Top Artists – Miles Davis

Miles Davis – Porgy and Bess – Our Shootout Winner from 2012

More Miles Davis

More Porgy and Bess

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

WOW! This Original Six Eye Stereo pressing does EVERYTHING we ever hoped for from this great album! We’ve been searching for a killer copy of this one forever but without much luck. Here’s the first one to ever hit the site, and it is a MONSTER. Both sides have KILLER A+++ sound — super tubey magical and tonally balanced with real depth to the soundfield. (more…)

Miles Davis – Miles In The Sky

More Miles Davis

Miles In The Sky

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

WONDERFUL SOUND on both sides of this Columbia 360 Label pressing! We just finished a big shootout for this wonderful Miles Davis album and this copy was dramatically better sounding than most. Both sides have excellent bass, correct sounding brass, wonderful transparency and loads of tubey magic. The music is wonderful, Miles with his classic ’60s quintet (Hancock, Shorter, Carter, Williams) with the addition of George Benson on one song.

Miles is backed by his classic ’60s crew — Herbie Hancock, Wayne Shorter, Ron Carter & Tony Williams. (more…)

Miles Davis – Workin’ And Steamin’ – Our Shootout Winning Mono

More Miles Davis

More Workin’ And Steamin’

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

A MONSTER Double Album that simply could not be beat – three of the four sides earned our highest sonic grade of Triple Plus (A+++). The best sounding tracks here can hold their own with ANY Miles Davis vinyl we’ve ever heard, and that’s a whole lot of Mile Davis albums. You might be surprised that a reissue can beat the originals, but one play of this pressing should be enough to remove all doubt.

This pressing is WAY off the charts. You will find Demo Disc Quality Sound of the Highest Order on the best tracks, of which there are many. The extension high and low sets these sides apart. The presence of the instruments and the space around them just cannot be beat.

To the Jazz Fans of the World, we here present one of the BEST sounding jazz recordings we have ever had the PRIVILEGE to place on a turntable. I cannot ever recall hearing a better sounding Rudy Van Gelder recording, and I have a theory as to why this tape is as good as it is: it’s MONO. It also sounds like it’s recorded completely LIVE in the studio, direct to one track you might say. As good a recording as Kind of Blue is, I think the best parts of this album are more immediate and more real than anything on KOB. (more…)

Miles Davis – Miles Davis

More Miles Davis

More Miles Davis – Miles Davis

xxxxx
xxxxx
xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

To the Jazz Fans of the World, we here present one of the best sounding jazz recordings we have ever had the privilege to place on a turntable. I cannot ever recall hearing a better sounding Rudy Van Gelder recording, and I have a theory as to why this tape is as good as it is: it’s MONO.

WAY off the charts. Demo Disc Quality Sound of the Highest Order on the best tracks. The extension high and low sets these sides apart. The presence of the instruments and the space around them just cannot be beaten.

It also sounds like it’s recorded completely LIVE in the studio, direct to one track you might say. As good a recording as Kind of Blue is, I think the best parts of this album are more immediate and more real than anything on KOB.

Talk About Timbre

Man, when you play a Hot Stamper copy of an amazing recording such as this, the timbre of the instruments is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off. To paraphrase The Hollies, you get paid back with interest. If you hear anything funny in the mids and highs of this record, don’t blame the record.

This is the kind of record that shows up audiophile BS equipment for what it is: Audiophile BS. If you are checking for richness, Tubey magic and freedom from artificiality, I can’t think of a better test disc. It has loads of the first two and none of the last.

Better than the Originals?

The record combines two Miles Davis albums recorded in 1956: Cookin’ and Relaxin’. The ’70s remastering here by Rudy Van Gelder is excellent. Since RVG probably would have mastered these tapes himself for the original pressings, I’m going to guess that this album sounds better than any original, for two reasons.

One, modern cutting equipment did not exist in 1956. As good as the best tube cutting equipment may have been, not many records from the era do not suffer from bloated bass and a lack of extension on the top end. Starting in the ’70s record mastering equipment got a whole lot better. Most of the best sounding pressings in our Top 100 for example were cut on these modern cutters. The sound is dynamic with very low distortion, with higher highs and lower lows, as well as transparency and openness far beyond anything that had come before.

Don’t get us wrong, we love that classic tube-mastered sound — warmer, smoother, and sweeter than the pressings that would come later, with wonderful breath of life. But, sometime, like all colorations it comes at a price. That’s not what’s on the tape. What’s on the tape is what you hear on this amazing reissue, on the best of the four sides anyway. (more…)

Miles Davis – Basic Miles – Our Four Plus Shootout Winner from 2018

More Miles Davis

More Basic Miles

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

We award this copy’s side two our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed.

We estimate that less than one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. As I write this there is not a single other record on the site that earned that grade on either side. You can’t get much more rare than that.

Kind of Blue

Want to know how good our Hot Stamper Kind of Blue pressings sound? Listen to this very record. If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians.

That means Stella By Starlight and Little Melonae on side one, and Green Dolphin Street and Fran-Dance (Put Your Little Foot Right Out) on side two. We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match.

The nine minute plus Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear it, on any record, at any price. With Fran Dance on the same side, that gives you about 17 minutes of great sounding jazz by Miles’ classic Kind of Blue lineup.

