era, such as Woodstock and The Concert for Bangladesh, people actually listened to Mad Dogs & Englishmen – most of its content was exciting, and its sound, a veritable definition of big-band rock with three dozen players working behind the singer, was unique.”

(more…)

The Steve Miller Band – Brave New World

More Steve Miller Band

More Psych Rock

  • This outstanding pressing boasts solid Double Plus (A++) sound from top to bottom – exceptionally quiet vinyl too
  • We guarantee you have never heard Space Cowboy and Brave New World sound remotely as good as they do here
  • Engineered by the one and only Glyn Johns – until we heard this specific pressing we had no idea the album could sound as good as this one does
  • 4 1/2 stars: “Brave New World was more fully realized, and rocked harder, than the Steve Miller Band’s first two albums.”

(more…)

Leon Russell and the Shelter People – His Best Sounding Album?

More Leon Russell

More of Our Favorite Artists’ Best Sounding Albums 

Some records, like this one, are just too noisy for us to find

  • You’ll find excellent Double Plus (A++) from first note to last on this original British pressing 
  • Engineered by Andy and Glyn Johns, this is his best sounding album, especially on a copy that sounds as good as this one does
  • No other Leon Russell album has the richness, the sweetness, and the Tubey Magic of this, his second album from 1971
  • “Russell practically invented what might as well be called Okie rock — with that shit-kicker Gospel sound, heavy on Baptist-revival piano and chorus [a template Elton John found more than a little useful for his first ten albums or so] – and it gets as good on this album as you’ll ever hear.”

Stranger in a Strange Land, which leads off side one, might just be the best song the man ever wrote. What a joy it is to hear it sound so big and powerful.

Domestic Vs. Import

The domestic pressings of Leon Russell and the Shelter People that we’d auditioned over the years always seemed flat, dry, and closed-in. We know that sound well; it’s the sound you hear on records that have been made from dubbed tapes (and it’s the hallmark of the modern Heavy Vinyl reissue, truth be told). It bores us to tears, and had us questioning what we could possibly have seen in the album in the first place. What happened to the glorious sound of early ’70s analog we were expecting to find? (more…)

The Clash – Combat Rock

More of The Clash

  • Both the two big jammers are on this killer side one: Should I Stay or Should I Go and Rock the Casbah – you’ve never heard them sound like this!
  • Glyn Johns produced and mixed Combat Rock, so its sonic credentials are certainly in order
  • If you’re a fan of meaty bass, grungy guitars and punchy drums, this is the copy for you
  • …its finest moments — “Should I Stay or Should I Go,” “Rock the Casbah,” “Straight to Hell” — illustrate why the Clash were able to reach a larger audience than ever before with the record.”

Full and natural, energetic and high-res, no other copy came close. A stunning copy, absolutely as good as it gets for this punk classic.

Most of the other copies we played failed in one of two ways: if they weren’t too bright, they were dead as a doornail. But this copy knocked them all out with correct tonal balance and tons of energy. (more…)

Traffic – Self-Titled

More Traffic

More Steve Winwood

  • An incredible sounding Island pink label pressing and the first to hit the site in many years — Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • Both of these sides are rich, full-bodied and Tubey Magical yet still incredibly open and spacious; there’s tons of bottom end weight too!
  • “As Mason’s simpler, more direct performances alternate with the more complex Winwood tunes, the album is well-balanced… their second consecutive Top Ten ranking in the U.K.; the album also reached the Top 20 in the U.S.” – All Music, 5 Stars

This vintage Island pink label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Humble Pie – Rock On

More Humble Pie

More Peter Frampton

  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • Hard rockin’ energy to spare, the kind you will be hard-pressed to find on any modern Heavy Vinyl reissue these days – Shine On is big and bold and simply amazing here
  • A classic Glyn Johns recording – we were knocked out by the full-bodied, Tubey Magical sound of these killer pressings
  • 4 stars: “The record has an undeniable live feel to it, due in part to Glyn Johns’ humble yet precise recording, framing the group as if they were a boogie version of the Band.”

Glyn Johns strikes again — this record is absolutely brimming with TUBEY MAGIC. It’s the sound we love here at Better Records, assuming the pressing in question still maintains some degree of presence, immediacy and transparency. Records like this can easily get thick and muddy; think of the typically dull Who’s Next or Sticky Fingers and you’ll know exactly what I mean.

But oh what a glorious sound it is when it’s working. There’s not a trace of anything phony up top, down low or anywhere in-between. This means it has a quality sorely at odds with the vast majority of audiophile pressiings, new and old, as well as practically anything recorded in the last twenty years, and it is simply this: The louder you play it the better it gets.

For that we must thank Glyn Johns. (more…)