Hot Stamper Pressings of the Music of Miles Davis Available Now
In 2018 we awarded this copy’s side two of Basic Miles our very special Four Plus (A++++) grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level we’ve never experienced before, a level we had no idea could even exist.
We estimate that less than one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. As I write this there is not a single other record on the site that earned that grade on either side. You can’t get much more rare than that.
UPDATE 2026
- Our lengthy commentary entitled outliers and out-of-this-world sound talks about how rare these kinds of pressings are and how we go about finding them.
- We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.
- Nowadays we most often place them under the general heading of breakthrough pressings. These are records that, out of the blue, revealed to us sound of such high quality that it changes our appreciation of the recording itself.
- We found ourselves asking “Who knew?” Perhaps a better question might have been “How high is up?”
Kind of Blue
Want to know how good our Hot Stamper Kind of Blue pressings sound? Listen to this very record. If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians.
That means Stella By Starlight and Little Melonae on side one, and Green Dolphin Street and Fran-Dance (Put Your Little Foot Right Out) on side two. We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match.
The nine-minute-plus Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear, on any record, at any price.