Side one has the same cats playing for more than 12 minutes. By my calculation that’s close to another album’s worth of material from the group. The rest of the material on this compilation is best seen as gravy; maybe not essential, but never less than interesting. (more…)

Miles Davis – Bitches Brew – Our Shootout Winner from 2009

More Miles Davis

Bitches Brew

xxxxx

 

A distinguished member of the Better Records Jazz Hall of Fame.

STUNNING MASTER TAPE A+++ SOUND ON SIDES ONE AND FOUR. We had no idea this music could sound anywhere near this good; every Hot Stamper shootout we had tried before this week was a complete bust. It’s not an easy album to find in clean condition, let alone a copy that sounds like this and plays quietly throughout! If jazz-fusion is your bag, sides one and four of this copy will take you on a trip like few other records could. You can hear right in to the soundfield, and you can be sure that there’s a whole lot going on in there.

Our favorite track on this album, Miles Runs The Voodoo Down, is found on the A+++ side four, which means the sound for it is OFF THE CHARTS.

The incredible musicianship and Teo Macero’s innovative production each help take these jazz-fusion soundscapes to places most folks had never imagined before. And a copy like this one takes the entire production to a whole new level. I can’t begin to tell you how many crappy copies have hit our table over the years, but after finding this one I’m really glad we never gave up on this album. It’s the copy that finally made the music work for us. (more…)

Miles Davis – Someday My Prince Will Come

More Miles Davis

More Someday My Prince Will Come

xxxxx

  • A KILLER copy of this Davis classic, with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish. 
  • Our Hot Stamper Six Eye Stereo pressing here is Tubey Magical, full-bodied and high-rez, not to mention uncannily present – Miles is in the room with you
  • Another engineering triumph for Fred Plaut at Columbia’s legendary 30th Street Studios – the man is a genius
  • Musically this is one of our very favorite Miles Davis albums – the sound is Demo Disc Quality on the copies that sound the way this one does

We’ve found Red Label copies in the past that sound pretty darn good but this Six-Eye was a HUGE step up in class over the reissues this time around. It was not even close. This one is doing it all, with in-the-room presence, massive amounts of energy, clear, note-like bass and a rich, breathy quality to Miles’s horn that is simply not to be found on most pressings, be they originals, reissues, on Heavy Vinyl, at 45 RPM or what have you. (more…)

Avoid Making this Rookie Record Collecting Mistake

daviskindo_wtlf

Record Shopping Day Video!

Not sure how much of this video you can stand — nothing could interest me less than a couple of audiophile / vinyl enthusiasts spouting off on what they think about some random records sitting in a local store’s bins — but one or two bits caught my eye. I thought it might possibly be of service to share them with you.

Is there any value to the comments of these two collectors? If you care about what music they like, perhaps.  Anything about what to look for on the label or jacket that might correspond to better sound?  If it’s there I sure didn’t see it, but I admit to speeding through most of it so I can’t say for sure.

The first bit I refer to above is at 18:42.  The album in question is the legendary Kind of Blue. At this point the unseen helmet-cammed audiophile picks up the record, recognizes the original cover, and proceeds to pull the record out to see what era the pressing is from.

Drat! The disappointment in this audiophile’s voice is palpable as he drops the record back in the bin with his dismissive comment that  “it’s a later pressing.”

But we here at Better Records would be falling all over ourselves to get our hands on that later pressing. Those late pressings can and often do win shootouts. We would never look down our noses at a Red Label Columbia jazz LP, and neither should you.

Our intrepid audiophile explorer does much the same thing about 23 minutes in. It seems pretty clear to us that he has no respect for such reissues, another example of one of the most common myths in record collecting land, the myth that the  original pressing is always, or to be fair, usually better. (more…)

Miles Davis – Nefertiti

More Miles Davis

More Nefertiti

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This Columbia 360 Label pressing has excellent sound on both sides and unusually quiet vinyl throughout. The music is wonderful too — Miles and his late ’60s quintet featuring Ron Carter, Herbie Hancock, Wayne Shorter and Tony Williams are all in top form here, slowly working their way towards the electric fusion sounds that would be coming shortly. Many copies lack the kind of transparency and clarity you need to make sense of what each player is doing, but this Super Hot pressing gives you those qualities on both sides. (more…)

Miles Davis – Thelonious Monk – Miles & Monk at Newport

More Miles Davis

More Miles & Monk at Newport

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This Columbia 360 LP has EXCEPTIONALLY GOOD LIVE JAZZ SOUND, but only on the Monk side. It sounds, to my mind, probably as good as this record can sound. It’s very rich and full-bodied with a very strong bottom end. The energy and presence are WONDERFUL! Monk’s piano has real weight and the brass sounds just right. We played this against a few other copies and none of them came close. We give side two an A++ — I don’t think you can find one that sounds any better.

Of special note is the excellent work of Frankie Dunlap on drums, and of course Charlie Rouse is always interesting. Add to those top players somone you wouldn’t normally associate with Monk — Pee Wee Russell on clarinet, here proving that he’s every bit the bop jazz musician that these other guys are.

The Miles side sounds like what you’d expect from an old jazz concert recording — somewhat thin, flat, and lifeless. We didn’t give it a grade, and we’ve never heard one that sounded very good. I just don’t think Hot Stampers for the Miles side are in the cards.  (more…)