Top Artists – Miles Davis

Letter of the Week – Kind of Blue

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Listening to Kind Of Blue. Who needs an equipment upgrade with records like these?

So true!

It’s actually one of the common faults of audiophile thinking, present company excluded, that if you can make a record like KOB sound great, you must have a good stereo system.

The opposite is true; the real test is to get difficult to reproduce recordings to sound good, not easy to reproduce recordings.

Either way, KOB is killer, and the MoFi of it is a joke, but don’t tell this guy, who appears to be rather new to this whole “reviewing” thing:

The “In” Groove

To quote the man himself, “I do a review of the best sounding copy’s [sic] of Miles Davis – Kind Of Blue. What are the copy’s [sic] you should own?

He actually does no such thing. He does not in fact review the best sounding copies, because he’s too clueless to even bother with the ’70s Red Label pressings, some versions  of which happen to be our favorites.

Letter of the Week – – Kind of Blue

Kind of Blue

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Holy F*CK. Just arrived. Absolutely fantastic! All I can say is wow.

I replied:

Can you believe people take that mediocre MoFi seriously? It’s a joke next to the real thing, as you now know first hand.

And how much better is the +++ version (when they appear)?

Brian E.

Brian,

We just sold a top copy last month, pricey (!) but hearing the record go to another level is a thrill that’s hard to put a price on.

Best, TP

Letter of the Week – Digital Masters used in new vinyls strangle the sound at birth…

 

Hey Tom, 

I found out from buying into these and older Mobile Fidelity’s… New pressed vinyls… The sound left me cold… Didn’t have the warmth or integrity of the intended sound we all grew up on… And how the engineers and producers wanted us to hear them…

Digital Masters used in new vinyls IMO strangle the sound at birth… They give a lifeless sound that is rather like a CD, flat in its presentation without natural warmth, timbre.. Wooden instruments don’t sound wooden, brass doesn’t sound like brass… piano, the hardest instrument to reproduce other than the full tonal range of the human voice, that doesn’t sound the same in digital…

The FANCY term applied as a Sales Gimmick…the Magic of REMASTERED…means Jack Shit in reality, when worked in the digital domain… from digital masters! Give me analog every time!

Have you noticed how the Music Industry has now begun to go Back to full Analog chain/recording again? The trend is beginning to happen with a number of new recordings specified by the artists or producers… They recognize the power of a better sound captured in the analog process…

For me, original 50s, 60s and 70s music is preferred on first or often better ED2 pressings and wax which was quieter by the mid 70s early 80s..

The MORE I buy and listen to the HOT STAMPERS !the more I value the work and dedication you guts provide! There is no ‘bullshit’ at work here! The concept you have is CLEARLY AND DEMONSTRABLY PROVEN to anyone with a pair of ears willing to listen!

Even better… you don’t even NEED a Top End $10-20,000 record deck/cartridge to FULLY appreciate it… a quality Hi-Fi set up will STILL give you that same difference!

Even with a Hot Stamper in a condition with a little surface noise, clicks etc… the Magical sound overpowers any minor age related faults of the disc to render a beguiling listening experience!

PRICELESS hearing favourite albums in a NEW and hugely better way with the Sound itself being the ONLY CONSIDERATION Compared to a Bog Standard pressing…

Often as you have seen in recent times, I have upgraded Fave albums with TOP 3 Star Best Hot STAMPERS you have when available… replacing cheaper ones I bought 7-8 years ago! (more…)

Miles Davis – Miles Ahead in Glorious 1957 Mono

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  • Miles Ahead finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) sound throughout – exceptionally clean condition too
  • A nearly impossible record to find in this condition, it’s the quietest, best sounding copy by far we have ever played
  • This album forged the dynamic collaboration between Davis and Gil Evans that eventually led to Porgy and Bess and Sketches of Spain
  • 5 stars: ” Evans’ arrangements in particular are well-suited to the format, and he and Davis formed a deep and close partnership where ideas were swapped back and forth, nurtured, and developed long before they were expressed in the studio… an album that gave a hint of the greatness that would come as Evans and Davis fine-tuned their partnership over the course of the next several years.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


Quick Notes for Side One

Track three is super dynamic, horns have bite and body, textured and lively, tons of space!

Quick Notes for Side Two

The first three tracks are big, solid and open, with great space, tubey and musical.

That’s hitting all the right notes in our book. (more…)

Letter of the Week – Kind of Blue on MoFi – “Closed, muffled and flat as a pancake.”

Our good customer Bennett bought very expensive, top quality pressings of two killer Miles Davis albums from us recently. His letter reads:

Hi Tom,

Last night I listened to my 2015 Mobile Fidelity 45 RPM pressing. I couldn’t get through the first cut. Closed, muffled and flat as a pancake. No life or energy whatsoever.

Agreed. My notes for their pressing read:

Thick, dark, flat. Lacks air, space, presence.

Not a bad sound but it’s not right. (A real understatement, that.)


Kind of Blue

Someday My Prince Will Come

Miles Davis – Jazz Track

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  • Davis’ superb 1959 release arrives on the site with Shootout Winning Triple Plus (A+++) sound from start to finish
  • Davis partners here with jazz greats, including John Coltrane, Bill Evans, Cannonball Adderley and others
  • “… it should become clear why ‘Jazz Track’ is a vital Miles album as well as a testimony to the importance of the movies to jazz–as a medium for improvised soundtracks and, more importantly, as a source of theme music potentially as rich as the music of Broadway…”
  • “It’s doubtful that “On Green Dolphin Street” and “Stella by Starlight” would have caught on without Bill [Evans’] artistry (which is not to take anything away from Red [Garland], whose ballads simply lacked the intricate, delicately shaded beauty of Bill’s pensive voicings on the slow ballads).”

We had a number of original pressings on hand, some costing a pretty penny, but this is the only one that did not have serious scratches or inner groove damage. The vinyl is not quiet, but the tics stay mainly underneath the music. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.


The nine minute plus long Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear, on any record, at any price. With Stella by Starlight and Fran Dance on the same side, that gives you about 20 minutes of great sounding jazz by Miles’ classic Kind of Blue lineup. (more…)

Miles Davis – Live-Evil

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  • A STUNNING copy of Davis’ superb 1971 release, with Shootout Winning Triple Plus (A+++) sound on all four sides – exceptionally quiet vinyl too
  • Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied sound that blew away every other copy we played
  • A wonderful double album of both live and studio-recorded music, featuring numerous jazz greats, including Herbie Hancock, Keith Jarrett and Jack DeJohnette
  • Pitchfork’s Ryan Schreiber believed it was “easily the most accessible of Miles Davis’ late-’70s electric releases,” describing its music as “at once both sexually steamy and unsettling.” He said the live recordings “run the gamut from barroom brawl action-funk to sensual bedroom jazz magic, creating two hours of charged eccentricity you’ll never forget.”

(more…)

Miles Davis – Steamin’ – A Thousand Bucks and Worth Every Penny (When It Sounds Like This and Plays This Quietly)

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  • Insanely good sound throughout for this extremely rare original Prestige Yellow and Black label pressing with both sides earning Shootout Winning Triple Plus (A+++) grades – exceptionally quiet vinyl too
  • This early Mono pressing takes the sound of the recording to a place we never thought it could go – never have we heard an album from these famous sessions sound as good as this very LP
  • An original in pristine condition, with this kind of sound, is a record that is very unlikely to pass our way again
  • 5 stars: “The end results are consistently astonishing. At the center of Steamin’, as with most outings by this band, are the group improvisations which consist of solo upon solo of arguably the sweetest and otherwise most swinging interactions known to have existed between musicians.”

WOW — this Prestige Yellow Label Mono pressing has some of the most realistic, natural Miles Davis sound we’ve ever heard! Both sides earned A+++ grades and play Mint Minus to Mint Minus Minus, truly exceptional for a vintage pressing such as this one. You will have an incredibly difficult time finding a copy that can hold its own with this one. (more…)

Miles Davis – Quiet Nights

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Please excuse the mono cover art.

A distinguished member of the Better Records Jazz Hall of Fame.

A Miles Davis – Gil Evans classic, and only the second to hit the site in five years. Fred Plaut engineered the sessions, which here sound rich, warm, and smooth, with excellent presence. Gil Evans conducts the orchestra, adding a lovely feel reminiscent of Sketches Of Spain.

We recently shot out a short stack of these — not an easy record to find in clean condition, in stereo, on the earlier labels at affordable prices these days — and found that the music on Quiet Nights only really comes to life when you have a good pressing like this one.

The music is very much in the style of Sketches Of Spain and the sound is comparable to that album as well. This is Davis’ final official collaboration with arranger and conductor Gil Evans. The quintet on this album includes Miles Davis on the trumpet, George Coleman on tenor sax, Victor Feldman on piano, Ron Carter on bass and Frank Butler on drums. (more…)

Cannonball Adderley – Somethin’ Else – Our Shootout Winner from 2013

More Miles Davis / More Cannonball Adderley

More Somethin’ Else

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A distinguished member of the Better Records Jazz Hall of Fame.

A+++ SOUND, giving you a KILLER copy of one of the most beloved Blue Note albums ever! The music here is stunning — as I’m sure most of you know, this is as much a showcase for Miles Davis as it is for Cannonball himself — but the good news for audiophiles is that it’s also one of the BEST SOUNDING BLUE NOTE ALBUMS we know of! When you hear it on a copy like this, it’s just about As Good As It Gets.  

You will not believe the energy, presence and amazing transparency you get on this monster pressing without sacrificing the relaxed quality this music requires. This is a record we could play every week and never tire of. I just don’t think jazz music gets much better than this!

The Big Sound

Superb clarity and dynamics, excellent presence, full extension on bottom and top — if it’s a quality we prize, it’s here on these White Hot sides. The soundstage is huge and transparent, with the kind of separation between parts that really puts the players right there in your listening room. WOW! (more…)